Tag: FORENSIC EVIDENCE

  • Donald Byron Thomas, Hear No Evil: Social Constructivism and the Forensic Evidence In the Kennedy Assassination – Two Reviews (1)


    At this late date, it could be fairly asked whether or not we need another book offering a “reconstruction” of the JFK assassination. The official investigations were so poorly conducted, the post mortem inquest so sloppy and incomplete, that concerned and curious citizens were left with many more questions than answers about exactly what transpired in Dealey Plaza. However, as author Don Thomas argues, the problem lies not so much with the evidence itself but with the way in which the forensic scientists tasked with analyzing it allowed political considerations to color their judgement and dictate their conclusions. This Thomas labels as “Social Constructivism.” As he writes, “science is a social process” and “scientific conclusions are social constructs. The consequences of the results, as much if not more than the empirical evidence itself, will often steer the scientist to one conclusion or another.” (Thomas, p. 8) And as Thomas sets forth, when properly analyzed, the forensic evidence in this case demonstrates overwhelmingly that President Kennedy’s murder was the result of a well-executed conspiracy.

    Don Thomas is one of very few experts on the acoustics evidence—the Dallas Police dictabelt recording that forced the HSCA’s conclusion of a “probable conspiracy”—and as would be expected it is this which provides the back bone for his reconstruction. But with Hear No Evil Thomas has greatly broadened the scope of his inquiry to show how all the pieces of the forensic puzzle can be put together to form a cohesive whole. Among the topics covered are the “sniper’s nest,” the fingerprint evidence, Neutron Activation Analysis, the Tippit Murder, Thomas Canning’s trajectory analysis, the paraffin casts and Jack Ruby’s lie detector test. Thomas subjects all of the above, and more, to an intriguing micro-analysis that I am convinced will impress the majority of serious assassination researchers despite the controversial nature of many of his conclusions.

    As is to be expected in a book that totals in excess of 700 pages, Hear No Evil is not without fault and there are occasional errors of fact and omission—some of which will be discussed later in this review. But the objective-minded reader is not likely to find that these impact greatly on the reliability of Thomas’ research or the credibility of his central thesis.

    I

    I’ll begin by discussing what I see as one of the major highlights of Hear No Evil: Thomas’ brilliant and compelling discussion of President Kennedy’s head wound. It is Thomas’ contention that the massive explosion so graphically depicted in the Zapruder film was caused by a single bullet fired from the grassy knoll and that, contrary to official claims, there is no evidence of a rear-entering shot to the head. He rejects claims that the autopsy materials have been fabricated and states “It is not clear to this author why anyone would suppose that the photographs are fakes when in fact they fail to support the official version of the President’s wounds.” (p. 248)

    The official version is depicted in the infamous Rydberg drawings of Kennedy’s head wound which show a small entry hole in the back of the skull and a large exit defect on the right. (CE386 and CE388) As most researchers know, the Rydberg drawings were not based on a study of the autopsy photographs and X-rays but verbal descriptions given by chief prosector, Dr. James J. Humes. Dr. Humes offered the exact same description in his Warren Commission testimony: “…there was a defect in the scalp and some scalp tissue was not available…When we reflected the scalp, there was a through and through defect [emphasis mine] corresponding with the wound in the scalp.” (2H352) Contrary to Humes’ claims, no such “through and through” hole is seen in the autopsy X-rays. As Doug Horne revealed in his recent multi-volume set, Inside the Assassination Records Review Board, the ARRB asked three independent forensic specialists to review the JFK autopsy collection and these experts were unanimous in concluding that the X-rays show no entry hole of any kind in the back of the head. (Horne, pgs. 584-586) In fact, both of Humes’ colleagues at the autopsy, Dr. J. Thornton Boswell and Colonel Pierre Finck, had already admitted that this was not the case. Boswell explained to the HSCA pathology panel that what was actually discovered upon reflection of the scalp was a small, bevelled notch on the edge of the large defect, and that a semicircular notch on a late arriving bone fragment that was detached from the skull was interpreted as completing the circumference of the inferred hole. (7HSCA246, 260) As Thomas points out, (p. 266) confirmation of Boswell’s account can actually be found in the Commission testimony of Dr. Finck (2H379) and the proof that their recollections are correct is found on the back of the autopsy face sheet where, on the night of the autopsy, Boswell provided a drawing of the bone fragment and the notch in the edge of the large defect. (CE397)

    When Dr. Humes “broke his silence” by speaking to the Journal of the American Medical Association in 1992, he claimed that the beveling around this notch in the back of the skull was “proof” that the bullet had entered the back of the head: “It happens 100 times out of 100…It is a law of physics and it is foolproof—absolutely, unequivocally, and without question.” (JAMA, May 27, 1992) Beveling of the skull, as Humes himself explained, is essentially the same as what occurs when a BB is fired through a window: there is a small hole on the outside of the glass where it enters and a larger “crater” on the inside where it exits. But just how “foolproof” is it? Thomas reports that “Contrary to the autopsy doctors assertions, beveling of the bone is not a reliable indicator of an entrance or exit wound.” (Thomas, p. 272) When dealing with a through and through bullet hole, it is usually a valid indicator but even then, as HSCA forensic pathology panel member Dr. John Coe has reported, beveling can often occur on the impact side. (ibid.) And when dealing with fragments or margins of bone, as were JFK’s autopsy doctors, “all bets are off.” As Thomas explains, “This is because the laminate nature of cranial bone lends itself to chipping that can easily be confused with beveling.” (p. 273) The truth is, as the autopsy report essentially reveals, in reaching their conclusion the autopsy doctors relied less on the forensic evidence in front of them and more on reports coming in from Dallas that the gunman was located above and behind the Presidential limousine. Their location of the in-shoot was based on little more than an inference and their “unequivocal proof” never existed.

    The hole in the scalp was accurately described in the autopsy report as a “lacerated wound.” The cause of this laceration, as Thomas explains it, is tied in with another mystery that has baffled researchers for decades: The large round fragment attached to the outer table of the skull. The official explanation for this fragment is that it represents a cross-section of the bullet that sheared off on impact but this,as the majority of experts agree, is an impossibility. Thomas writes that such “shavings” are “not uncommon, with soft lead bullets not jacketed bullets…such shavings are characteristically lunate, or C-shaped, following the typically circular margin of the entrance hole.” (p. 282) The implausibility of a completely round cross section of a fully-jacketed bullet attaching itself to the outer table of the skull has been dismissed by even Warren Commission devotee and ballistics expert Larry Sturdivan who now claims it must be an “artifact” on the X-ray. This, of course, is akin to conspiracy buffs who label every piece of evidence that doesn’t fit their pet theory as “fake” or “altered.” But Thomas provides a real explanation for the presence of this fragment: Shrapnel that broke off from the bullet which struck the street behind the limousine and pancaked against the bone. “Once it is understood that the metal on the outside of the President’s skull is a shrapnel fragment,” he writes, “one realizes that there is no evidence that a bullet entered the back of the President’s head. Moreover it explains the anomalous fracture pattern noted by researchers [Cyril] Wecht and [Randy] Robertson which suggested a second hit.” (p. 283)

    Properly interpreted, the evidence shows that the bullet struck the right temple and exited “through the right posterior parietal region of the head near the midline.” (p. 290) The path of the bullet is established by the track of “bullet dust” on the lateral X-ray and it shows a bullet travelling from front to back. (p. 283) The entrance hole in the temple, seen by witnesses like mortician Tom Robinson, is actually visible as a “lesion in the skin” in the autopsy photographs and lines up with the notch in the frontal bone seen in photograph No. 44. It is here that the track of bullet dust begins and it it extends to a point above both officially proposed entrance locations. Little wonder, then, that the HSCA pathology panel was”unable to totally explain the metallic fragment pattern.” (7HSCA224)

    In a separate chapter, Thomas deals with the argument often proposed by Warren Commission defenders that a bullet fired “from the direction of the grassy knoll entering the right quadrant of the President’s head must of necessity exit the left rear quadrant of the head.” Thomas argues that such a proposition “is not based on an understanding of terminal ballistics.” (p. 437) A bullet will usually continue on a straight-line trajectory until it strikes a hard surface at which point it will deflect. The amount of deflection is difficult to predict, “but a basic rule of thumb for any object in motion is that it will tend to take the path of least resistance.” (p. 435) In the JFK case, with a bullet fired from the knoll “and coming at a high, close to 60° angle, with a tangential strike in the temple near the hairline where the surface of the skull slopes strongly backwards and leftward, one would expect the bullet to deflect upwards and leftward as well (the path of least resistance).” (p. 436) In short, Thomas shows that the forensic evidence is perfectly consistent with the suspicion most JFK researchers hold after their first viewing of the Zapruder film: The President’s fatal wound was delivered by a bullet fired from behind the picket fence atop the grassy knoll.

    II

    Over the past decade, no single researcher has worked as hard as Don Thomas at bringing the acoustics evidence back into the assassination debate and, as would be expected, it is a focal point of Hear No Evil. Many of the details involved in an analysis of the dictabelt recording are highly technical in nature and the average reader will, like myself, find this section of the book a little hard to absorb at times. Thankfully, as he has done in previous papers and lectures, the author shows that the most compelling reason to accept the acoustics is not particularly technical at all. This Thomas refers to as “the order in the data.”

    On the day of the assassination, the microphone on a police motorcycle travelling in the Presidential motorcade had become stuck in the “on” position and the sounds had been recorded on a dictabelt machine at Dallas police headquarters. When the dictabelt was brought to the attention of the HSCA in 1978, it asked the top acoustics experts in the country to analyze the recording to see if it had captured the sounds of the assassination gunfire. James Barger and his colleagues at Bolt, Baranek & Newman (BBN) discovered six suspect impulses on the tape that occurred at approximately 12:30 p.m.—the time of the assassination—and reported that on-site testing needed to be conducted at Dealey Plaza. There, microphones were placed along the parade route on Houston and Elm Streets and test shots were fired from the two locations witnesses had reported hearing shots; the Texas School Book Depository and the grassy knoll. BBN found that five of the impulses on the dictabelt were found to acoustically match the echo patterns of test shots fired in Dealey Plaza. One of these, the fourth in sequence, matched to a shot fired from the grassy knoll. As Thomas explains, “the mere fact that the suspect sounds had matched to some of the test shots is not particularly significant. However, the order and spacing of the matching microphone positions followed the same order as the sounds on the police tape.” (p. 583)

    If the sounds on the dictabelt were not the assassination gunshots, “a match would be as likely to appear at the first microphone as the last…And if all five happened to match, as these had, they would fall in some random order…But the matches were not random. They fell in the exact same 1-2-3-4-5 topographic order as they appear chronologically on the police recording.” (ibid)

    • The first impulse matched to a test shot recorded on a microphone on Houston Street near the intersection with Elm.
    • The second to a microphone 18 ft north on Houston.
    • The third to a microphone at the intersection.
    • The fourth to a microphone on Elm.
    • And the fifth to the next microphone to the west.

    On top of all this, the distance from the first matching microphone to the last was 143 feet and the time between the first and last suspect impulse on the tape was 8.3 seconds. In order for the motorcycle with the stuck microphone to cover 143 feet in 8.3 seconds it would need to be travelling at a speed of approximately 11.7 mph which fits almost perfectly with the FBI’s conclusion that the Presidential limousine was averaging 11.3 mph on Elm Street. (ibid)

    Finally, the gunshots on the dictabelt synchronize perfectly with the visual evidence of the Zapruder film. There are two visible reactions to gunshots on the Zapruder film. One of these occurs at Z-frame 313 with the blatantly obvious explosion of President Kennedy’s head. The other occurs between fames 225 and 230 when the Stetson hat in Connally’s hand flips up and down, presumably as a result of the missile passing through his wrist. This is preceded at Z-224 by the flipping of Connally’s lapel which has been cited by many as pinpointing the exact moment the bullet passed through his chest. When the fourth shot on the dictabelt, the grassy knoll shot, is aligned with Z-frame 313, the third shot falls at precisely Z-224! (p. 604) This perfect synchronization of audio and visual evidence is either one heck of a coincidence or the final proof that the suspect impulses on the dictabelt really are what the HSCA experts claimed there were. Unfortunately, this remarkable concordance was hidden from the public when HSCA chief counsel, Robert Blakey, in a “socially constructive” move, convinced the experts to label the third shot as a “false alarm.”

    Former HSCA staff investigator, Gaeton Fonzi, wrote in his brilliant book The Last Investigation, that, “Chief Counsel Blakey was an experienced Capitol Hill man. He had worked not only at Justice but on previous Congressional committees as well. So he knew exactly what the priorities of his job were by Washington standards, even before he stepped in.” (Fonzi, p. 8) Blakey, who later admitted that before he took the job he had found the idea of a conspiracy in the JFK case “highly unlikely,” (ibid. p. 259) was destined not to stray too far from the Warren Commission’s conclusion that only three shots were fired and all were fired by Lee Harvey Oswald. As such, the acoustics evidence presented him with a big problem. As Thomas puts it, “The acoustical evidence simply did not mesh well with the Warren Report…Blakey’s problem was not just that a total of five putative gunshots were detected by BBN’s test procedures, but that these shots came too close together.” (Thomas, p. 584) In 1964, the FBI established that “Oswald’s” rifle required 2.3 seconds between shots and, as Special Agent Robert Frazier testified, this was “firing [the] weapon as fast as the bolt could be operated.” (3H407) But the first three shots on the dictabelt had all come from the general vicinity of the book depository and came only 1.65 and 1.1 seconds apart. To “solve” the problem, Blakey acquired a Mannlicher Carcano similar to the one found on the sixth floor and, together with a group of Washington police officers, practised firing the rifle as fast as possible. Apparently, by “point aiming”—which means not really aiming at all—Blakey and HSCA counsel Gary Cornwell were able to squeeze off two rounds in 1.5 and 1.2 seconds respectively. (8HSCA185) This farcical display was enough to satisfy Blakey about the “probability” that Oswald fired the first two shots on the tape. He then told the acoustics experts that the third shot, coming only 1.1 seconds after the second, could not be what their analysis told them it was. And in another socially constructive move, the scientists played along.

    The truth is that all three matches were as valid as each other and what the acoustics evidence actually showed was that there may have been a second rearward assassin and a triangulation of crossfire—just as critics like Josiah Thompson had been saying since 1967. But a Washington man like Blakey was not about to admit that the “buffs” had been right all along. In a conversation with Thomas in 1999, “Blakey confided that he knew he would take a lot of heat for the grassy knoll shot and he didn’t want to dilute his case with the weak evidence for a fifth shot.” (Thomas, p. 590) By putting political considerations before the evidence, Robert Blakey did history a huge disservice and helped obscure the truth about the assassination. By cutting out the crucial third shot, he had essentially hidden the perfect synchronization between the dictabelt and the Zapruder film and it was for this very reason that many JFK researchers rejected the validity of the acoustics evidence. One can only wonder what reception the Dallas police dictabelt would have received had Blakey had the courage to stand up for the truth.

    III

    There are a number of points in Hear No Evil that are likely to be controversial among critics and conspiracy theorists and chief among these is the author’s acceptance of the single bullet theory. But for Thomas there is a distinction to be made between the single bullet theory and the “magic bullet theory.” According to Thomas, the single bullet theory is the hypothesis that only one bullet caused all seven non-fatal wounds to JFK and Governor Connally and the magic bullet theory is the belief that this bullet was CE399—the near pristine round allegedly found on a stretcher at Parkland hospital. He finds it necessary to make this distinction because he accepts the former and rejects the latter.

    The majority of the book is firmly rooted in the forensic evidence so it was a surprise to see the author engaging in a great deal of speculation as he does when attempting to explain the origin of CE399. Thomas advances the hypothesis that the magic bullet was actually recovered from the turf in Dealey Plaza and FBI agent, Doyle Williams carried it over to Parkland where, after being refused access to the room in which Kennedy’s body was being held, he left it on an unattended stretcher. The problems with this theory are numerous, and to the author’s credit he does emphasize that it is just a theory, (p. 416) but for me its biggest flaw is that it does not account for the vast body of evidence indicating that CE399 was not the bullet found at Parkland.

    In 1964, the Warren Commission asked the FBI to establish chains of custody for various items of evidence including CE399. On July 7, the Bureau provided a 3-page report laying out the bullet’s chain of possession and claiming that on June 12, FBI agent Bardwell Odum had shown CE399 to the two Parkland hospital witnesses who found the bullet, Darrell Tomlinson and O.P. Wright, and neither man could “positively identify” it. (24H412) Additionally, the same report notes that the next two men in the chain, Secret Service agent Richard Johnsen and Secret Service chief James Rowley “could not identify this bullet as the one” they handled. (ibid) Two years later, Josiah Thompson interviewed O.P. Wright and asked him what the bullet he had handled that day looked like. He showed Wright a photograph of CE399 and he “rejected” it “as resembling the bullet Tomlinson found on the stretcher.” Wright, a former police officer experienced in firearms, explained that the bullet he saw had a “pointed tip” and even showed him a similar .30 caliber round from his own desk. (Six Seconds In Dallas, p. 175) When interviewed, Tomlinson was less certain saying “only that the bullet found resembled either CE572 (the ballistics comparison rounds) or the pointed, .30 caliber bullet Wright had procured for us.” (ibid)

    The fifth link in the chain, FBI agent Elmer Todd was in the White House when he purportedly received the bullet from Rowley. Todd marked the bullet with his initials (24H412) and then passed it along to Robert Frazier at FBI HQ. The problem is, Todd’s initials are not on CE399! In 2003, meticulous JFK researcher John Hunt proceeded to “track the entire surface of the bullet using four of NARA‘s preservation photos.” The following year, he visited the National Archives where he was able to inspect the assassination materials for himself. Hunt discovered that there were only three sets of initials on CE399: RF (belonging to Robert Frazier), CK (FBI Agent Charles Killion), and JH (which was the mark used by FBI Agent Cortlandt Cunningham to avoid confusion with “cc,” the notation for carbon copy). Todd’s mark was nowhere to be found. And Hunt discovered yet another problem. Frazier marked the time he received CE399 on his November 22 laboratory worksheet as “7:30 PM.” He wrote the same time on a handwritten note he titled “History of Evidence” and likely used as a memory aid during his Commission testimony. The problem is, Todd also made a note of the time he received a bullet and according to the handwritten notation he made on the original envelope that contained it, he received the stretcher bullet at “8:50 PM.” So how could Frazier receive a bullet from Todd at FBI HQ one hour and 20 minutes before Todd was handed the same bullet at the White House by Chief Rowley? He could not. When considered alongside the fact that Todd’s initials do not appear on CE399 and the fact that the four men preceding him in the chain of possession did not recognise it when shown, there is only one plausible explanation: There were two bullets in Washington that day; CE399 and the pointed-tip missile found on a stretcher at Parkland Hospital. CE399 was used to pin the blame for Kennedy’s assassination squarely on Lee Oswald’s shoulders. The stretcher bullet was made to disappear.

    I find it hard to believe that Thomas was unaware of the problems wit CE399’s chain of possession and it is a shame that he chose not to address them. But it is possible that he may have hit on something important by contending that the magic bullet was originally found in Dealey Plaza. A Dallas police officer, Joe W. Foster, told the Commission he had “found where one shot had hit the turf” after striking a manhole cover (6H252) and, in fact, a series of photographs taken by Black Star photographer, Jim Murry, show Foster and other officers inspecting the lawn.” (Thomas, p. 403) In these pictures a sandy-haired man in a suit, later identified by Dallas police chief Jesse Curry as an FBI agent, is seen apparently picking a bullet out of the grass and putting it in his left pocket. Could this bullet actually be CE399? As Thomas notes, “Two contingencies make the story even more compelling. First, CE399 is in the minimally damaged condition one would expect of a fully jacketed bullet having buried itself into the soggy turf…Second, the manhole cover is in a direct line with the center lane of Elm Street and the southeast corner window of the sixth floor of the book depository.” (p. 402) It is, of course, pure conjecture but it could just be that this unidentified FBI agent carried the bullet straight to FBI HQ in Washington. This would explain how Robert Frazier could have CE399 in his possession over an hour before Elmer Todd received the stretcher bullet in the White House.

    IV

    Thomas omits a number of important details when suggesting what role Oswald might have played in the conspiracy and it was surprising to discover that he accepted the Warren Commission’s claim that Oswald had carried the Mannlicher Carcano rifle into the building in a brown paper bag disguised as curtain rods. Far more shocking, however, was to find him making the claim that there is “little reason to doubt that the weapon found on the sixth floor belonged to Lee Harvey Oswald.” (p. 25) On the contrary, as recent research has shown, there is plenty of reason to doubt. The Commission claimed that Oswald had ordered the rifle (serial no. C2766) from Klein’s Sporting Goods of Chicago on March 20, 1963. He had ordered the rifle in the name of A. Hidell and it had been shipped to PO Box 2915, Dallas, Texas, Oswald had ordered the weapon using a coupon from American Rifleman magazine and paid the $24.45 with U.S. Postal Order no. 2,202,130,462. FBI document examiners testified that the handwriting on the order form, postal order and envelope was Oswald’s and Marina Oswald testified that the rifle in question did indeed belong to her husband. It appeared to be an open and shut case—but appearances can be deceiving. In fact, there is no evidence that Oswald ever received the rifle.

    To begin with, when Oswald opened PO Box 2915 in October, 1963, he listed “Lee H. Oswald” as the only person authorized to receive mail. (17H679) U.S. Postal regulation no. 355.111 clearly states that “Mail addressed to a person at a PO Box who is not authorized to receive mail shall be endorsed ‘addressee unknown’ and returned to sender.” How then could Oswald have received a rifle ordered in the name of A. Hidell? The Warren Commission dealt with this problem by having Postal Inspector Harry Holmes testify that “when a package is received for a certain box, a notice is placed in that box regardless of whether the name on the package is listed on the application.” Holmes also claimed that the person would not be asked for identification “because it is assumed that the person with the notice is entitled to the package.” (R121) Although the commission chose to interpret it differently, what Holmes essentially stated was that anyone with a key to Oswald’s box could have picked up the package. However, it should still have been possible to discover exactly who picked up the rifle because that person would have been required to sign postal form 2162. In 1963 it was legal to sell firearms through the mail as long as strict regulations were followed. Postal regulation 846.53a required that both the shipper and the receiver fill out and sign form 2162, which was to be retained for four years. The Commission gave no indication that they ever looked for the form and there is no indication that Postal Inspector Harry Holmes ever volunteered it. The most likely reason that Holmes withheld this important information is that he was helping out his friends at the Bureau. He was, after all, an active FBI informant.

    As it turns out, Holmes and other inspectors at the Dallas General Post Office (GPO) were well aware of Oswald long before the assassination and had informed the FBI about Oswald receiving “subversive materials.” On April 21, 1963, Holmes himself advised FBI Special Agent James Hosty that Oswald had been in contact with the Fair Play For Cuba Committee. (CD11, Report of SA Hosty, 9/10/63) And this in itself gives us further reason to doubt that Oswald had ever received the rifle. Is it reasonable to believe that Postal Inspectors felt it was important to report that Oswald was receiving subversive materials and literature written in Russian, but did not feel it was worth informing the bureau that an alleged communist had ordered a rifle?

    Finally, just as there was no paper evidence of Oswald receiving a rifle when there should have been, there was no eyewitness either. As researcher John Armstrong noted, “In 1963 the GPO in Dallas had a stable work force of employees who were loyal…worked the same job for years…and knew many of their customers by name. There is little doubt that that postal employees were aware of Oswald because of the unusual nature of material he was receiving…But, according to Holmes, Postal Inspectors in Dallas made exhaustive inquiries in an attempt to locate employees who remembered handling or delivering a large package to Oswald, but without success” (Harvey & Lee, p. 453)

    With the above in mind, I believe it is reasonable to ask whether or not Oswald had even ordered the rifle in the first place. In this regard, it would appear that the Warren Commission presented a pretty solid case. But again, appearances can be deceiving. Postal order no. 2,202,130,462 was postmarked “Mar 12, 63 Dallas, Tex. GPO” and the envelope in which it was sent was postmarked “Mar 12 10:30 am Dallas, Tex. 12.” (17H635) This means that the money order was purchased between 8:00 am (when the office opened) and 10:30 am on March 12. Records show that from 8:00 am to 5:15 pm of March 12, Oswald was working at Jaggers-Chiles-Stovall, 11 blocks away from the GPO. Therefore, Oswald could not have purchased the money order. Even more problematic, the postmark on the envelope establishes that it was dropped in a mail box in postal zone 12—several miles west of downtown Dallas. Could Oswald have walked 11 blocks to the GPO, purchased the money order, travelled several miles west (for no apparent reason) to mail it before 10:30 am, and then made his way back to work without anyone noticing he was gone? No, he could not. The evidence establishes, therefore, that Oswald neither purchased nor mailed the money order used to purchase the assassination weapon.

    What this means is that the entire case for Oswald ordering the Mannlicher Carcano rests on analysis of the handwriting on the order form, postal order and envelope. The question is, is handwriting analysis an exact science? The answer is no. For example, during the 1969 trial of Clay Shaw, a question arose as to whether or not Shaw had signed an airline guest book as “Clay Bertrand.” The prosecution produced a handwriting expert who said he did. The defence produced one who said he did not. What this illustrates, in my opinion, is the tendency of such “experts” to side with whoever is paying for their time. And given that the analysts testifying for the Warren Commission were government employees, in conjunction with what we’ve learned above, I see no reason to trust their “expert opinions.”

    V

    For more than three decades, lone nut believers have been citing Vincent Guinn’s Neutron Activation Analysis (NAA) of the JFK ballistic evidence as proof that Oswald was the lone gunman. Guinn told the HSCA that he had demonstrated through the use of NAA that a fragment of lead from Connally’s wrist did in fact come from CE399 and that “one of the two fragments recovered from the floor of the limousine and the fragment removed from the President’s brain during the autopsy were from a second bullet.” (HSCA Report, p. 45) There was, he claimed, “no evidence of a third bullet among those fragments large enough to be tested.” (ibid) In short, Guinn claimed to have scientifically proven that only two bullets struck the occupants of the limousine and both came from Oswald’s rifle. Following in the footsteps of Erik Randich, Pat Grant, Cliff Spiegelman and William A. Tobin, Don Thomas shows that there is absolutely no validity to Guinn’s claims and that examination of the data “leads one to conclude that Guinn’s opinions derived more from his personal views than from the metallurgical evidence.” (Thomas, p. 452)

    To begin with, Dr. Guinn’s objectivity was always open to question. As Thomas writes, “Guinn denied under oath that he done any work in connection with the Warren Commission investigation.” (ibid) But this was a bald-faced lie. Guinn was “one of three scientists who had conducted tests in consultation with the FBI for gunshot residues on Lee Harvey Oswald’s paraffin casts. When those tests seemed to exculpate Oswald, Guinn had agreed to keep the results secret…Guinn’s dishonest denial that he had performed analyses in connection with the investigation of Kennedy’s death in 1964 must be considered in determining the credibility of his congressional testimony in 1978.” (pgs. 452-453) On top of this, the integrity of the evidence Guinn tested was also in doubt. When he came to weigh the fragments, Guinn found that their individual weights did not correspond to the weights of the fragments tested by the FBI in 1964 despite the fact that the FBI test was not destructive. Speaking to press reporters after his HSCA testimony, Guinn hypothesized, “Possibly they would take a bullet, take out a few little pieces and put it in the container, and say, ‘This is what came out of Connally’s wrist.’ And naturally if you compare it with 399, it will look alike…I have no control over these things.” (Henry Hurt, Reasonable Doubt, p. 83)

    Thomas quotes from a number of scientific studies that cast serious doubt on the reliability of NAA. One such study by a team of scientists from Gulf Atomic Corporation of San Diego reported in 1970 that “the application of NAA to the comparison of two bullet leads can show two samples to be different…but it cannot show two samples to be the same in most cases.” (p. 454) In fact, the two most popular manufacturers of the time, Remington and Winchester, were making bullets that were “practically indistinguishable from one another.” (ibid) A more recent review in 2004 by the National Research Council found that “Available data do not support any statement that a crime bullet came from a particular box of ammunition.” (p. 455) This is in direct contradiction to Guinn’s claims that not only were Carcano bullets unique but that each Carcano bullet was distinguishable from all others.

    In 1964, the FBI had conducted NAA tests on the assassination bullet fragments with inconclusive results. In his HSCA testimony, in an obvious attempt to explain how he was able to succeed where the Bureau failed, Guinn claimed that he had more information to go on. Specifically, “a great deal of background data…on WCC Mannlicher Carcano bullet lead.” (7HSCA566) But what background data was that? As Thomas explains, “Only he and the FBI had ever analyzed Carcano bullets.” (p. 476) For his study, Guinn acquired 14 Western Cartridge Company Carcano bullets and took four samples each from three bullets to test for homogeneity. He reported, “…you simply don’t find a wide variation in composition within individual WCC Mannlicher Carcano bullets.” But, Thomas informs, “contrary to Guinn’s assertion, the antimony levels within individual Carcano bullets do have a wide variation, and moreover, a close reading of the appendix to his report reveals Guinn admitting that he knew these samples were not homogeneous.” (p. 470)

    As normal scientific practice dictates, in order to make any meaningful claims about the relationship between the bullets and the fragments, “one first has to know the degree of variation within bullets, not just the reliability of single measurements of a single sub-sample.” (p. 480) To this end, the analyst needs “replicated readings from multiple samples to account for heterogeneity and reproducibility. Guinn never conducted such tests.” (pgs. 480-481) Dr. Guinn expected researchers to take on faith “that a single reading of a single specimen from the core of CE399 was all the data one needed.” (p. 481) What Guinn did not reveal in his testimony was that the FBI had sub-sampled CE399 and the results showed that “All of the Dallas specimens were generally somewhat similar to one another in their Sb and Ag concentrations, but there was a wide spread in the values for individual samples and among the groups of samples.” (ibid) This again directly contradicted Guinn’s claim that there was little variation among bullets but great variation within individual rounds.

    Thomas states that Guinn’s HSCA report stands alone in the field because no single study of bullet metal either before or since “has ever claimed to be able to distinguish individual bullets from within the same production batch. There was no scientific basis for Guinn’s claim that Carcano bullets are unique, or that individual Carcano bullets are materially different from one another.” (p. 472) As metallurgist, Erik Randich, and chemist, Pat Grant, reported in the Journal of Forensic Science in 2006 after reviewing the JFK bullet evidence, “The lead core of the bullets [Guinn] sampled…contained approximately 600-900 ppm [parts per million] antimony and approximtely 17-4516 ppm copper…In both of these aspects the…MC bullets are quite similar to other commercial FMJ [full metal jacket] rifle ammunition.” Therefore, the Kennedy assassination fragments, “need not necessarily have originated from MC ammunition. Indeed, the antimony compositions of the evidentiary specimens are consistent with any number of jacketed ammunitions containing unhardened lead.”

    VI

    Over recent years, the JFK assassination literature has come to be dominated by claims that evidence has been altered or outright fabricated in order to conform to the official story. If we are to believe everything we read, the President’s body was hijacked and his wounds were manipulated, his brain was switched before it went missing from the archives, the autopsy photos and X-rays have been altered, the Zapruder film is a fabrication, Oswald’s body was switched with that of an imposter…the list goes on. In fact, one prominent researcher went so far as to suggest that there were actually two complete sets of evidence—one real and one fake! Undoubtedly there are legitimate areas of concern but at some point we have to step back and realize that the problem may not be with the evidence so much as it is with the researcher. It is for this very reason that Don Thomas’ Hear No Evil is a breath of fresh air.

    One area that has baffled critics for decades is the medical evidence. The autopsy record has undoubtedly been altered in the sense that crucial materials such as the President’s brain, microscopic tissue slides and autopsy photographs known to have been taken have been removed from the archive. But does it necessarily follow that what we are left with is fake? The answer, as Thomas demonstrates, is no. The fact is, the autopsy X-rays of the skull completely contradict the official account of the President’s head wound. So why would conspirators go to the trouble of fabricating evidence that contradicts the story they wish to promote? The same can be said for the Zapruder film which shows Kennedy being slammed backwards and leftwards by the impact of a shot from the right front. In this regard, Thomas shows how people like Luis Alverez, John Lattimer and Larry Sturdivan all constructed dubious theories “for the purpose of explaining away the obvious reason for the head snap, and all suffer, not only from implausibility, but from a failure to fit the evidence.” (p. 370)

    This is the true strength of the book and the reason why I believe it will be such a valuable contribution to the literature. Thomas shows that the problem is not the evidence but how it has been interpreted in the cause of “social constructivism.” He explains how Alverez knowingly “rigged” his experiment to produce a “jet recoil effect.” (Chapter 10) And how NASA rocket scientist, Thomas Canning, fudged the data and moved the President’s wounds to make it appear that the bullet trajectories were consistent with a gunman in the sixth floor window. (Chapter 12) He proves that Vincent Guinn lied under oath and cherry-picked the ballistic data in order to pin the blame on Oswald. (Chapter 13) And he shows how the HSCA forensic pathology panel deliberately misrepresented JFK’s head wound. (Chapter 8) In short, he demonstrates that there is no need to doubt its veracity because “the overwhelming weight of the evidence indicates that there was a conspiracy.” (p. 728) And he fits it all into a sound reconstruction of events that is sure to spark at least the occasional heated debate—but you’ll have to buy the book to find out the details!


    Links to information mentioned in this article:


    Review of Hear No Evil by David Mantik

  • JFK: Inside the Target Car, Part One: Or, How to Rig an Experiment


    See Additional Reviews of Inside the Target Car


    Whenever I hear of a new scientific approach to the John F. Kennedy case, my first reaction is to shudder and then run for cover. I don’t think it is hard to understand why I feel that way. Actually, it’s quite simple. Its because whenever someone says they are going to treat this case with scientific rigor, sooner or later, the rigor dissipates and the so-called natural laws of the universe somehow fail. So suddenly, as with President Kennedy’s violent rearward reaction, Newton’s laws of motion don’t apply anymore. Or as with the trajectory of the Single Bullet Theory through Kennedy’s body, gun shot projectiles don’t move through soft tissue in straight lines anymore.

    Further, alleged “authorities” suddenly get thoroughly confused and confounded by the evidence. As Pat Speer has shown, Dr. Michael Baden didn’t even know how to orient one of the most important autopsy photos. NASA scientist Tom Canning moved Kennedy’s back wound up to make the Single Bullet Theory (SBT) work, and then shrunk Kennedy’s head to make the head wound trajectory work. Dr. Vincent Guinn “proved” the SBT theory with his Bullet Lead analysis—which we now know, through the work of Pat Grant and Rick Randich, is nothing but “junk science”. Its so junky that the FBI will not use it in court anymore.

    At other times, we even get the spectacle of people who should not be approaching the case at all acting as if they were qualified in a certain field of scientific endeavor. Vincent Bugliosi used a chiropractor whose office offered massage therapy—Chad Zimmerman—as an authority in radiology. Robert Blakey hired statistician Larry Sturdivan to show films of goats being shot to illustrate the so-called neuromuscular reaction. (And then they both failed to tell us that Kennedy’s reaction does not match what happens in the goat films.) Urologist John Lattimer was the first “independent” doctor admitted to the National Archives to report on the extant autopsy materials there. He somehow missed the fact that the president’s brain was missing. Lattimer then gave us the Great Thorburn Hoax, which was thoroughly exposed by Milicent Cranor. And, of course, who can forget Dale Myers’ computer 3D simulation, which turned the SBT from theory to “fact”. A “fact” that was ripped to smithereens by Milicent Cranor, David Mantik, and Pat Speer.

    The point of this partial list is simply to show that when the scientific method encounters the Kennedy case, it somehow loses all semblances to what most of us expect about that rubric. So for people like me who have become jaded by the above hijinks, I was not excited about another heralded and pretentiously headlined story. Especially after what ABC said in advance about the “indisputability” of the Myers debacle back in 2003.

    I

    The latest installment in this sorry pseudo-scientific lineage took place at the 45th anniversary of Kennedy’s murder. That is on November 16, 2008 on the Discovery Channel. The show was called JFK: Inside the Target Car. One of the problems I had with the show was that it had contracted out with Adelaide T & E Systems to do much of the technical work for the show. This is a large engineering company with strong ties to the Australian Defense industry. In fact, over half of Australian defense companies are located in the Australian city of Adelaide. The city relies on billions of dollars a year in contracts to make its economy hum. And hum it does. Both the population and economy has grown significantly since the nineties. Another interesting thing about the city of Adelaide is this: Rupert Murdoch’s giant media conglomerate News Corporation was founded in, and until 2004, was incorporated in that city. In fact, Murdoch still considers Adelaide the spiritual home of News Corp. Adelaide sounds roughly like the Australian equivalent of Langley, Virginia—with the Washington Post and all. As we shall see, there are dubious aspects of the show to support this interpretation. (This information was garnered from the Wikipedia entry on the city.)

    Further, The Discovery Channel, which hosted this special, is fast becoming the new CBS. If one recalls the work of people like Jerry Policoff, CBS was probably the most rabid defender of the Warren Commission from 1963-1967, and even beyond. In 1964, they put together a special almost immediately after the Warren Report was published. In other words, it was almost impossible for them to have read, digested, and analyzed the 26 volumes in time for the broadcast. But that didn’t bother them at all. They went ahead and coronated that disgraceful document. In 1967, they actually used Warren Commissioner John McCloy as a consultant to their multi part series—without informing the audience of that fact! Both these programs are embarrassing to look at today. But both Walter Cronkite and Dan Rather had their marching orders from above. And like good corporate foot soldiers, they did what they were told.

    Today, the cable version of CBS on the JFK case has become Discovery Channel. In 2003, they did a show called The JFK Conspiracy Myths. In this program, the producers used the same sharpshooter that Inside the Target Car used: Michael Yardley. The aim was to show that Lee Harvey Oswald could do what the Warren Commission said he did: That is fire three shots in six seconds getting at least two direct hits. Except for Yardley the time span was magically and conveniently expanded to almost eight seconds. Further, his rifle was hooked up to a laser switch which, of course, eliminates rifle recoil, making it easier to shoot and re-aim. As Pat Speer noted, Yardley was later honest about his ersatz experiment. He told a British journalist that he did not think Oswald could have pulled off the feat of marksmanship attributed to him. End of story.

    In 2004, the Discovery Channel was at it again. They ran a new program called JFK: Beyond the Magic Bullet. This one tried to prove that the Magic Bullet was not really magical. In other words, it could have traversed the storied path through two bodies, two dense bones, three body parts, and still drive itself into John Connally’s thigh. And then reverse trajectory and plunk out. As Pat Speer notes in his review, this show was riddled with so many factual errors that it looked like it was being made up willy-nilly. For instance, the entry point on the president’s back was wrongly situated. The narrator said that the Magic Bullet hit Kennedy in the neck. Which is a lie made up by Gerald Ford. We know today through autopsy photos that the bullet entered in Kennedy’s back. Further, when they fired this bullet from an elevated platform, it emerged from the simulated torso of JFK at his chest. Not his throat. Another problem was that their bullet failed to explode the simulated wrist of John Connally as the Warren Commission said it did. And then when they found this bullet after a search in the brush, it was clearly deformed. Not in nearly pristine condition as in the Warren Commission version. I could go on and on, but for those interested in all the details, read Speer’s article at his website.

    The third aspect of JFK: Inside the Target Car that gave me pause was the participation of the Sixth Floor Museum through the presence of curator Gary Mack. The Sixth Floor Museum, since its inception, has been dedicated to preserving the Warren Commission deception about Oswald. For instance, when I visited there in 1991, their version of the Zapruder film was cut off before frame 313, when Kennedy’s body rockets backward off the rear seat. When I saw that piece of censorship to the Z film, I was reminded of the old joke about the Lincoln assassination, “Well Mrs. Lincoln, outside of your husband’s murder, how did you like the play?” (I am told this has been changed since. I hope so.) Further, they sell all kinds of pro-Warren Commission volumes, like the works of Richard Trask; but few, if any, Warren Commission critiques. Not even the works of Sylvia Meagher, Philip Melanson, or Gaeton Fonzi. Gary Mack—who I will discuss at length in part three of this review—makes up all kinds of weak excuses for this biased expurgation. But I have the real reason from a source in Dallas who asked someone on the board of the museum about this issue. The member answered that this was simply a set policy. Unlike Mack’s pronouncements it has nothing to do with timeliness or updated versions etc. They just don’t want people who go there to be exposed at any length or depth to the critical community that does not buy the Krazy Kid Oswald stuff.

    So the combination of Discovery Channel, Adelaide T ∓ E, the Sixth Floor Museum, and the dissimulating Mack did not look promising to me. In fact it was downright unappetizing. I actually felt lucky when Milicent Cranor and David Mantik reviewed the show for our site. When it comes to the medical and ballistics evidence, it does not get much better than those two. While reading their thorough and precise critiques, I began to watch the show repeatedly at my leisure. I have now seen it three times. It is clear to me that the show had an agenda from the beginning. And just about everything they did hewed to that agenda, thereby creating the preordained end result. But unlike in the other two Discovery Channel misfires, the producers learned from their previous amateur errors. This time around they were slicker. They tried to keep the trickster’s hand ahead of the viewer’s—read “the mark’s”—eyes. But to anyone familiar with the evidence in the case, the show collapses fairly easily. And therefore is exposed as another jerry-built propaganda piece for the pitiful Warren Commission. And like any apologia for that sorry panel, its self-contained, inherent shame transfers onto its defenders.

    II

    When one stops and analyzes this show one understands what it actually does. And that is this: it conflates, condenses, oversimplifies and therefore falsifies three complex areas of study in the Kennedy case. These are 1.) The medical evidence 2.)The ballistics, and 3.) The condition of the limousine after Kennedy is transported to Parkland Hospital. When I say “areas of study” I mean just that. A beginning student of the Kennedy case could take over a year to study the medical evidence. And even then he would not have mastered it. And it would not be his fault. The problem is not one of retention or reasoning. The problem lies quite clearly in the twists and turns of the evidentiary record. I mean, Michael Baden is a forensic pathologist. As I said earlier, he could not orient the back of the skull photo, the only one with Kennedy’s scalp refracted. Baden also embellished exhibits when he got desperate to prove his particular version of the evidence. He had his artist alter photos and drawings to create fractures that are not on the x-rays, and raised edges around wounds not on the former. One can understand his dilemma: How many gunshot murder cases have two different autopsies? How many have two wounds which dramatically move their locations in less than five years? How many have x-rays which change fragment patterns and in which large fragments not observable during autopsy x-rays, miraculously materialize on those same x-rays a few years later? But yet, on these new and changed x-rays, the fragment trail does not match up with either the alleged entry wound or alleged exit wound? All of these bizarre inconsistencies are documented in the JFK medical evidence. We can measure this show’s honesty with what it does with these provable facts.

    The ballistics evidence in the JFK case is almost as puzzling. For instance the House Select Committee on Assassinations (HSCA) determined that the wound in the back of President Kennedy had an abrasion collar on the bottom. This usually indicates a shot with an upward trajectory. Yet how could this be if Oswald was firing from six stories above? Were there two assassins? Was the photo touched up? Or is the scientific deduction faulty? As I wrote in Part Four of my review of Vincent Bugliosi’s Reclaiming History, the Warren Commission stated that the shot to Kennedy’s head came in low on the rear skull. But it exited above the right ear and forward of it on the right side. This created problems with both the horizontal and vertical trajectory of this bullet. For the angle from the so-called sniper’s nest of the Texas School Book Depository is right to left on the horizontal plane. So did the bullet alter direction inside the skull? And per the vertical, the bullet would seem to have exited too high for its entry point. Also, although the type of military jacketed bullets attributed to Oswald are tough to break apart, in this case, the bullet to the head did. For there were fragments found on the x-rays and in the automobile. The problem though is that the fragment evidence as attested to by the HSCA says that the middle of the bullet stayed on the outside of the skull, while the nose and the tail hurdled through the head and landed in the front seat. Yep, that is what they say. Somehow, the back of the bullet magically levitated at the precise nanosecond over the middle section and then scooted through the skull. As we shall see, this is a major problem for this show.

    Finally, of late, the condition of the president’s limousine has also become a controversial area of study in this case. Just what was the condition of the car when it arrived back in Washington DC? What happened to the car when it arrived at Parkland Hospital? Photos indicate that a Secret Service agent actually scrubbed down the inside of the car. But why would he do that? And what else did he do while he was inside the auto? When were photos taken of the inside of the car and were they in color or black and white? Was there a hole in the windshield indicating a shot from the front? And if there was, was that piece of evidence tampered with? Was the car then driven on a 500 mile mysterious, voyage westward after its stay in Washington? And if so, why was it driven and not flown?

    The above only scratch the surface of how difficult it is to fully comprehend any of the above complex areas of this case. So when writers like Vincent Bugliosi call the Kennedy case a simple one, I don’t know what they are referring to. And I never will. But my point in regards to this program is this: This special tries to conflate all three of these maddeningly complex areas of study into a sixty-minute program! That is the bottom line of this show. The reality is that you could spend one hour on just the condition of the limousine after the assassination until the point it was rebuilt. One hour would not do justice to the ballistics evidence in this case. As for the medical evidence: it’s safe to say that two hours would only give you an introduction to the material. Consequently, when you place them all together and rush through them in what amounts to—at best—speeded up motion, you have to leave out huge chunks of crucial information. And here’s a major problem with that: In the JFK case, a crucial aspect of the story is in how the details changed over time. In real life “simple” murder cases, this does not happen. And if it does, the court will entertain a motion to throw out the case on the basis of evidence tampering. This is one of the major aspects of the JFK case that the authors of this show do not reveal to the audience. Which is why its honesty should be questioned.

    Another serious problem is that of the Curtailed Alternatives. That is the experiment and the deductions are limited and controlled by the authors. This means that the variables seem arbitrarily chosen to produce a desired result. Cranor and Mantik have already shown this was so in the choice of firing points. But I should point out here, Gary Mack argued strongly for the so-called Badge Man location of the grassy knoll assassin for about twenty years. Yet that particular location was never even pointed out in this ersatz demonstration. Not even to critique it. Yet in his earlier incarnation as a fierce Warren Commission critic, Mack was at pains to show its validity for British documentary producer Nigel Turner. In fact, it was actually one of the highlights of the multi-part series The Men Who Killed Kennedy. (I will deal with the Mack metamorphosis in the third part of this essay.)

    This Curtailed Alternative method continued even after the show was (mercifully) over. Mack went online and answered some questions from viewers. His viewpoint on these answers was remarkably limited for someone who has been studying this case for over thirty years. I never considered Gary Mack a front rank, top of the line writer/researcher. But he was not a dumb or rigidly inflexible person. In fact, when he contributed to The Continuing Inquiry, he wrote a few good and valuable pieces. But today, he comes off about as mentally agile as, say, Robert Blakey. When someone asks him what happened to the bullets fired in the experiment, Mack admits they did not fragment like the ones attributed to Oswald did. Got that: Oswald’s did but Yardley’s did not. He then adds that he doesn’t know why that occurred and then drops the issue. But as Milicent Cranor points out, and I will discuss later, the matter should not be dropped at that point. Because this is where it gets really interesting. When someone later asks him if it was wise to use the alleged assassin’s rifle and ammo for a front shot, Mack’s reply is equally superficial. He says that if Oswald had been a “patsy” it seems likely “that another gunman would use the same ammunition. If a different weapon were used, investigators would find evidence and conclude there were two guns. A conspiracy to frame Oswald would want investigators to think there was only one gun.” Read that twice, and carefully: If the investigators found two guns, that would equal a conspiracy and the investigators would announce the frame up of Oswald.

    When I read that in my downloaded version of Mack’s online talk at the Discovery Channel web site I wrote in the margin, “Absolutely stupid.” Yet, I don’t think Gary Mack is stupid. But just to point out one problem with this response: It imposes on the reader the supposition that the investigators themselves were honest i.e. the only conspiracy that existed was the one that killed President Kennedy. The investigators actually tried to uncover the true circumstances of the assassination. Therefore if there was a conspiracy, they would have located it. Mack’s bottom line here is this: There was no cover up.

    Anyone who studies this case knows this view deserves the utmost scorn and derision. Here is how preposterous it is: even two members of the Warren Commission understood the fix was in early. They were Senator Richard Russell and Representative Hale Boggs. As author Dick Russell shows in On the Trail of the JFK Assassins, the senator so distrusted the investigators that he conducted his own investigation—at the time the Commission was ongoing! His private inquiry came to the conclusion that Oswald did not do it. (pgs. 126-127) Representative Boggs said that J. Edgar Hoover—chief investigator for the official inquiry—”lied his eyes out to the Commission—on Oswald, on Ruby, on their friends, the bullets, the gun, you name it.” (Texas Observer, 11/98) But more to Mack’s specific point about the two weapons: on November 23, 1963 Deputy Constable Seymour Weitzman executed an affidavit. He swore that on the previous day he discovered on the sixth floor of the Depository a 7.65 Mauser equipped with a 4/18 scope, and a thick leather brownish-black sling on it. (The actual affidavit is in Mark Lane’s Rush To Judgment, p. 409) This is not what the Commission later said was Oswald’s rifle. They said it was a 6.5 Mannlicher Carcano. But further, Deputy Sheriff Roger Craig was standing near Weitzman at the time of discovery. He said that Weitzman thought it was a Mauser at first. But then he looked at the rifle at close range and saw that it was stamped “7. 65 Mauser”. This is what confirmed the ID for the constable. (This testimony can be seen in the film Evidence of Revision on You Tube, Part IV.) So this directly contradicts Gary Mack’s assumption about the assassins using the same weapon and the investigators exposing that fact and therefore blowing up the conspiracy. The show’s main talking head is not telling the whole story. And the viewer should ask: Why not? I will get to the ‘why not” later and it goes to the very heart of the show’s credibility. (I should add here, Mack once published his own journal, which was called Cover Ups. But that’s all forgotten now. Today he says we can trust the FBI, J. Edgar Hoover, Allen Dulles, Gerald Ford, and the Dallas Police. Yeah sure Gary.)

    III

    Very early, the show reveals an agenda. Gary Mack is hard at work to discredit the evidence of witnesses hearing shots from two directions. Sounding like Lawrence Schiller, he dredges up the old Dealey Plaza is an “echo chamber” argument. Therefore directionality was confused. But as Josiah Thompson has noted, if about the same amount say the shots originated from the Grassy Knoll as from the Texas School Book Depository, what does this argument really amount to? (Thompson, Six Seconds in Dallas, p. 25) He then says that some witnesses later altered their stories. Revealingly, he does not add that many witnesses were forced by the authorities to change their testimony to conform to the official line. Or actually had it changed without their knowledge. (This fits the show’s agenda: don’t reveal the cover up.)

    After this the show picks up one of its main threads: the condition of the car once it arrived at Parkland Hospital. The narrator intones that evidence that was wiped away there, plus some other evidentiary points, have given Warren Commission critics reason to doubt the official story and has therefore spawned a huge controversy. He is referring to the blood spatter pattern inside the car—and he greatly overstates the case. Very, very few people have had their curiosity piqued by this issue. And even less have used it to attack the Commission. But, again, it shows the program’s unwinding agenda.

    The producers next reveal the fact that a Secret Service agent actually wiped the interior of the car with what looks like a bucket and sponge. I say they have to because there are pictures that reveal this fact. Yet they ask few questions about this incredible incident. Making nothing of some obvious questions : Who told him to do this? Why? What else did he do besides wipe anything up? Was this a cover story to plant evidence? And how do they know it’s a Secret Service agent? If it was, did they try and track him down? They avoid almost all of this and then say they have two witnesses who saw the car before the bucket brigade arrived. Yet it is not revealed how they can be certain about this timing. And further, as limousine expert Pamela McElwain Brown has written, no one had a really good chance to look inside the limousine once it got to Parkland to make a measured assessment. Because the convertible top was raised quickly upon its arrival there. But the show considers this important, a keystone actually, so we will return to it later because the producers do the same. But I should note an apparent contradiction here: Mack had just been trying to discount direct testimony by eye and ear witnesses. He now reverses course on that issue.

    From here the show now goes to a second main thread: Searching Dealey Plaza for possible firing points to the front of the car. I thought this little walking tour quite interesting. The first point that Mack and Yardley visit is what they call the south Grassy Knoll, which would be in front of the car and to President Kennedy’s left. Yardley says it is a possible shot distance wise, but the angle would only give the assassin about three inches of Kennedy’s head to fire at. As Milicent Cranor has pointed out, Mack and Yardley never noticed that there is a rise about ten feet back which would probably eliminate that problem. Moving clockwise around Dealey Plaza, Yardley and Mack now go to what they call the south end of the triple underpass. They eliminate this firing point because Yardley says the shot would necessitate firing through the windshield of the car. The supposition here is that there was no hole in the windshield. Again, the producers are not telling the whole story here. Because this statement is questionable. There is evidence on both sides of this windshield bullet hole issue. Another authority on the limousine is Doug Weldon. Weldon wrote an interesting thirty page essay for the anthology Murder In Dealey Plaza (pgs 129-158) Weldon raises serious questions about what happened to the car afterwards. For instance, about that 500 mile trek to Dearborn, Michigan that James Rowley told the Warren commission happened on December 20, 1963. (See p. 133) But more to the point, Weldon produces six witnesses who saw a hole in the windshield at Parkland Hospital. (ibid pgs. 139-140) He also produces evidence that the windshield was then switched to conceal this hole. (ibid pgs 136-138) But none of this is mentioned, and this firing point is quickly dismissed.

    We then move to what is called the north end of the triple underpass. What happened here was notable. This point intersects with what is the end of the famous stockade fence atop the Grassy Knoll. When I visited the area in 1991, I went to the end of the picket fence where it corners and then juts out. I thought this was the best firing point along the knoll area because the car was coming at you at a distance where you could track it for several seconds before squeezing off your shot. In fact, Yardley says words to that effect in this show. Then, he and Mack walk away from this point because there is shrubbery there today, and go a few steps downward on the slope. (Since they had Dealey Plaza cordoned off, why didn’t they pay a gardener sixty bucks to trim the shrubbery?) How good is this shot? When they showed it from the shooter’s angle, they moved Jackie Kennedy into the line of fire to try and discredit it. (I will return to this “mistake” later.) Mack finally dismisses this site because witnesses in the area could see the assassin. Yet one could say this about almost any firing point in the Plaza. Because as Mack intoned earlier, there were hundreds of witnesses in the area. What a precision hit team would be banking on is that they would be distracted by the president’s car and looking in that direction at the time of the fusillade.

    The reader should note at this point: The show has been all too eager to dismiss these three alternative sites. And further, Yardley has not taken one shot from any of them. This should be kept in mind as the show progresses forward.

    Yardley and Mack now move to a position further down and behind the stockade fence. This particular point brings you closer to the car, but you have much less time to track the target from this venue. This is why when I visited Dealey Plaza, I thought the previous point would be a better venue than this one. Yardley notes the tracking problem, but Mack decides on this point. We will see why later.

    The scene now shifts down under to Australia. The narration states that previously there had been no technology which could simulate a human head. But today “an exact replica of the human head” is possible. Further, there was only one place which could produce such an exact replica. That place is, of course, in Rupert Murdoch’s spiritual home of Adelaide. And the company is Adelaide T & E Systems. When I listened to this segment I began to smell some snake oil cooking. Why? Because I just don’t think its possible to produce an “exact replica” of a human head. I mean maybe you could create a reasonable facsimile. But not an exact replica. It’s just too complicated of a phenomenon: the muscles, tendons, nervous system, blood circulatory system, hair and scalp etc. So I thought this was overstated in the extreme. You know, Dale Myers and ABC country. And as we shall see, it was.

    What is even more interesting of course is that Adelaide T & E Systems also builds replicas of the human torso. So it would have been easy to attach the head to a torso which fit Kennedy’s dimensions. But they did not. The excuse was that it would have added another variable. This rationale was kind of smelly. The real reason I suspect this was not done is that in the Zapruder film, upon the bullet’s impact, Kennedy’s body rockets backward in the car and bounces off the back seat. Yet this is supposed to be a shot from behind. The producers probably suspected that when they simulated the shot from the Depository, Oswald’s alleged firing point, no such reaction would follow. And Gary Mack didn’t want to have to explain this. That would mean getting into the Luis Alvarez/Larry Sturdivan mumbojumbo about “jet effect” and “neuromuscular reaction”. He had enough problems already.

    IV

    He immediately went about fixing one of them. As everyone knows, one of the largest, most insurmountable problems in the Warren Commission is that all the evidence says that Lee Harvey Oswald was a poor marksman. Yet Michael Yardley is not. He has won many sharpshooting competitions. By all accounts, the shot Oswald supposedly took from the Texas School Book Depository which killed Kennedy was very difficult. Now Michael Yardley is the opposite. He is a contest winning sharpshooter. Further, the weapon Oswald allegedly used had a cheap scope which was not properly mounted. But Yardley placed a modern telescopic site on the rifle and then sited it in i.e. he took practice shots to make sure it was perfectly aligned. How does any of this duplicate what the Warren Commission said happened? But clearly, the producers were not going to risk proving the critics correct. Namely, they were not going to risk a miss by Yardley.

    Not only were they not going to risk a miss, they were going to ensure it not happening. Because when the show moves up to Sylmar, California where a shooting range simulating the dimensions of Dealey Plaza is put together, Yardley is not shooting at a moving target. The car is stationary. Mack remembered what happened when many others tried to duplicate Oswald’s alleged feat of marksmanship. They couldn’t do it. Realizing that would jeopardize the show, he was removing all those troublesome “variables”. The problem is if you remove too many variables, what conditions are you actually duplicating? Ones that weren’t there?

    Yardley then took his first shot from the spot he and Mack decided on from behind the stockade fence. . This was with a soft nosed hunting round, which is not the kind of ammunition Oswald was supposed to be firing. He hit the target, but something weird happened. The entire skull literally exploded to the point where nothing was left on the platform. When I saw this, my antennae went up. Outside of some cheap Hollywood horror movie, I had never seen or heard of such a thing happening. And I remembered how the show had said so fervently stated that these were exact replicas of the human skull. I don’t think so. As Milicent Cranor wrote, they appeared too frangible. Why?

    Yardley then fired again from that spot behind the fence. This time with the type of ammo Oswald was allegedly using. This time he hit the target with a more controlled damage pattern. Mack then went to the car and observed this closely. He then said something that was quite startling at the same time that it was revealing. He said that this shot would have also hit Jackie Kennedy. I then thought back to what had happened when the show had lined up the other shot, from the better position further down the fence: they had the models lined up wrong then also. At that time they were not in Sylmar, but were in Dealey Plaza. No one noticed this mistake and corrected it? Very hard to believe, because what Mack said is easily exposed as false. All you have to do is look at the Zapruder film, which Mack has done hundreds of times. Jackie Kennedy in Z frame 312—right before the fatal shot—is clearly ahead of her husband,. So a shot coming from a mostly side angle—as this one was—would not have hit her. And this point gets very interesting. Mainly because it is so hard to believe that no one caught it. Which is what Mack wants the pubic to believe.

    In fact in the aforementioned online discussion, Gary Mack admitted that he, and the show, were wrong about this. He then added this: “We didn’t catch it at the time.” But yet, according to Robert Groden, this is a lie. He was in Dealey Plaza at the time the show was filming the limousine simulations with models in it. He said that he pointed out to the show’s director and Gary Mack that the “positions and locations of both the actors portraying President and Jackie Kennedy were completely wrong.” Then Groden added something that is really important in understanding the program’s genesis and ultimate purpose. In that regard, it actually sounds like something J. Lee Rankin would write to his assistant counsel about the true position of the bullet that entered into Kennedy’s back. Groden posted that both Mack and the director replied that “the positions and locations were not important to the points they were trying to show.” But if this were so then why did Mack misrepresent that specific point to the public on the air! He actually said that the shot would have hit Jackie. I have an idea as to why. Because that was an easy visual way to discredit a shot from that angle. Almost like the show did focus groups, they understood this would easily register with the public. I know this because a colleague from work said this to me the day after the show aired. Knowing my interest in the JFK case, he came up to me at lunch and said, “Jim, the shot couldn’t have come from the front. It would have hit Jackie.” And we all know it did not. So the evidence Groden produces from behind the scenes, says that the producers knew they were wrong and went ahead anyway for propaganda purposes. And Mack then tried to conceal this when he said they didn’t catch it in time. Further, the quote by Groden that I am using was posted on February 5, 2009. Way after the show’s initial broadcast. He said he was reposting it at this time. Why? Because his initial post of the information had been removed!

    If I was Gary Mack in his present incarnation, when Mack said he didn’t catch the error in time, I would have posted something like this: “Gary, you’re a damned liar!” I will explain that quote in part three of this review.

  • JFK: Inside the Target Car, Part Three: How Gary Mack became Dan Rather


    See Additional Reviews of Inside the Target Car

    “I have become what I beheld and I am convinced I have done right.”
            —Eliot Ness, played by Kevin Costner, in The Untouchables


    When a debacle like this gets broadcast, something must be done besides just exposing it. As with Dale Myers, Gus Russo and the awful 2003 ABC special, it’s necessary to peer around the corner, to look under the bed in order find out how it got that way. (See our study of ABC in 2003.) Because clearly, after extended analysis, there can be no doubt that the Discovery Channel show was a set-up all the way. As in the worst tradition of broadcast journalism in the Kennedy assassination field, the producers decided where they wanted to go, and then—come hell or high water—they were going to get there. It didn’t mean a damn to them if the actors posing for President Kennedy and his wife were wrongly positioned. It meant nothing to them if they got their facts wrong on when the autopsists saw the x-rays and photos. They didn’t care if their bullet didn’t break apart in Kennedy’ skull, even though the 6.5mm fragment left behind was the Clark Panel’s major reason for elevating that head wound—which they are going with in their demonstration. To them, having an idiot hit team up on the knoll was fine—as long as they kept the audience in the dark about it. That, and nearly everything else, was cast aside in pursuit of their agenda. Which, of course, was to convict Oswald of firing from that window. And if that line won’t go back to that window using the pathologists’ autopsy report, well heck, we can make up a new exit so that the line does trace back to that window.

    So in its relentless pursuit of the Krazy Kid Oswald fable, this godawful program now joins the Hall of Broadcast Infamy. People who study this case know of what I speak since our web site makes a major focus of how studying the media on these cases tells you why most people do not trust the MSM anymore. It’s just that we knew that many years before things like the Florida election heist of 2000, and the phony excuses bandied about for the Iraq War. Both of which the MSM swallowed whole. That Hall of Infamy includes things like the 1967 CBS special on the Warren Report, the 1967 NBC special on Jim Garrison, the 1993 PBS Frontline special on Lee Harvey Oswald, and the 2003 ABC special on the JFK assassination. As I said, we have exposed almost all of these. (In addition to the ABC link posted above, see our NBC analysis and our CBS study.)

    What makes an examination of JFK:Inside the Target Car so fascinating and mandatory is that it has some of the same unique inside dynamics that the 1993 PBS fiasco and the 2003 ABC debacle have. That is: Someone who had previously been a so-called Warren Commission critic had now shifted sides. And in their new uniform they were now doing the same thing that they had deplored before. That is, they were extending and aiding the original Warren Commission cover up. In 1993 and 2003 of course, it was Gus Russo and his cohort in cover up Dale Myers. This time around, it was Gary Mack.

    Like Russo and Myers, Mack had been a Warren Commission critic for many years prior to his employment by the Sixth Floor Museum. Based in the Dallas Fort Worth area, he had been involved in providing the famous acoustical tape for the House Select Committee on Assassinations (HSCA). In fact, that is where many people recall first hearing his name associated with this case. And historically speaking, when many books chronicle the history of the HSCA, they usually give Mack and Mary Ferrell credit for that particular piece of evidence. As I mentioned in Part One of my review, Mack also was a regular contributor to the journal The Continuing Inquiry, and for a brief time he had his own journal called Cover Ups. (According to two sources, it is wrong to state that he was the publisher of TCI as I did in Part One.) For instance, Mack first wrote about the famous cable from Hugh Aynesworth exposing his gutter journalistic ethics. Namely that he was a White House and FBI informant in his campaign to defame and derail Jim Garrison. But as the cowardly reporter requested, he wanted his covert role kept secret in all that. (See Destiny Betrayed, pgs. 183-184) Mack also assisted British documentary director Nigel Turner on his multi part special The Men Who Killed Kennedy. In fact, he was one of the two main talking heads on the show along with Robert Groden. This was originally broadcast in England and then later shown on American cable right about the time Oliver Stone’s film JFK was theatrically released. That documentary had some serious flaws in it, for example the goofy and gullible work done by Steve Rivele on the so-called Corsican Connection. But most of the things Mack contributed to the program were good and interesting e.g. his work on the so-called Badgeman photo. Which, by the way, Stone borrowed for his film.

    But then something happened to Gary Mack. Which, of course explains my use of the quote from The Untouchables to lead this article. But before I get to his particular chronicle, I want to outline it as part of a rather large and strange pattern that occurred at the time. I didn’t see it for what it was back then, and retroactively I should have. It’s something that no one else has described, at least to my knowledge. But belatedly, I think it merits a bit of attention. Because it may describe something important and relevant about today. Namely, the effort to undermine Stone may have started way before anyone else has written about.

    II

    “Yeah, so you know more than Dr. Alvarez, don’t you!”
            —Mark Zaid screaming at the ASK Conference in 1993

    I’ll never forget the above incident. Just like I will never forget Mark Zaid. First, consider who Zaid is appealing to as an authority. A man who sacrificed his considerable reputation in an unrelenting effort to muddy the waters in the JFK case. Alvarez is the guy who created things like the “jiggle effect”, the “jet effect”, and then used (abused?) his membership in the National Academy of Science to dispute the work of the House Select Committee on Assassinations (HSCA) on the acoustics evidence. As fine a scientist as Alvarez was—like Dr. John Lattimer—he had an almost slavish agenda on the JFK case. So for Zaid to use him as a blind appeal to authority, that was quite revealing.

    I have written about the above bizarre conference on more than one occasion. (See, for example, my review of Ultimate Sacrifice.) Why? Because it finally flushed out two people who I believed to be quite circumspect by this time, namely Zaid and Gus Russo. I was warned at that conference by a complete stranger that Zaid and Russo were even more suspicious than I thought they were. This man, who I had never seen before, told me they were infiltrators. I discounted his warning at the time, but later on I came to the conclusion that he was right. I, and many others, had been naÔve. And not just about these two, but about others, e.g. Gordon Winslow. Considering the time period, and what was happening on the national scene, we all should have known better.

    It was a very high profile time for the JFK case. You had the Arts and Entertainment Channel broadcasting The Men Who Killed Kennedy in late 1991. And then you had the release of Oliver Stone’s JFK in December of 1991. There were dozens of books that came out at the time on the JFK case. And a number of them, like Mark Lane’s Plausible Denial, became best-sellers. There were also a number of documentaries on television about the case and many talk shows featured many writers and witnesses on the JFK case. In fact, entire programs were devoted to the subject. The resultant hubbub even spawned a second film on the subject named Ruby. Which was not nearly as good or powerful as Stone’s film. All of this furor greatly increased the size of the so-called critical community. It brought in many people who got really interested for the first time. It brought back many others who had been onto other things. It greatly expanded the circulation of existing journals like The Third Decade and it gave birth to new ones like Probe. Because of all this interest, many conferences and seminars were now set up, like the ASK Conference in Dallas, and others in Chicago and Washington. The Coalition on Political Assassinations was also formed.

    Clearly, all of this attracted the attention of the Dark Side. And with the 30th anniversary of JFK’s death upcoming, there were two overt ways that they decided to counteract it all. The first was when the notorious Robert Loomis met up with Gerald Posner. (The Assassinations, ed. by James DiEugenio and Lisa Pease, p. 369) As I have discussed before, Loomis had been a mainstay at Random House for many years. His first wife, Gloria Loomis, had worked for CIA counter-intelligence chief James Angleton for a long time. Loomis had been associated with the likes of CIA friendly journalist Sy Hersh from almost the beginning of Hersh’s career. (ibid) Loomis had also worked with another spooky reporter, James Phelan, for decades. (ibid) Loomis had been instrumental in getting Bob Houghton’s apologia for the LAPD cover up of the Robert Kennedy assassination, Special Unit Senator published in 1970. He was then part of the effort to withdraw from the bookstands the excellent 1978 volume on the RFK case by Bill Turner and Jonn Christian, The Assassination of Robert F. Kennedy. (Turner and Christian, 2006 edition, p. xvi) In talking to Posner after a debate, Jim Marrs asked him how he came to write his book on the JFK case. Posner told him he had been approached by Loomis who promised him access to certain people like Yuri Nosenko—who, of course, almost no one had access to at the time. (DiEugenio and Pease, op. cit.) I once called Loomis’ New York office. He was not in. His secretary told me he was in Washington. She said he shuttled down there almost every other week. Clearly, Loomis and his Washington cronies were preparing to strike back at Stone’s film through their use of Posner. So Posner’s lousy book, which has since been reduced to rubble many times over, was given one of the great publicity tours ever. Including a front cover on US News and World Report. (August 30, 1993).

    I first heard of Posner in 1992. It was through Gus Russo. He told me about this Wall Street lawyer who was preparing this powerhouse book that was going to create a lot of problems for the critical community. Another person who alerted me to Posner’s book was Zaid. At the time, he had been meeting with people like Dick Russell and Jim Lesar about forming an organization to lobby Congress about the creation of the Assassination Records Review Board. I wrote a letter to those three outlining a strategy we should follow. I was stunned by what Zaid wrote back. First, he tried to say that there was not really enough evidence to call for a reopening of the case, and he pointed to Beverly Oliver as a witness to prove his point. I thought this was superfluous because I had never written about, talked to, or endorsed that woman. But secondly, he revealed in this letter that he had shown my original communication to his colleague Gerald Posner. Understandably, I felt betrayed. Though his book had yet to be published, I understood what Posner was up to.

    Right then and there, I should have understood who Russo and Zaid were. I also should have understood that there was a large and forceful movement afoot by the Dark Side, which felt that they had been ill-prepared for the hurricane effect created by Stone’s film. But I, and many others, were not quite aware of what was happening. But when PBS broadcast their 1993 Frontline special on Oswald, the truth about Russo began to dawn on us all. After all, Russo originated the show and was a chief correspondent. The program featured witnesses like Ed Butler, Priscilla Johnson, Ed Epstein, Robert Blakey, and Carlos Bringuier. As per the clincher with Zaid, at the 1993 Dallas ASK Conference mentioned above, Zaid went out of his way to do a very peculiar thing. The late Larry Harris had done a fine job in gathering many of the living eye witnesses who had been in Dealey Plaza the day of the assassination. He actually put them in their original places to be photographed and interviewed by the attendees. Zaid walked down to the Plaza with a stack of literature in his hand. And he began to distribute flyers about those witnesses explaining why they could not be believed! (He later wrote a pamphlet on this very subject with fellow “critic” Dennis Ford.)

    Question: What kind of Kennedy researchers would pay money to fly to such a conference, stay in a hotel, and pay for meals, in order to argue that the critical community was all wrong? In effect, Zaid and Russo were doing their best to scuttle the efforts of a nascent movement. Because Cyril Wecht and myself spoke out against them at the 1993 ASK Conference, Zaid and Russo did not appear on the conference scene again. But that did not mean that Loomis and the Dark Side was done. Far from it. For in 1994, Russo had reportedly met with CIA officers Ted Shackley and Bill Colby. (See Probe Vol. 6 No. 2, and Who Is Gus Russo? for more details.) The word was that they were worried about what organizations like COPA were going to say about their so-called maligned colleague David Phillips. After all, there were many new documents being released about Phillips that were quite interesting. Russo later tried to say this meeting was a research foray for a book he was writing. But what would CIA propaganda writer Joe Goulden be doing there if that was really the sole aim of the meeting? Further, one of the attendees there admitted that COPA was discussed. And John Newman later called Colby who confirmed this was so and they were worried about further disclosures about Phillips. Russo was toast within the community. But a man named Paul Nolan was unknown.

    III

    I had my marching orders.
            —Matt Labash to Gary Aguilar

    Which brings us to the second overt way Loomis and the Dark Side struck back. See, Paul Nolan is an alias. More accurately, it is an undercover name. Paul Nolan’s real name is John McAdams. And to understand why Loomis and company would use him to go after COPA and defend David Phillips, you have to understand a bit about his background.

    McAdams first surfaced after Stone’s film was released. But he first reared his ugly visage not in public, but on the Internet. He began to frequent many of the JFK forums that sprang up around the time period of 1992-93. Except he outdid almost anyone in the number of posts he delivered. At times they were around fifty per day. (Probe Vol. 3 No. 3 p. 13) But as I wrote at the time, his personality was so repellent and his style so pugnacious that many new to the field saw through him quickly. One wrote in an e-mail: “McAdams is a spook isn’t he … I am concerned about McAdams and his ilk. The stuff he puts up on the ‘Net is pure disinformation … The stuff McAdams puts on the ‘Net is pure acid. He doesn’t respond to the facts, he just discredits witnesses and posters.” (ibid.)

    At the time, I noted that McAdams liked to forge false messages in order to insult people in the JFK field, like Jim Garrison, and to promote others, like Posner. He would jump around from forum to forum posting disinformation. Like for example that Clay Shaw was never really on the Board of Directors of Permindex. According to McAdams, that was a myth promoted by Oliver Stone. Well, finally someone actually scanned Shaw’s own Who’s Who entry in which he himself noted he was on the board of Permindex. This shut up McAdams on that forum. So what did McAdams do? He went to another forum and said the same thing about Shaw—knowing it had been proven false! Nothing tells us more about the man than that fact. And nothing tells us more about the people who choose to associate with McAdams in spite of that, e.g. Dave Reitzes and David Von Pein.

    But one good thing about McAdams at the time, at least for the Dark Side, was that his presence in the JFK case had been confined to the Internet. So very few people in the critical community had ever seen him. That facial anonymity, plus his willingness in using a false name made him useful in the attack against COPA. In 1995, McAdams/Nolan attended the COPA Conference in Washington. Unfortunately for him, there actually was another JFK researcher whose real name was Paul Nolan. When he found out about the McAdams deception, he posted a web message: “I was just doing some research over the net. I wanted to see if anything came up that had my name in it. Guess what? My REAL name is Paul Nolan! Apparently some asshole wants to use my name as an alias.” (ibid)

    Using this phony name, McAdams went to the above conference. He happened to meet a conservative reporter named Matt Labash there. Labash was on assignment for City Paper out of Washington D.C. Nolan/McAdams told Labash that he managed a computer store in Shorewood, Wisconsin—which he did not. In Labash’s resultant negative article on that conference, Nolan was the only participant quoted at length. And what was one of the things Labash quoted him on? Shades of Mark Zaid. It was Dr. Luis Alvarez’ nutty “jet effect” explanation of Kennedy’s back and to the left reaction in the Zapruder film. (ibid, p. 26)

    Coincidence? Hardly. Labash had worked for rightwing propaganda mills like American Spectator and the intelligence riddled Washington Times. At the time of his hit piece on COPA he was working at Rupert Murdoch’s Weekly Standard. Further, Labash is believed to have done this kind of infiltration assignment before for the Washington Times. His target then was the Institute for Policy Studies. When Gary Aguilar called Labash, he admitted that he had his “marching orders” from on high for his COPA assignment (ibid). To most people, it would appear that Colby and Shackley had fulfilled their mission. Except it was not through Russo. It was through McAdams masquerading as Paul Nolan.

    Did Zaid and Russo get anything out of their efforts in this regard?

    At the time Zaid first appeared on the scene in the JFK case, he had just graduated from law school. In 1989, he had finished his undergraduate work at the University of Rochester. And in 1992 he had graduated from Albany Law School of Union University. I’m not a snob, and I know you can get a good education almost anywhere, but for my upcoming point let me say this: Those two colleges are not exactly like graduating from Princeton and Harvard Law School. Yet, within a little more than a year Zaid had secured employment with an international law firm in Washington D.C. He then quickly became a national security lawyer with a high profile in the media. Today he and a partner run their own law firm handling many, many CIA related cases. Does Albany Law School of Union University have a great placement program? Do many of their graduates advance to international law firms in Washington at warp speed? Or was the writing Zaid did in The Third Decade so impressive that prominent lawyers in Washington were impressed?

    After his meeting with Colby and Shackley, Russo also gained suitable employment. He first worked with Sy Hersh on his godawful book, The Dark Side of Camelot. Loomis’ client Hersh, then got Russo further employment on the equally bad ABC special made out of that book, Dangerous World. And from there, Peter Jennings hired Russo as the lead correspondent for his horrendous 2003 ABC special. Not bad for a guy who used to be a music teacher before Stone’s film.

    Like Russo, Gary Mack was once considered a member of the critical community. Like Russo, something obviously transformed him around the time of Stone’s film. Most informed people know those two facts. But what many informed people don’t know is this: It was a good friend of Gus Russo’s who helped lead Gary Mack over to the Dark Side and into the waiting hands of the Sixth Floor Museum. And this is where the story behind this Discovery Channel special gets really interesting.

    IV

    “You are a damned liar!”
            —Gary Mack to a couple of speakers at Jim Marrs’ JFK class

    Anyone who played a part in producing a show as completely and thoroughly deceptive as JFK: Inside the Target Car has no right in calling anyone a liar. Yet this is something Gary Mack did at Jim Marrs’ UT at Arlington JFK class. This was to Jim’s invited guests who were offering up their testimony for acceptance or rejection by his students. And he did it more than once. And he did it with Dave Perry at his side. According to some, with Perry alternately pulling and loosening his leash. It’s an interesting association, Dave Perry and Gary Mack. How did it come to be?

    As most people know, Mack was one of the two main talking heads on Nigel Turner’s mini-series documentary The Men Who Killed Kennedy. That series was originally shot in the 1980’s and reportedly broadcast in England in 1988. It was after this show’s original broadcast that Gary Mack’s life took a turn for the worse. And like a deux ex machina in some medieval play, Dave Perry was there to extend a helping hand.

    (Before I go any further with this part of the essay, I wish to explain something in advance. In what will follow I will use several anonymous sources. That is because some of the persons who I interviewed for this piece requested it. The reason I abided by their wishes is that the people behind The Sixth Floor Museum make up, as one source told me, the white power structure of Dallas. And, as we shall see in the case of Bob Groden, they play hardball. Secondly, the connections and character of Dave Perry are rather suspicious and sinister. I mean how many JFK researchers can claim FBI informant, and CIA applicant Hugh Aynesworth as their friend? Perry can. In light of the above, I think one can understand why much of the following will not be sourced.)

    As previously noted, Gary Mack had been a JFK researcher for a long time before he appeared on the Nigel Turner series. He had helped the House Select Committee secure and test the acoustical evidence, which they found compelling. He also had done much work on the “Badgeman” image. But according to one source, Gary Mack didn’t think he got enough credit for either of those two discoveries. (Which is probably why, even today, he still mildly pushes those two angles.) When Henry Hurt published his book Reasonable Doubt, he told Mack he was going to place the Badgeman image on the book’s cover. He did not. Then Mack got the talking head gig for the Turner series. But the notoriety Gary Mack got from this show did not help him. It actually seemed to hurt him. He lost his job as an announcer at Channel 5 in Fort Worth.

    But this was not the only misfortune that visited him at this time period. Prior to this, Gary Mack had been married and lived in a nice upper middle-class suburban development of Fort Worth named Wedgwood. At around the time period he lost his job, he also lost his wife and was forced to sell his home in a the subsequent divorce proceedings. According to two sources, Mack (whose real name is Larry Dunkel, “Gary Mack” is only a broadcast name) blamed some of his problems on his JFK work. And not just with Nigel Turner. When he worked with the NBC affiliated Channel 5, he had dug through their archives to find original footage of the shooting of Oswald. In fact, he had assembled nearly one straight hour of important footage: 30 minutes before and after the murder of Lee Oswald by Jack Ruby.

    But there is something I must note here about Mack/Dunkel’s split from Channel 5. He got a rather generous severance package. Usually three or four weeks pay is standard for workers, and recall Mack was not part of management. If a worker gets two or three months, you are doing well. Gary Mack’s severance package was for twice that. It was six months. Unusual as far as I know.

    This is where it gets even more unusual. Once Mack got his rather large severance package, he did very little in the way of looking for suitable employment. In fact, he did very little at all. But he did tell one source that he knew there was an opening coming up at the Sixth Floor Museum, and he thought he was a leading candidate for the position.

    Well the position of Director did come up. But Mack did not have the proper credentials in museum management. So Mack/Dunkel went back to college to attain the right background. This took awhile. So instead of waiting, when Gary Mack finished his studies, he assumed the position of curator, formerly held by Conover Hunt. Roughly speaking, this meant he would handle exhibits and collections and be their public spokesman.

    If the reader detects something odd here, something more than meets the eye, he should. Because contrary to what Gary Mack tries to convey, the Sixth Floor Museum is an all-out supporter of the Warren Commission mythology about that Krazy Kid Oswald. They once offered a prominent Dallas researcher a position at a six figure salary. But they made it clear to him that he would now have to exclusively support the Warren Commission in public. He turned down the deal on those ethical grounds. Apparently, the new Gary Mack did not have that dilemma.

    V

    Dave, are you with the CIA?
            —Question from a mutual acquaintance to Dave Perry

    All these events are swirling around the time that Oliver Stone had purchased the rights to Jim Garrison’s book On the Trail of the Assassins. That film was released in late 1991. But it had been in production for about a year and the script and research had consumed over another year. After Stone had purchased the rights to the Garrison book, he quickly decided to expand his lens on the subject. He did not just want to tell a New Orleans story. He wanted to go deeper into both Dallas and Washington. So he also purchased Jim Marrs’ book Crossfire and he brought on Vietnam authorities John Newman and Fletcher Prouty. But this was still not enough. He also decided to assemble a research team. One of the people who was considered for the position of chief researcher was Gus Russo. He did not get the job. Jane Rusconi did. Russo felt slighted by this and he always thought that Rusconi got the job because she was a woman. (He used to call her “the hippie chick”.) Russo stayed on as an informal adviser and Stone used him to compose the footnotes for the published script. So Russo was in on and onto the project almost from the beginning. We know this not just from the above, but also from Robert Sam Anson’s piece in Esquire, “The Shooting of JFK.” (November, 1991)

    Two things happened in Dallas while Stone was working on his film project. One was that Oliver Revell became the SAC of the Dallas FBI office. Revell had been in the Navy in 1963 and he became their liaison to the Warren Commission, handling things like Oswald’s strange career in the Marines. (Probe Vol. 3 No. 1) Revell’s number one man in monitoring the Dallas-Fort Worth area Kennedy research community was FBI agent Farris Rookstool.

    But before Revell came to town something else happened that was more under the radar. A guy named Dave Perry moved to Texas from the Washington/Baltimore area. He immediately tried to ingratiate himself with the JFK research community. One way he did that was to have a lifelong friend of his make calls for him in order to grease the skids. His lifelong friend was Gus Russo. Russo and Perry went all the way back to college together. And they stayed friends for all those years. In fact, Russo went as far as actually flying to Dallas from his home in Baltimore to introduce Perry to the critical community there. Perry tried to make friends with all the researchers in town. But there was something phony about him that put everyone off. Everyone except one person: Gary Mack.

    Mack, with Perry as his new cohort, now came out of the closet. He began to rage at some of the things he had previously believed in and some of the people he had previously been friendly with. One example being Jim Marrs. Marrs offered a course in the JFK case at UT Arlington. Perry and Mack signed up each semester. They never offered anything positive. Their main contribution was to make everyone else feel uncomfortable and to ridicule certain speakers Marrs had arranged to attend.

    Perry now became Mack’s guru on the JFK case. When he would talk to his former pals, he would sprinkle his conversation with prefaces like, “Dave says”, or “According to Dave”. He then would often berate them for certain areas of study they had developed. The only two things that Mack was now interested in from a conspiracy vantage point was 1.) The acoustics, and 2.) The Badgeman image. Those are two things he had been personally involved with, so he could not throw those out.

    Another reason people were suspicious of Perry was that he was always against everything they came up with. Yet he never developed anything on his own. And then he opened his house door for several weeks to Gerald Posner when he was writing Case Closed. This almost had to be at the request of Russo since Posner lived in his vicinity.

    Now, at this time frame of 1990-92, the leading journal in the JFK community was Jerry Rose’s The Third Decade. Neither Probe nor The Assassination Chronicles had surfaced yet. Perry became a frequent contributor to Rose’s publication. The first article he did was in the November 1991 issue exposing the Roscoe White debacle. This article was published right before the debut of Stone’s film, even though the press conference announcing the whole Roscoe White tale had happened on August 6, 1990. Perry’s article foreshadowed a new turn for Jerry Rose’s journal. From that issue on, it became a haven for writers like Jerry Organ, Dennis Ford, Mark Zaid, and Bob Artwohl. By 1993, it had become so studded with disinformation artists, it was almost useless. Which is one reason Probe was started. Perry wrote five articles I know of for that journal. None of them were based on any of the new documents published by the ARRB. Only one can be called even mildly anti-Warren Commission. That was in Volume 8 No. 5, where he ridiculed the work of Don Breo in the Journal of the American Medical Association. Besides this piece, I can find nothing else Perry ever wrote that furthered any lines of evidence in the new documents or was ever highly critical of the Commission. Nothing on Oswald, nothing on the Paines, nothing on the medical interviews by Jeremy Gunn, nothing on Mexico City, nothing on the various cover ups by the FBI or the CIA, nothing on how the Commission and FBI altered testimony or tried to intimidate witnesses, nothing on how the evidence list obtained by the Dallas Police was altered by the FBI, nothing on how Michael Baden altered evidence to raise the rear skull wound etc. etc. etc. I could go on endlessly simply because for a man who is interested in the JFK assassination, Perry has been seemingly oblivious to all this.

    Or has he?

    VI

    Go ahead and sue us.
            —The Sixth Floor to Robert Groden

    The power elite in Dallas never wanted to recognize the fact that Dealey Plaza was their top tourist attraction. To them it was a bad memory. They wanted it to go away. It was a black eye to an up and coming city that wanted to make its mark in America. For years and years the city tried to deny they saw all those people coming into town to visit the site where President Kennedy was killed. For a time they actually said the number one tourist attraction was the TV set for the series Dallas. Because that was the image the Dallas power elite wanted to project. Not that of a hate filled Wild West town whose police force allowed the murder of the president. And then allowed his alleged assassin to be killed literally in their arms live on TV.

    How much did Dallas want to forget what happened in Dealey Plaza? Well, at one time, they even floated the idea of razing the Texas School Book Depository. When that happened there was a public uproar against it. So Dallas County acquired the building in 1977 and located some offices there. From that time, a few powerful and private citizens set up a group to raise the money to lease and renovate the sixth floor. Some of the money was donated by local government and some from private corporations. Eventually, after over three million was raised, the museum opened in early 1989. And it was run by something called the Dallas County Historical Foundation. From the beginning they have tolerated virtually no differences with the Warren Commission. How could they, that could imply the local police were in on the cover up. When you put on their headphone talk inside, it is essentially the Krazy Kid Oswald story. On their web site, they even try and cover up for Life Magazine concealing the powerful evidence in the Zapruder film from the American public. This is what they say: when Abraham Zapruder sold his film to Life, it was with the understanding they not exploit the graphic details of Kennedy’s death until emotions cooled down. Zapruder sold all rights to Life Magazine. Once they paid him, he had no power over what they did with the film. Executive C.D. Jackson and Henry Luce—the owner of the magazine—decided to conceal the film from the public since they knew it contradicted the official story. The only way it was shown was when Jim Garrison subpoenaed the film for the trial of Clay Shaw and when Bob Groden spirited out a copy to finally show to the public on TV in 1975. Got that, 12 years later the public saw it. I think 12 years is enough for emotions to cool down. The truth is this: If it were up to Luce and Jackson, the public would have never seen the film. But that would indicate some kind of cover up. Which is something the Sixth Floor Museum will never admit.

    Not only is the Sixth Floor Museum in the bag for the Warren Commission, they are resolute in resisting any competition. Today, Bob Groden lives in Dallas because there is almost no competition there today for the Sixth Floor. So he offers the public an alternative view to the Krazy Kid Oswald fantasy they sell at their place. And they don’t like it. Groden has been charged once and ticketed 80 times for selling his books and DVD’s in the Plaza. The charges have been things like “vending without a permit”, “selling on public property”, “selling on private property” etc. The police have confiscated some of his things without ever returning them. Each charge has been thrown out. He has even been stopped at a red light and ticketed for illegal parking. You think it would have stopped after maybe 20 or 30 times. Groden firmly believes the Sixth Floor Museum has been behind this harassment. They don’t want anyone contradicting their cover story.

    But it even goes further than that. At one time, Groden and some partners discovered there was an opening at the Dal-Tex building coming up. They thought of leasing the space and opening up their own museum, which would have been right next door to the Sixth Floor. Well the Sixth Floor would have none of it. They swooped down and leased the space for themselves—without using it. Groden stayed out on the grass where he could be harassed.

    And far from just being a public spokesman, Groden has told me that Mack is actually involved in the setting of policy. Gary Mack is active and adamant about keeping serious Warren Commission critiques out of the bookstore. He once told someone that, “Those books are not accurate.” Sylvia Meagher and Philip Melanson are throwing up in their graves over that one. They are not accurate. But Gerald Ford and his raised “neck wound” are? The Sixth Floor went as far as to use some of Groden’s work without his permission. He complained about it. They said in effect, “Go ahead and sue us. We will tie you up in court for years.” They then agreed to make a trade with him. According to Groden, the stuff they gave him was not comparable to the things they took. And not only is the Sixth Floor anti-critical community, and pro-Commission, they are all too friendly with anyone else who supports that myth. When Robert Stone’s pitiful film Oswald’s Ghost came out, they helped screen it at the Texas Theater. This is the historical institute Gary Mack works for today. And this helps explain his active and boisterous participation in something as bad as JFK: Inside the Target Car.

    But let us return to the time when Gary Mack was in limbo. After he lost his job and was living off his rather generous severance package. As I wrote, he somehow knew in this bleak time period he would eventually secure a position with the Sixth Floor Museum. Which, of course, he did. How could he have been so certain?

    Because Dave Perry told him so—since it was he who helped get him the job. And I have that, through a mutual acquaintance, from Perry himself. Perry also admitted at the time that he was Mack’s handler. And that he is very close to the Dr. Doom of the JFK case, Hugh Aynesworth. Perry actually manages Aynesworth’s web site. And Perry has gotten Mack to sponsor talks by Aynseworth at the Sixth Floor. Like Gary Mack, Perry became a handler for certain witnesses, like Wesley Frazier—who needs to be handled by the Dark Side since he is a very suspicious character. In his post at the Sixth Floor, Gary Mack has clearly influenced witnesses like Gayle Nix and Billy Hargis. With Nix, he has managed to give her this bad impression that all researchers are only in it for the money. And he even instructed her to try and secure personal information about writers who try and interview her. With motorcycle patrolman Hargis, the Sixth Floor has clearly gotten him to believe that instead of being hit like a bullet from the debris out of Kennedy’s head, he actually just drove through it as it fell from the air. Which, of course, is what Perry’s buddy Posner wrote about in his book.

    Let me echo the sentiments of Jim Garrison in regards to the above: Anybody who associates with the likes of Hugh Aynesworth on the JFK case is deserving of both suspicion and contempt. (Click here to see why.) And anyone who opens his door to Bob Loomis’ pal Gerald Posner is somewhere below that. But this is the path that Gary Mack, guided by Dave Perry, took to become the Discovery Channel’s Dan Rather.

    Dave escorted Gary down the Yellow Brick Road. Except the trip did not end with Mack meeting the Wizard of Oz. It ended with Gary Mack becoming the new Wizard of Oz. A job which he took to with relish.

    Shame on them both.

  • JFK: Inside the Target Car, Part Two: Or, The Discovery Channel’s Idiot Conspirators


    See Additional Reviews of Inside the Target Car


    After his (planned?) false statement about Jackie Kennedy being in the line of fire, Gary Mack makes another observation. This one is more superficially credible—until one thinks about it. He observes that the bullet path from this particular position on the Grassy Knoll leaves an exit on the left side of Kennedy’s head. He then says that this was not evident at autopsy. He then uses this to discount a shot from that position. (He will later unwarrantedly aggrandize this into discrediting any shot from the right front at all!)

    He’s correct about the autopsy not showing this kind of exit. But he is wrong in the deductive logic of this eliminating any shot from that particular point. Let me explain in detail what I mean. Since the program’s Curtailed Alternative doctrine predictably ignores it.

    Clearly, something was happening behind the stockade fence. All you have to do is review the record. Let’s begin with the startling testimony of Lee Bowers, a worker in the rail yard adjacent to it and behind. From his vantage point in a 14-foot tower, he talked about the three cars he saw driving behind the fence about 25 minutes before the assassination. (Jim Marrs, Crossfire, p. 75) The first car looked like it was searching for a way out or checking the area. (ibid, p. 76) A second car came in about ten minutes later. The driver looked like he was speaking into a phone or a mike since he held something up to his mouth. This car probed a little deeper into the area than the first car. Then a third car came in: it was muddy up to the windows. It was occupied by what appeared to be a white male. This car spent a little more time in the area and then cruised back toward the Texas School Book Depository. At the time of the shooting Bowers saw two men standing between his vantage point and the mouth of the triple underpass. This would seem to approximate the spot, which I described in part one as being the best shooting venue. We all know what Bowers described next: “At the time of the shooting, in the vicinity of where the two men I have described were, there was a flash of light or … something I could not identify … some unusual occurrence—a flash of light or smoke or something which caused me to feel that something out of the ordinary had occurred there.” (ibid p. 77)

    It is interesting—compelling actually—to couple this testimony with that of Sam Holland. In a 1966 interview that will live as long as people study this case, Josiah Thompson talked to Holland in Irving, Texas. He was reluctant to talk to Thompson. Why? Because as I mentioned in part one of this review—and what Gary Mack leaves out—many witnesses complained about what the FBI or Warren Commission did with their testimony. Holland is one of them. He told Thompson that the Commission “had not transcribed his testimony as he had given it.” (Thompson, p. 83) So now, three years later, he told Thompson his whole story. While standing in Dealey Plaza, he acted out what he did on 11/22/63. And those photos are memorialized in Six Seconds in Dallas. To anyone looking at them, they become almost seared into one’s sub-conscious. Holland told Thompson that he was originally standing on the overpass as he watched the motorcade come toward him. He then heard four shots, with the last two very close together. (ibid) Holland said the third shot sounded like it was from a different class of weapon than the others. Holland also said he saw a puff of smoke beneath some trees on the knoll area. (ibid, p. 121) Thompson then notes seven other witnesses who saw a puff of smoke in that area. (ibid) Three of these—Holland, James Simmons, and Richard Dodd—were so sure the shots came from over there that they ran off the overpass to an area behind the fence. When Holland got there, he could see scores of footprints in the soft ground behind a car. Looking at their pattern, it didn’t make sense to him. Why? Because they were all concentrated in a very narrow area, like a lion pacing in a cage. (ibid, p. 122) To cap this fascinating story, Thompson noted another witness named J. C. Price. Price saw someone running from this area with something in his hand, which he said could have been a headpiece. (ibid p. 123) This reminds us of the driver of the car Bowers saw, holding what he thought was a phone or a mike.

    Need more? A woman told Dallas Patrolman Joe Smith that the shots came from the bushes up on the knoll. Smith ran behind the fence and smelled gunpowder. While he was there he had his gun pulled. As he was replacing it a man in the area showed him Secret Service credentials. Yet, as Thompson notes, every Secret Service agent had gone to Parkland Hospital with the motorcade. (ibid, p. 125) So who was this guy?

    Finally, as more than one author has noted e.g. Richard Mahoney, John Davis, and Lamar Waldron, there exists an FBI report which states that two police officers saw some men standing behind the wooden fence on the knoll on November 20th. The men were engaged in what appeared to be mock target practice. They were aiming what looked like a rifle over the fence. When the patrolmen made their way up the knoll, the men disappeared in a nearby parked car. The policemen thought little of this episode until after the assassination. They then reported it to the FBI. The Bureau made a report on this that is dated November 26th. Yet this report was never made part of the official FBI record of the assassination. And it was not declassified until 1978. (For a depiction of the episode, see Ultimate Sacrifice, p. 704).

    Of course, this program notes the Warren Commission evidence for there being a sniper’s perch on the sixth floor of the Depository e. g. the boxes and shells near the window. And, at first, the show implies it was Oswald at this post. Then later—when all semblance of objectivity has disappeared—it calls the shot from this position “Oswald’s shot”. Yet, further indicating its agenda, when it comes to the stockade fence on top of the knoll, the program mentions none of the above. Not Bowers, not Holland, not Smith, not Price, not the policemen. Not one word about any of it.

    Because Gary Mack and the narrator are strangely mute about all the above, let us give voice to it. One obvious way to interpret it all is like this:

    1. Two days before the assassination, a hit team was testing out a firing point behind the fence.
    2. On the morning of the assassination, the team was transported behind the fence via a staggered three car caravan, leaving two men in place who were being communicated with by radio.
    3. This ended up being one of the firing points in Dealey Plaza as evidenced by gunshot sounds, a flash of light, and a puff of smoke.
    4. The hit team was furnished with fake official ID to protect themselves after the fact, because they knew their shot would attract witnesses to the area.

    I believe there is a good reason the show leaves all of this crucial information about planning in advance out. Because if they included it, the audience would realize how illogical—actually absurd—one of the show’s main underlying assumptions is. Namely that the conspirators would use the same weapon and ammo as the alleged assassin was supposed to. Because in light of all the above, if they did do that, they must have been mentally retarded. Why? Because a shot from that site with that weapon and ammunition would clearly prove there was a conspiracy and Oswald did not kill President Kennedy! For, from his vantage point, how could Oswald fire a shot that exited the left side of Kennedy’s head? He could not. So the autopsy would prove Oswald an innocent man. So, to a lesser extent, would the Zapruder film. Are we really to believe that Gary Mack 1.) Forgot about all of the evidence above, and 2.) Never once thought of this stupid paradox in the weeks, maybe months, he worked on this program? I don’t buy it. And if you do, I have a bridge in Arizona to sell you.

    As I have said, I personally do not believe a shot came from that particular site. If I had to bet on it, I would say it came from further down the fence toward the overpass. Yet a shot from that second point would not have produced the left side exit the producers clearly wanted. Which is probably one reason the producers did not fire from there. But, from a study of the Zapruder film, testimony like the above, and the medical evidence, I have for a long time believed that the shot from the front was a frangible bullet: one that exploded on contact with the skull. And before anybody says that the House Select Committee on Assassinations reported that this was not the case, I will reply that the HSCA was talking through its hat on this—as it did on many matters. I have communicated with CIA associated people on this issue. Believe me when I say the following: What these guys can put in rifles is literally beyond imagining. They can create very dense and heavy projectiles that, upon impact, all but disappear. Therefore, in any normal crime scene inquiry, you would overlook the traces. And this is obvious if you think about it. If you had an almost unlimited black budget to tinker with, and wizards of weaponry like George Nonte and Mitch Werbell were on your payroll, you should be able to come up with things that would be beyond the horizon. That is what you pay men like that for in the first place: To disguise a black operation. Not the Three Stooges stuff inherent in Gary Mack’s goofy fable which amounts to this: After previously scoping out a firing point, you then make sure you incriminate yourself. And in the process you exculpate the guy who is the designated patsy. Based on this, let us give the show a new title: Discovery Channel’s Idiot Conspirators.

    II

    Yardley: What are we basing this bullet hole on historically Gary?

    Mack: We’re basing it on something that the Warren Commission did not have in 1964; the actual autopsy photographs and x-rays … which were examined officially in the late 1970’s. We know that there is a bullet entry hole up in this area …

    The above statement is so studiously deceptive that it reminds me of a trick by Uri Geller. But it is imperative that Gary Mack makes it. If not, his “experiment” will have serious problems in this segment. Let me explain why in detail.

    This exchange took place before the simulation of a shot from the sixth floor of the Depository. As previously noted, the show now drops all pretenses of neutrality, and labels this as “Oswald’s shot”. Yardley asks Gary Mack about the precise placement of the rear skull shot into Kennedy. Mack replies with the above deceptive quote. He then points to the upper part of the modeled skull, a bit to the right of the midline.

    It is hard to believe that Mack does not understand how wrong he is here. Let us begin on the evening of November 22, 1963. That night at the autopsy in Bethesda, and contrary to what Mack says, the doctors looked at the x-rays! And at least two members of the Warren Commission had the photos: Arlen Specter and Earl Warren. (There is a strong hint that J. Lee Rankin saw a photo of the back wound, since he talks about it being clearly lower than the throat wound.) So for Mack to tell the public that the Commission did not have these exhibits is simply not accurate

    But it’s worse than that. In the time period of late 1966 and early 1967, there is evidence that the autopsy doctors were brought back in to look at the photos and x-rays. The 1966 visit was called a military review and the pretext was to sort out and classify these exhibits. In 1967, the visit was provoked by the strong reaction to the criticism of the Warren Report then peaking in the press. As former CBS employee Roger Feinman has reported, this visit was done with the help of John McCloy in order to help CBS defend the Commission. This controversy eventually resulted in former Warren Commission assistant counsel David Slawson writing a memorandum to Attorney General Ramsey Clark. Slawson requested that the Justice Department begin an official medical review to stave off the threat of a more wide-ranging and wholesale inquiry. The Slawson memo resulted in 1.) What appears to be the autopsy doctors looking at the exhibits again, and 2.) A new panel of forensic pathologists “officially examining” the photos and x-rays for a review of the medical evidence. This new panel, formed in 1968, was headed by pathologist Russell Fisher and is called the Clark Panel.

    Question: In light of the above two paragraphs, how can Mack misinform the public that these photos and x-rays were not officially reviewed until the late seventies? But an even better question is this: Why is he saying it when he knows better?

    Because the Discovery Channel wanted to go with the new and revised entry point in the rear of Kennedy’s skull. The one Gary Mack deceptively says “we know” about. The Warren Commission entry point, as confirmed by the original autopsy team, was at the bottom of the skull, at a point called the external occipital protuberance—the EOP. But this trajectory created problems with the Warren Commission exit point, which was on the right side of the head, above and to the right of the ear. As Josiah Thompson pointed out in his book Six Seconds in Dallas (p. 111), at Z frame 312, Kennedy’s head is not anteflexed enough to make this work. And the Warren Commission understood this because in the false drawings prepared for Arlen Specter, Kennedy’s head is anteflexed much too far—looking down into his lap—in order to cure this problem. (See ibid. At that page, you can see the dramatic comparison in forward lean for yourself.)

    Consequently, and contrary to what Mack says, Russell Fisher and the Clark Panel—working from the photos and x-rays—first revised this entry point upward by four inches in 1968. The House Select Committee on Assassinations (HSCA), in 1978, then agreed with the Clark Panel revision. Unlike what Mack wants the public to believe, this official “review” did not happen 15 years later. Another key point Mack leaves out: The original autopsy doctors—James Humes, Thornton Boswell, and Pierre Finck—did not agree with this new and raised entry point.

    It is this disturbing landmark in the medical evidence that the program needs to tiptoe by. So it falsely states that 1.) The Commission never saw the photos and x-rays, and 2.) There was no official review of them until the late seventies. The clear and deceptive implication is that the autopsists missed the raised entry in the cowlick area because they did not have either the x-rays or photos. The supposition being that if they did, they also would have placed the entry wound up high. Again, this is inaccurate. Because when the pathologists saw these exhibits during the HSCA they mightily resisted the cowlick placement of the entry wound in the skull.

    The following was Discovery Channel’s problem. If the show admitted that the rear entry wound moved up in the space of about four years it would have trouble explaining how it happened. Because in real life this is almost unheard of. And further, contrary to what Mack’s certitude about an entry wound in the cowlick, the evidence strongly suggests that this later raised entry was manufactured after the fact. A point that the show also avoids by using this sleight of hand. (See Section Five of Part Four of my review of Reclaiming History for the troubling details.)

    But it’s even worse than that. As Gary Aguilar has pointed out, the Commission actually performed shooting experiments with Dr. A. Olivier on this specific issue. When firing at the EOP, the shot exited at the supraorbital process—the bony ridge above the eye. (WC Vol. 5 p. 89) The resulting damage was something resembling a blow-out wound to the right upper face. (See the skull photos and a discussion of this issue in Gary Aguilar’s essay in Murder in Dealey Plaza, p. 184) The problem with it was that 1.) This exit is not noted in the official autopsy report, and 2.) It is not evident in the photos. One has to wonder if all these evidentiary problems with the EOP entry caused Fisher to rework the original autopsy by raising this wound.

    Please note: all of this utterly fascinating material would have made a much more interesting, honest, and educational program than JFK: Inside the Target Car. Yet Gary Mack disposes of it all in the space of about two fraudulent sentences. He has to of course because he does not want Yardley firing at the Warren Commission’s EOP location. Because as noted by Aguilar, that could risk a shot exiting through Kennedy’s face. And that would create a real fracas for the official story wouldn’t it? Mack’s cheap trick with the medical evidence prevented it. Discovery Channel was determined from the outset to uphold the Commission—even if it meant revising the Commission’s own conclusions! Because remember, the Commission went with the lower EOP entry point.

    The above is a perfect illustration of what I said at the beginning of Part One about the risk in oversimplifying a complex and changing phenomenon: that one will end up inherently falsifying it. And this is what the show does in dealing with all the above in the space of about two sentences. All of this ducking and weaving in order to avoid fully informing the audience.

    III

    Bypassing all of the above, Yardley takes his “Oswald” shot at the revised and raised cowlick area. He hits it. But as I wrote in Part One, this creates still another problem for the show. As he wrote in his online discussion afterwards, Gary Mack says that the bullet did not fragment. He immediately tried to dispose of this problem. I understand why he wants to dispose of it ASAP. But it won’t go away. If his demonstration is to have scientific validity, this important point can’t be ignored. For in the second federally sanctioned JFK investigation, the one by the HSCA—the one the show is abiding by with the raised skull entry wound—the bullet did fragment. But it was a rather bizarre fragmentation. The head and tail of the bullet ended up in the front of the car. And the middle of the bullet somehow got stuck at the outer table of the skull high in the back of the head. This is probably one reason why Mack wants to dispose of this matter as quickly as possible. He doesn’t want to have to explain that rather weird phenomenon. Even though he (falsely) says the HSCA discovered the raised entry placement, he doesn’t want to explain the fragmentation that goes along with this raised entry. Why? Because it’s not explainable. In fact, experts have called it unbelievable.

    But that is not all. In the Clark Panel x-rays there is also a particle trail traveling horizontally across the top of the skull. This presumably represents the progress of this bullet across the top of Kennedy’s head. The problem is the trail does not match up with either the in shoot or out shoot point. Again, the show mentions none of this.

    Now, as Milicent Cranor has pointed out, it was not mandatory that the Discovery Channel experiment precisely duplicate this key issue about the bullet breaking apart in the middle. But it should have accomplished something that was at least similar. In other words, the bullet should have broken someplace. The fact that it did not break at all would suggest two logical deductions. Neither of which the show wishes to entertain.

    1. Either the projectiles striking Kennedy’s head were not Mannlicher Carcano bullets, or

    2. The snake oil cooking I described in part one was boiling over. That is, the Adelaide T ∓ E “exact replicas” of the human head were no such thing.

    Because the official autopsy in this case was so curtailed and incomplete—which is another area of the medical evidence this show does not want to get into—we cannot answer this question with real certainty. But I actually think number one could be true, and number two almost has to be true. Concerning the first, as I mentioned before, the shot from the front may well have been a frangible type of bullet that broke into bits upon impact, thereby leaving this weird particle trail in the skull.

    But there can be little doubt about number two. I recorded my surprised reaction in part one of this review about the skull breaking into smithereens when struck by a hunting bullet. Well, that was reinforced when this happened. Clearly, the manufactured skull did not create enough resistance to the bullet. And considering the background of Adelaide T ∓ E, the past history of Discovery Channel and their JFK specials, plus what the Sixth Floor represents, one has to wonder if it was by design. That is, they knew they could not duplicate what the HSCA said happened to this bullet. So they went ahead and created easily breakable skulls to give the viewer what they wanted to show: an unobstructed and visually discernible path through the top of the skull.

    And by doing this, they do not have to explain another mystery about this revised entry point. Which is this: both the Clark Panel and HSCA largely based this raised entry point on a circular 6.5 fragment at the back of the skull table. The dimensions, of course, exactly duplicate the shells allegedly used by Oswald (which no one in Dallas recalls selling to him). But further, no one at Bethesda saw this circular object on the x-rays the night of the autopsy! Yet how could they have missed it? In light of this fact, I understand why Mack does not want to talk about this issue. Not only does the non-fragmentation seriously impact the validity of his “exact replicas”, it also affects the credibility of his “knowing” there was a raised entry wound at the rear of the skull. Why? Because his “simulation” does not leave the 6.5 mm fragment—or anything approximating it—in the skull. Which, as previously stated, was one of the major reasons for raising the skull wound in the first place. But even though its not there, Mack raised the wound anyway.

    So much for Gary Mack’s oh-so-certain knowledge of this cowlick entry wound in the skull. It’s a “certainty” that his own experiment belies.

    I couldn’t make this stuff up if I tried. And I’m not trying. But I’m still not done.

    IV

    Let us now discuss Yardley’s so-called “Oswald shot”. Because something odd happened with it. When Yardley hit his shot, the whole right side of the “replica’s” head flew off. Including what appears to be the right front top of the forehead. Yet this is not the kind of impact that is shown on the Zapruder film, written about in the autopsy report, or shown in the autopsy photos. In those photos, the forehead is intact.

    And this directly relates to another important point. Toward the end of the show, Mack brings on two alleged experts in blood spatter analysis. For this segment, they pose what looks like a white plaster bust in Kennedy’s position in the car. They then place what looks like a target mark on it for the exit point. The mark was located in the upper forehead on the right side. My BS antennae sprung up about a foot in the air. Because if you read the autopsy report, this is not where the doctors located the exit wound. They located it on the right side of the head in the parietal area. Which is back from the forehead. (Most authors give the location as above and to the right of the ear on the right parietal.) Besides being utterly surprised and puzzled, I didn’t know how to explain it. Are we really to believe that Gary Mack, and the producers, and the director never read the autopsy report? As I said, this was very puzzling.

    A couple of minutes later I wasn’t puzzled anymore. At that point, I understood why they placed it wrong. And I should have known. Inevitably, in this age of computer graphics, the producers wanted to superimpose a line on the screen that traced back from a hole in the dashboard that the Yardley shot created, through this exit, and to the sixth floor window. And so with this Yardley exit, you can do that. But with the exit described by the autopsy doctors you cannot. So in addition to the dubious entrance wound, this show gives us an exit wound that does not correspond to the autopsy report. All in order to keep Oswald as the lone assassin.

    After this long and excruciating dog and pony show, the two witnesses are shown photos of the alleged “blood spatter pattern” in the car as adduced by this ersatz experiment. Now let me ask a logical question in light of the above: If the manufactured skulls were not close to being what real skulls are like, and if the entrance point on the skull was wrong, and if the exit point on the skull was wrong how could the end result be the same? But let me add one more point here. The stuff that is ejected from these skulls upon bullet impact seems about as exact a substitute for blood as the manufactured heads are for real skulls. The stuff looks like something out of a “B” horror movie, maybe The Green Slime. But let us discount the color, what bothers me is the texture. The texture may possibly approximate brain matter, but it does not appear to be close to blood. In any real experiment there should have been at least two things ejected from the skull, brain matter and blood. I didn’t see that here. Further, the actual photos taken of the car after it got to Washington only appear to show blood on the back seat. There was little if any of the spatter that was projected forward. So there was no control for this final part of the demonstration. With all these specious variables, with no control factor, and the proven untrustworthiness of the producers, the reliability of these witnesses who confirm the green slime at the end is worth very little.

    But that is not really the end. The end is afterwards with Gary Mack looking out the so-called sniper’s perch onto Dealey Plaza. Get it? That is where the shot that killed JFK came from. And with that posed and pre-planned shot, we understand what this program has been all about. From the selection of Adelaide T ∓ E, to all the cheating on the marksmanship, to the selection of that particular front shot, to the lie about Jackie Kennedy being in the line of fire, to the mentally impaired hit team which wanted to exculpate the patsy, to the oh-too-frangible skulls, to the wrong exits and entrances etc. etc. etc. all the way down the line. It was all done so the show could leave us with that final frame staring out the Sixth Floor window. Which is probably why The Sixth Floor Museum and Mack agreed to go along with the charade.

    But for one informed viewer, that shot did not suggest what the producers wanted—that is Oswald as the lone assassin. For me it was Discovery Channel, Gary Mack and the Sixth Floor as assassins of the truth.

    I will try and explain how it happened in Part Three.

  • JFK: Inside Inside the Target Car: My Experiences as Limo Researcher for the Show


    See Additional Reviews of Inside the Target Car


    The JFK Assassination Aftermath and TV Shows

    One would think that once the Warren Report (WR) hit the stands in 1964 the government would have said, “there you have it”, and moved on to something else. However, there were so many flaws within that it invited a fair amount of criticism. Although the critics were quickly pointed out to be un-American, they continued to grow in number and volume. Their voice threatened to drown out that of the Warren Commission. Something had to be done.

    Some on the Commission, like Allen Dulles, actually believed the American public would not bother to read the WR. Apparently, they believed that their appeal to authority, dictated by those supposedly the most revered in our government, would be sufficient. They thought that the American public was merely ‘sheeple’, and would do as they were told. They were wrong.

    In order to quickly cover their tracks, a special posse was formed behind the scenes devoted to stomping out the growing Critical Community (sometimes called Conspiracy Theorists, or CT’s). New books were quickly written to re-emphasize the ‘conclusions’ of the WR, while some new CT books were written in order to confuse the CT community. And someone in the posse (which we will refer to as the Ongoing Cover-up, or OC) had an ‘aha’ moment when it came to pushing the WR agendas on that new media called TV.

    So into the fray jumped the networks, anxious to please; most of them probably co-opted by the OC even prior to the JFK assassination. The sheeple believe our newscasters. So, of course, they would believe what these people had to say about the assassination. This spewing of TV jargon would be more persuasive to the sheeple than any doubts they might have had. Quickly, a TV show on the WR was developed. Others followed. The Jim Garrison investigation was decimated by the NBC White Paper propaganda show against him. The OC had hit the big-time, and television had become the new means of controlling the public.

    Which brings us to the present. Fairly recently, the Discovery Channel decided to fund shows on the JFK assassination. Their ultimate conclusion, after allegedly looking ‘objectively’ at all the facts, was—you guessed it—a recrowning of the Warren Commission. On the other hand, in 2004 the SPEED Channel did a one-hour documentary on the Presidential Limousine,. This was called Behind the Headlights: JFK Presidential Limousine (currently available on You Tube.) This program, for which I helped develop the script and was interviewed for, was conspiracy-based and contained new information about what happened to the limo after the assassination. It clearly demonstrated that the limo was the primary crime scene and that there had been a cover-up. How could this be allowed to stand? So somebody at Discovery Channel had a bright idea to do a program focusing on the limo as the crime scene. And that brings us to “JFK: Inside the Target Car”, and my participation in it.

    The Invitation

    A few years earlier, a production company called Creative Differences called me. A producer named Robert Erickson interviewed me by phone for possible involvement in a show they were doing for the Discovery Channel. It came to be called Beyond the Magic Bullet (BTMB). This was broadcast in 2004. The show ultimately progressed in a different direction, and I was not included. I had been involved with a few other TV programs around that time. Most notably the Fox News 2-hour JFK assassination special entitled Case Not Closed in 2003, and a pilot for the show Tech Effect which ended up being too expensive to complete. Interacting with the producers of those shows had left me calm and empowered. Interacting with Erickson left me vaguely uncomfortable.

    As a rule, I do not spend much time watching Warren Commission apologist shows. I did watch the single bullet test in BTMB, but was put off by the shows’ easily-apparent hypocrisy. They had not even bothered to specify which exact single bullet scenario they were attempting to follow. Another heads-up I should have taken more seriously.

    So when Robert Erickson e-mailed me last spring about the new show his company Creative Differences was doing on the limo for the DC, I did not exactly leap right into it. But I did decide to keep an open mind.

    Initially, I did not have any suspicions about the show being scripted to coincide with a Warren Commission apologist agenda–even though common sense told me that could probably be a factor. The script looked interesting. Though much of it was a rehash of my 2004 SPEED Channel documentary. Which was puzzling. Plus, it included an objective which has been one of my major priorities for over 10 years: to view the limo windshield held at the National Archives (NARA). I was to go to Washington DC with the producers and they would hire a glass forensic expert. The windshield would be examined and photographed in High Definition. How much more exciting could an investigation get?

    I enlisted the aid of Congressman Jim Ramsted, who wrote a dynamite letter endorsing the request to NARA to view the windshield. I thought: What could possibly go wrong? Little did I know.

    Erickson had spoken with Bob Casey, the curator for Henry Ford Museum in Dearborn, where the rebuilt limo is on display. Casey mentioned that Lincoln Motors had begun etching numbers into the windshields of its cars during the sixties. Was it possible that the NARA windshield contained such a number? If so, it might be possible to track it down to determine if it was the one in the limo when it was delivered to the White House garage in June of 1961. More importantly, it might be possible to determine if it was the one in the car during the assassination.

    The DC letter and the Ramsted letter were sent to NARA at the end of April. We waited anxiously. In a few weeks, we heard back. Apparently, they had sent someone scurrying down to the windshield to check for a number etched on the edge, and when they didn’t find one, heaved a sigh of relief and refused our request. The door to viewing the windshield had been shut. However, a new one was about to open.

    Trip to Dearborn

    In June we continued with the next section of the program. Bob Casey and I were to be interviewed next to the rebuilt limousine at Henry Ford Museum. Robert Erickson was waiting for me at the Detroit airport. He was very pleasant, yet cool and somehow calculating. I began to have the sensation that perhaps I was being set up. We had dinner at a Chili’s and discussed the questions he would ask in the interview the next morning. Apparently, I was being relegated to fill-in material, as none of the questions were very interesting or exciting. I tried to figure out an angle where I could contribute something new to the show, but seemed to be blocked. What do you want me to say? I asked. I then added: “You’ve given all my best lines away.” It was a very frustrating evening. Here I was being told that I was needed because I was ‘the limo expert’, but I was obviously being sidelined for some unknown reason. Erickson also asked me about some of the more far-out theories connected to the limo and what I thought about them. He asked me about getting in touch with a few other fringe CT researchers. I gave him what information I had, and then had an insight: “He’s trolling for kooks,” I thought. Little did I know I was one of them.

    Erickson also talked about the previous program, Beyond the Magic Bullet. He said the feedback on the show had been pretty negative, and didn’t understand why. Without explaining that I had not watched the entire show, I talked to him about my idea of different SB scenarios. I referenced an article I had written on them, called “The Pretty Pig’s Saturday Night.” I told him, “By not specifying which scenario you were following, you were setting yourself up for trouble.” He didn’t seem to understand.

    The Henry Ford interviews were to be done before the doors opened, which meant that the set-up began at around 5:30 a.m. The Museum was dark and quiet—an extraordinary event in itself. There was a small group of girls who scarfed us up coffee and bottles of juice and water. A woman from the research staff was also present. The cameraman worked quickly and at 6:15 Erickson said, “Shall we get started”? I had been looking over my notes for valuable information to add to the bland questions, and quickly switched gears.

    The interview was boring and rote, and I was unable to contribute much more than the bare bones that had been previewed the night before. I got to sit at the rear of the limo; an hour later Bob Casey sat at the front. I had a chance afterward to walk around the Museum in the quiet, looking at the other presidential limousines, the autos, planes, trains and vacuum cleaners from years gone by. That in itself was a dream come true.

    The Museum opened, light streamed in the windows, and the Kennedy limousine was again the center of attention. The crowds were kept back as the ‘beauty shots’ of the limo were filmed; some from the camera mounted on a dolly, moving silently back and forth. It was a beautiful sight. Afterwards, a staffer did some measurements of the limo rear seat and we were allowed to take photos of her holding the measuring tape. We were not allowed inside the limo. A low blow.

    After the cameraman had packed up his gear, we all went to lunch and discussed plans for the rest of the day. We thought about going to the Gerald Ford Library, as there were some interesting documents there. Erickson also mentioned possibly seeing a replica limo that they planned to borrow for a day. Before I knew it, we were looking at the only other limo built from the Hess ∓ Eisenhardt blueprints (not available to the public) by Kevin MacDonald, a protege of Hess. The car had been built back in the 80’s, and used for the movie JFK, as well as for other movies and TV shows. The top was off, a bottle of water lay on a jump seat and a container of tennis balls had been tossed carelessly in the back seat. It was hardly stately, but my heart was in my throat. This was the car as it had looked on November 22, 1963.

    The car was in some ways exquisite, and in others grotesque. The jump seats were the wrong shape and covered in plastic rather than leather; the metal handholds were not correctly shaped. The tires were modern. The plexi-glass top sections were opaque and could only be used with the canvas cover. The rear seat was not built up; as of course, it did not contain the mechanisms to move it up and down as had the original. Otherwise, the car was a gem. We took measurements and photos of it, and reluctantly left. “I don’t know what to do,” said Erickson, “now that the NARA segment has been scrubbed.” “Go to the car, I said.”

    And so began the process that culminated in the replica limo being shipped to Dallas, and the possibility of having a true reenactment of the fatal shot of the assassination.

    In our last discussion later that day, Erickson and I went over all the limo photos and documents I had brought with me. We talked about the black ∓ white FBI photos, taken during the forensic exam early Saturday morning. We talked about the color SS photos, CE 352 and CE 353. Erickson kept insisting they had been taken during the FBI exam. No, I patiently explained, they were not taken until late Saturday afternoon. Which was well over 24 hours after the assassination. And after the Secret Service had scoured the car for hours, and later, the FBI had done the same thing, including removing the rear seat. I tried to explain: There was no way that these photos could resemble what the car had looked like at Parkland Hospital. However, it felt as though I were talking to a brick wall. Later I came to realize that the actual timing of the photos was irrelevant; the timing had to be juggled to give Erickson and Dealey Plaza consultant Gary Mack what they wanted.

    Replica Limo in Dallas and a Test

    About two weeks later the replica limo had arrived in Dallas, and was available for shooting for a week. Although I was on the outside from this point on, it was exciting to think that there would be a chance to do an accurate re-enactment of the fatal headshot (and disprove the Warren Commission in the process). Also, they would be able to copy the measurements of the rear section of the replica limo for their firing test simulator, which would just be a crude copy in plywood. E-mails went back and forth between Erickson and me. I suggested that they use Zapruder film frame 312 ( Z-312) head position as the focus point for their reenactment. I hoped that if they followed through on this, they would discover that both the Commission and House Select Committee on Assassinations (HSCA) positions were wrong. Obviously, I expected to hear some follow-up questions about it.

    Surely there would be some discussion as to the difference between the Warren Commission, HSCA and Z-312 angles for JFK’s head? Yet, this did not happen. They did have other experts on hand. What were they being told? Did they just choose a position that they felt their test would fare better with? If Abraham Zapruder could see the back of JFK’s head in Z-312, how could it be totally accessible from the sniper’s nest, which was many feet up the street? Wouldn’t Kennedy’s head have to be tilted on both a horizontal and vertical plane? And when one looks at other films, this appears to be the case.

    “Where would a shot from the grassy knoll have come from?” Erickson asked. Not being there, I could not be specific, so I suggested: “Use a representative spot.” At one point, Erickson seemed concerned that there was no clear shot with the correct trajectory from the grassy knoll unless someone was standing on something, such as a car. That was puzzling to me. But again, at a distance, there was nothing much to say. Of course, by this time, the Sixth Floor Museum’s Gary Mack was literally at the center of everything.

    Firing Tests in LA

    Next came the actual tests. The replica skulls were designed by the Australian company Adelaide T ∓ E and were expensive. They were supposed to react exactly as a human head would. Nobody bothered to mention to me that they were mounted on a rigid neck. While I had been asked for feedback, I tried to walk a tightrope between answering their questions and not doing their homework for them. In addition, I wanted to remain outside and objective and not unintentionally put anything into the mix that might invalidate the test. Such was my naivetÈ. Had I known they were going to use nothing like a real neck or torso, I would have asked them how they thought their test could even attempt to duplicate the fatal headshot? Because they would be unable to duplicate the ‘back-and-to-the-left’ head movement. No use. As it turned out, Gary Mack later in the show tries to sidestep the problem while trying to claim the test was still valid. I disagree. Apples and oranges. Then word came back that something extraordinary had happened with one of the grassy knoll tests. But what? Quickly, the show’s script was rewritten to focus on the tests. It was probably at about this time that the press release was solidified. But there is little doubt that the basics were in place before this show even went into production.

    I had been posting about the program on Spartacus Education Forum. One post in early September, initiated by another forum member, touched on the test. Within a few days, I received this email from Erickson:

    I’ve been alerted to some commentaries on the web about the program. I enjoyed your article about [ … ] and the State fair… But I would like to have you refrain from any further discussions about the program and its contents until its aired. Thanks.

    Gary Mack regularly lurks at the Education Forum, though he does not condescend to post. I had little doubt who ‘alerted’ Erickson. A gauntlet had been thrown; a line drawn in the sand. While nothing had been said about the fact that I was being monitored, nor had I signed any confidentiality statement, it became evident that the stakes for this show were pretty high. It was at about this point that it seemed everything began to solidify into the show that became JFK: Inside the Target Car. I finally got the picture. I was on the outside; Gary Mack was on the inside. I had little doubt that with the verbal chastising would also come the excising of snippets of my interview from the final show. I began to wonder what else would happen.

    The Grandiose Claims of the Discovery Channel Communications Press Release

    “JFK: INSIDE THE TARGET CAR is the latest example of using break-through technology to authenticate scientific theories,” said John Ford, president and general manager, Discovery Channel. “This special encompasses an intensive forensic investigation that proves the origin of the fatal bullet. It’s momentous for the network to help support the science behind this definitive evidence.”[…]

    The results of these precision ballistics tests provide some clear answers to the events that unfolded in Dealey Plaza. Comparing the splatter patterns from these test angles, with the historical evidence gleaned from eyewitness testimony and Secret Service reports, as well as an exact digitized overlay of the Zapruder film, the forensic team draws the definitive conclusion that the fatal shot could have only come from the sixth floor window of the Book Depository and not anywhere else, just as the Warren Commission determined in 1964.”

    Reading this press release provided one of the bigger gut-punches I had felt since reading the Warren Report for the first time. Suddenly, everything came into focus. The press release had probably been written even prior to the tests. It defined this show, along with the other Discovery Channel offerings, as yet another means to use the fallacy of appealing to authority in order to redo the Warren Report. I was outraged. Nothing that I had experienced during the development of the show had prepared me for a press release containing claims of this magnitude. For one thing, from all I had heard, they had done absolutely nothing worthy of saying they had done more than an ‘ad hoc’ test. By their own admission they had no idea where a shot from the grassy knoll would have originated, nor what kind of gun or ammo would have been used. It seemed they had failed to do their homework, and had not even jumped through the modest hoops that I had offered to them. What was going on? What had I gotten myself into? I was about to find out.

    First Airing of ITTC

    It was with a mixed sense of curiosity and foreboding that I sat down to watch the show. Much of the early part of the show was neatly packaged, but somewhat ho-hum; including the interview with Nellie Connally, much of which had already been shown on the networks.

    The scenes of the replica however, interspersed between shots of the actual limo, culminating in the re-enactment session in Dallas, were breathtaking. If nothing else had been accomplished, this remarkable car, its flaws not visible because they were in the interior, created for us a fresh sensation of being there with the Kennedys on that fatal ride.

    The development of the dummy heads at Adelaide T ∓ E was fascinating. It was discomfiting, however, that there were no features on the faces. That made it very difficult to verify the alignment of the head. Was that intentional? And, of course, the heads were built on rigid necks. While Gary Mack tried to explain away the significance of that fact, I was horrified. Without a moving neck there would be no way to verify the ‘back-and-to-the left’ movement of the Z313 fatal headshot. There was no way any test with a rigid neck would provide anything but suggestive conclusions. Hadn’t Discovery Channel realized that when they had made the high-falautin’ claims in their press release? I guess not. They were on a roll.

    Test One at the Grassy Knoll (GK)

    Test One of the grassy knoll shot blew the entire head off of the rigid neck. This was the test, I think, that created such excitement in the emails I had received from Erickson. It didn’t seem to bother them that the result was achieved with a rigid neck. Nor did it seem to bother them that the Winchester and ammo they were using might not have been that used on 11.22.63.

    However, at this point, they certainly could have regrouped and analyzed their results objectively. Had they stopped jumping up and down long enough to do so, it might have occurred to them to at least change the ammunition used in the second grassy knoll shot to a frangible bullet; something postulated by numerous researchers throughout the years–me included.

    Test Two at the GK

    This test, however, did provide interesting input. They could have retained the blood spatter and spray frames and later compared them with the shot from the sixth floor “sniper’s perch” to see if they could say anything exclusively about one spot or the other. They did not.

    They did achieve an analogous amount of damage to the head, though the shot had gone through to the left side of the head. No surprise, however, as the ammo was not a frangible bullet. Rather than addressing the limitations of their test, Gary Mack then backs away by saying that if the fatal shot had come from that position on the grassy knoll fence, Jackie would have been killed. This was an error by Mack which he had to retract in his later online discussion.

    So there were a number of missed opportunities in the grassy knoll tests of this show. They could have been upfront and acknowledged them, and at least qualified their claims about the results they thought they had achieved. But, oh no, they were too busy jumping in the streets! They had just destroyed the keystone of the conspiracy theorists, or so they thought. At long last, the precious Warren Report was being vindicated. Such joy, in my opinion, seems to have blinded their common sense.

    Test Three at the Sniper’s Nest (SN) of the Texas School Book Depository (TSBD)

    Same situation—rigid neck, no passengers in the car, head at an angle where they can see the white target on the right side—definitely not Z-312. They take the shot, then rejoice in a manner that has become predictable, at an outcome that should have caused them to run for cover. The shot blew off the top of the dummy head. Skull pieces went everywhere. Nobody tracked the huge pieces that went forward—only the one that went backward. Why? The shot from the SN of the TSBD did produce a lot of spray—but then, so did the others. Because they only chose to focus on the spray of that shot, there is no definition given as to how, if at all, it differed from that of the other test shots. Without passengers in the vehicle, to be later removed, there is no possibility that whatever debris that was in the plywood model bore any resemblance to what was actually in the limo when it arrived at Parkland Hospital. Nevertheless, they merrily moved forward per their script to later make such a declaration. And, of course, there was no ‘back-and-to-the-left’ motion; without which, of course, they had only an ad hoc test. Of course, they did not even attempt to do that, as they had remained in blissful ignorance that the WR fatal headshot scenario was quite different than what they attempted to do.

    So, what, if anything, did this test actually prove? It demonstrated that the Mannlicher Carcano ammo, from the cartridges conveniently found on the floor of the SN, probably did not cause the Z-313 head wound. The x-rays and photographs show a nearly-intact skull, not one with huge chunks of skull missing. Now, in typical Warren Report fashion, the show attempts to tie up all its loose ends with more fascinating and meaningless ‘tests’ and images, clumsily trying to dodge the fact that if they accomplished anything, it was to disprove the Commission, not to re-prove it. And of course, that was what I believed was the case almost right from the start. Fortunately, their hubris caused them to overlook all the clues they left in the show as to what everything really represents. But then, perhaps that is what happens when you try to get a mouthpiece for the Ongoing Cover-up to do the job of a limo researcher?

    The “Corrected” Show

    After numerous complaints to Discovery Channel, by me and many others, reporting the numerous inaccuracies of the show, in December another version was aired. It corrected the error that the color Secret Service photos were taken ‘the next day’ (as opposed to well over 24-hours after the assassination and after numerous exams) and did revise the reenactment footage to show what they believed a closer reenactment of Z-313.

    Warren Report Redux and the State of the Ongoing Cover-up

    So here we have yet another TV show using some of the same tactics the Commission did to try to claim they had ‘reproven’ the Warren Report. Although numerous flaws and loose ends were left visible, and the narrative of the show did not correspond with the so-called ‘evidence’ that they had found, not to mention the fact that they didn’t bother to follow up on information obtained in their early test in terms of revising the later ones, they are comfortable touting the claim that they have dropped a bomb on the critical community by ‘proving’ the fatal headshot could not have come from the grassy knoll. And, in a perfectly illogical turn, then claiming that it could ‘only’ have come from the “sniper’s nest”. And in true Warren Report apologist form, anyone who mounts a criticism to the glaring inadequacies of the show is ridiculed, and the articles are termed ‘ranting’. So too were the earliest dissenters from the Warren Commission attacked, even to the extent that they were labeled ‘Communists’ for refusing to follow the party line.

    So here we have another excellent example, unfortunately, of just how far the OC will go to attempt to push the myth of the Warren Report. As we head toward the next big anniversary of the assassination—the 50th—we can be sure that the players are in place and the agendas at work to attempt to continue to attack and ridicule the critical community and leave no ‘valid answers’ to the assassination except the Warren Report. Various Kennedy assassination online forums have already been infiltrated with false Conspiracy Theorists who will, one by one, as did Gary Mack in this show, ‘come to see the light’ of the ‘truth’ of the Warren Commission. The Commission advocates are already present in the forums as well, to bring ‘common sense’ into the convoluted circus that the research community has become.

    The OC has money and it has power. Even more so, it has persistence and tenacity. It will, I believe, continue until all the documents at the National Archives have been gutted and then released. Then they will be able to proclaim that there is ‘nothing more to learn’. There is also a highly restrictive process in place at the Archives, where you practically have to be vetted by the JFK Research staff in order to see certain groups of papers which are supposed to be ‘available’. And, of course, even a reasonable request to view the windshield and finally give it a proper forensic examination is subject to denial. The stakes are extremely high; for our individual freedoms were permanently compromised not only when JFK was killed but when Lee Harvey Oswald was murdered before our eyes after being denied legal representation and then denied a presumption of innocence after his death.

    If anything good can be accomplished by this show and its accompanying press release, let it be that it encourages us to engage once more in a battle to learn the whole truth of what happened, banding together and mentoring each other. Using an historical research process, weighing and evaluating information, rather than making appeals to authority by claiming ‘conclusively’, ‘exclusively’ or using any absolute conclusion. Nothing is absolute about the assassination except that President Kennedy, J. D. Tippit and Lee Oswald are dead, and Connally was injured. We know who killed Oswald. But we can and should move forward to a complete release of all of the remaining documents. We may then try to have the conclusions of the Commission declared null and void because they were based on denying a citizen the presumption of innocence. We have not been defeated in the past, and we do not need to be defeated in the future. Let the real research, differentiated from the type done for this program, continue.

    All Contents Copyright © In Broad Daylight Research July 2009

  • JFK: Inside the Target Car (Discovery Channel)


    See Additional Reviews of Inside the Target Car


    Subject: Another attempted reenactment of the JFK murder

    Protagonists: Gary Mack, Adelaide T & E Systems, two JFK witnesses, two forensic experts, and a marksman (Michael Yardley)

    Evidence analyzed: blood spatter patterns

    Intrinsic assumptions:

    1. a single shot hit JFK in the head
    2. this shot struck at Zapruder frame 313
    3. the limousine traveled at 7-8.5 mph at this instant
    4. this shot entered at the posterior head site selected by the HSCA (not the Warren Commission site)
    5. the Zapruder film has not been altered
    6. the only examined shooting sites were:
    7. a. the sixth floor window

      b. the grassy knoll

    Outside the domain of this experiment:

    1. a head shot from anywhere else
    2. any shots to JFK’s body or to John Connally
    3. any shots that missed
    4. a second head shot
    5. other evidence in the case

    Implicit and Explicit Conclusions (of the Discovery Channel):

    1. JFK was hit only once in the head (from the rear)
    2. this shot came from the sixth floor window
    3. Oswald fired this shot
    4. the Warren Commission got it right

    A Brief Summary of What They Did

    The narrator begins by implying that the program will prove that the Warren Commission (WC) was correct, i.e., that a lone gunman did it, with the clear insinuation that Oswald was the man. (Of course, that’s logically impossible: Oswald was not firing at the test site. No shooting at a range could ever determine who fired at JFK.)

    In my view, the most that this experiment can claim is a truly simple conclusion: the blood spatter pattern matched a posterior head shot. Also in my view, hardly any serious critic of the WC would disagree with this conclusion, especially not anyone who has examined JFK’s skull X-rays. (I have long agreed that no grassy knoll shot hit JFK.) Once this simple statement is accepted, the program can only follow a downhill trajectory, which it promptly proceeds to do.

    Mack and Michael Yardley, the designated marksman, first inspected three candidate sites in Dealey Plaza for frontal gunmen. The grassy knoll on the south side was ruled out because only two to three inches of JFK’s head were visible above the windshield. (They had positioned a similar vehicle with riders at the supposed kill site on Elm St.) The south side of the overpass was next eliminated because the shot would have pierced the windshield. (But no one mentioned the multiple eyewitnesses who reported that the windshield had been completely pierced or the Ford Motor Company employee who said he received the windshield at the Ford plant with just such a hole.)

    The north side of the overpass (the same side as the traditional grassy knoll) was greeted with genuine interest by the marksman: “Not a difficult shot. I would keep an open mind on this position.” Mack’s sole objection to this site was that eyewitnesses would have seen such a shooter. (See my comments below on that.) Not surprisingly, that is the last we hear of this site.

    With guidance from that man for all seasons (Gary Mack), Adelaide T ∓ E Systems constructed a JFK crash test dummy, including head and torso, with a connecting neck. By their report, this yielded an accurate anatomic replica of the biological tissues of the head.

    Under Mack’s guidance, a stationary limousine mock-up was positioned on a shooting range in Sylmar, California, to match the conditions of Elm St. Even a huge fan was employed to simulate a 25 mph breeze. This was intended to take into account a head wind of 15-20 mph, superimposed on a limousine speed of 7-8.5 mph. The dummy was inserted to mimic JFK’s position and orientation.

    For the traditional grassy knoll shot (while in Dealey Plaza), Yardley had noted that it was a possible shot, i.e., there was just enough time to track the limousine. At the Sylmar range, Yardley fired two shots, the first with a soft point round (a Winchester). This bullet exploded the entire skull. On the other hand, a Mannlicher-Carcano bullet (full metal jacket) created a large exit hole on the left side of the skull, leaving the rest of the skull largely intact. The program notes that Jackie would have been struck by such a bullet. They conclude, therefore, that no grassy knoll shot was fired. (That it might merely have missed was not entertained at this point, though Mack finally mentions that option near the end of the program.)

    For the posterior head shot, Mack marked the target site on the skull. Oddly enough, despite all of the incessant homage paid to the WC throughout the show, Mack did not choose the WC site. Instead he chose the site selected by the House Select Committee on Assassinations (HSCA), which is much higher. This higher site was quite adamantly denounced by the pathologists. (Of course, no one on the program commented on either of these paradoxes.) The simulated posterior shot blows off the top right of the skull and widely scatters debris. Some even falls on the front of the windshield and a large chunk falls on the trunk. Simulated brain seems to scatter widely around the limousine interior, though I actually saw little on the inside of the right rear door or on the back of the right front seat—the two sites that the show emphasizes as prominent blood scatter sites in the real limousine. (Of course, no one notices that the head snap is absent at the shooting range—on what was supposedly the best model used to date.)

    Two JFK witnesses (who had observed the actual limousine) viewed this test evidence (in photographs) and agreed that the spatter pattern matched what they had seen on November 22, 1963. (It would have been truly admirable if they had first been shown a wrong blood spatter pattern, just to see how flexible they were. Curiously, the experiment shows debris going in nearly all directions; it is therefore not at all clear just how a wrong pattern would look.) Photos of the limousine in the garage in Washington, DC, just after midnight, are then shown. Blood stains are chiefly seen on the seat; the narrator admits that blood spatter evidence is hard to see in these images. (Of course, that means that the two eye witnesses now become the sine qua non in the key argument of the entire program. If their recollections are mistaken, the total show collapses.)

    Two forensic experts are then invited to view the simulated blood spatter evidence in the mock-up. During the time interval that they agree that the spatter pattern indicates a shot from the rear, the graphics extend a trajectory to an image of the sixth floor window—even though the experts say nothing about this. The experts then identify a hole in the dashboard, in front of the driver’s seat. (That bullet would have passed through the body of the driver, but no one comments on this. Likewise, no one asks about the appearance of the bullet after the shooting.) The forensic experts then suggest that the bullet’s path could, in principle, be traced backward in a straight line through this dashboard hole and the entry in JFK’s head. (I would note that the trajectory would have been different for the actual WC entry site, i.e., the one that Mack did not choose. Of course, that was all left unsaid.) And no one questions whether the bullet might have been diverted from a straight line by its impact with the skull. Mack then asks if they could reach this same conclusion without the hole in the dashboard. The experts merely reply that the forward scattering of debris is consistent with a shot from the rear. Neither of them ever mentions the sixth floor window, or Oswald for that matter, despite the overlying graphics.

    The narrator concludes that the WC was right all along—it was Oswald from the sixth floor window. In fact this implication recurs with clocklike regularity throughout the program—amazingly, even before the experiment is shown. Gary Mack’s final comment, though, was a surprising hedge: “äthe shot that killed President Kennedyädid come from behind and apparently [emphasis added] from the sixth floor window…” Mack also adds a totally gratuitous comment that does not follow from this specific experiment: “I haven’t seen anything that counters the official story—that Kennedy was shot from behind from above.”


    A Brief Summary of What They Did Not Do

    Their chief oversight was not to think. Such incompetence must be laid at the feet of the producer/director, Robert Erickson, and perhaps Gary Mack, since he appears to have served as expert consultant. After all, Mack seems to direct the project while on film and he feels free to offer unwarranted comments, which were not excised.

    Though the casual viewer might be tempted to think otherwise after viewing this program, none of these statements were proven in this program:

    1. A shot came from the sixth floor window.
    2. Oswald fired this shot.
    3. There was only one head shot.
    4. There was no shot from the grassy knoll (i.e., a missed shot).
    5. No other shots missed.
    6. The windshield remained intact (i.e., no piercing shot).
    7. The Zapruder film is reliable.
    8. The limousine did not halt at the fatal moment.
    9. A shot from the north overpass (the storm drain site) was excluded.
    10. Only one shot hit JFK in the body (below the head).

    As we have noted above, despite the apparent care to achieve an accurate simulation, the targeted site on the posterior head (chosen by Mack) was not the WC’s site. If the WC site is ignored, how then can anything be concluded about the WC? The narrators served their own purposes well to avoid that entire quagmire.

    The radical disagreement (between the WC and the HSCA) about the entry site of the posterior head shot—as well as the pathologists’ vehement disagreement with the HSCA (whose entry site Mack chose)—is totally ignored in the program. Furthermore, no one cites any of the numerous Parkland physicians who actually viewed JFK’s head; none of these specialists reported the entry site that Mack chose. (Their often-handwritten reports are still easily accessible in the Warren Report). In fact, and this is truly beyond belief, no one who saw JFK’s actual head (not merely photos of it) ever reported seeing the site that Mack chose. Even the pathologists agreed with that conclusion. Finally, there is Lattimer’s shooting experiment with an authentic human skull, which yielded quite a different result from this program—but he targeted the WC site (see Gary Aguilar’s discussion and figure in Murder in Dealey Plaza, p. 185).

    The program cites Hargis, a motorcycle man, as struck by debris. What is not noted, however, is that he was struck so hard that he thought it was a bullet. Moreover, the follow-up car (the Secret Service car) also collected a great deal of debris; that is also ignored. Both of these facts are, of course, arguments for a second head shot—but from the front.

    The matter of the second head shot is really the chief issue in this entire discussion. That issue has been extensively discussed elsewhere (see my prior essays in Fetzer’s books) but, of course, was never addressed in this program. The reader should sift through the astonishing compendium of evidence that supports such a second shot, even including eyewitnesses, maps, tables, and documents in the WC itself. Newsweek (22 November 1993, pp. 74-75) even published a photograph of Dealey Plaza (from WC data) that showed quite a different site on Elm St for the fatal head shot. In my view, that location is likely where the second head shot hit JFK—much closer to the storm drain.

    The best location for the origin of this second head shot is the storm drain on the north side of the overpass. It was possible for a shooter to stand well inside this drain, even to park a vehicle over the drain, and for the gunman to fire between the slats in the wooden fence. Because of the way the fence was (and still is) angled at this point, it would have been difficult for anyone actually on the grassy knoll, or on the overpass, to see any activity in the storm drain, which is quite contrary to Mack’s statement. In fact, that was my biggest surprise when I first visited this site: I felt quite alone, totally invisible to persons on the knoll or on the overpass. It was even possible then to crawl for a long distance through the drain and emerge far away in a river bed. Quite extraordinarily, photographs taken immediately after the assassination show a large crowd at precisely this site, including Robert MacNeil. My own observations of the skull X-rays had suggested to me a shot from about this direction—and that was before I discovered this photograph with MacNeil.

    The final irony of this Discovery program is the reliance placed on eyewitnesses—there are just two, and it is, after all, 45 years later. Of course, the program had no choice: because the Secret Service bucket brigade had done its job so well at Parkland Hospital, the program could present no objective evidence of blood spatter from the actual crime scene. On the other hand, WC critics (even including some who are not conspiracy theorists) often rely on the statements of eyewitnesses made immediately after the event—especially when virtually all agree. The limousine stop at about frame 313 is the best example of this. However, lone gunman theorists repeatedly remind us that eyewitnesses cannot be trusted and that their comments should simply be ignored. Now that the shoe has shifted, will anyone notice?

  • Pat Speer, The Mysterious Death of Number Thirty-Five

    Pat Speer, The Mysterious Death of Number Thirty-Five


    speer dvdA new video documentary on the medical evidence in the JFK case is raising the bar on Kennedy research productions.

    In The Mysterious Death of Number Thirty-Five, longtime researcher Pat Speer was aided by two skillful technicians, director Braddon Mendelson and music composer Scott Douglas MacLachlan. These two men, especially the former, were very helpful in making Speer’s documentary aesthetically pleasing.

    (One of my pet peeves in the Kennedy research field is that many independent video productions e.g. Shane O’Sullivan’s DVD RFK Must Die! look like they were made in 1965. That is, at about the skill and technical level of Emile D’Antonio’s talking head film of Mark Lane’s Rush to Judgment. With all the incredible advances in computer programming we have today, this is completely unnecessary. For a very reasonable price one can put together a slick looking production. And make no mistake, the skill in presentation makes a difference in the effective delivery of the message.)

    In this regard, Speer was well served by his cohorts. This film should serve as a model for how to represent the research community in this digital day and age. It is not in the technical stratosphere of Robert Stone’s Oswald’s Ghost, but 1.) Speer didn’t have Stone’s bucks, and 2.) Speer has actually dug beneath the surface of the Warren Commission pabulum. And what he shows us is stark, black, and even worse, proved that way by their own words and deeds.

    If you have read Part Four of my review of Vincent Bugliosi’s Reclaiming History, you can see I used some of Speer’s material in my critique of the former DA’s discussion of President Kennedy’s autopsy. Although Speer has a wider range of interest in the JFK case, he has spent most of his time studying the medical evidence. (Although this may be changing. In a recent appearance on Len Osanic’s Black Op Radio, Speer hinted that he may be doing an essay on the legitimacy of the evidence found at the so-called sniper’s nest.)

    This documentary has five major sections. The first is an examination of some of the work of Dr. Michael Baden for the House Select Committee on Assassinations (HSCA). The second section deals with how the Warren Commission made the Single Bullet Theory (SBT) work. The third part is about the reaction of the government to the critical works about the Warren Commission, which emerged in 1966-67, and how high officials forced the pathologists to switch their stories and dissimulate in public. Part four deals with the true orientation of the famous “mystery photo” of the autopsy. It is sometimes called the “skull wound” photo. It is a crucial piece of evidence since allegedly it is the only photo taken of the skull with the scalp refracted and a hole evident. The last part of the documentary is a slide show, which Pat uses to discuss various pieces of medical evidence that are quite puzzling when they stand alone. So he places them in context with other exhibits to try and explain their meaning.

    The first section is slightly humorous, in that it shows us an alleged authority tripping up over the evidentiary flip flops necessitated by upholding the official story. Speer shows us some rarely seen House Select Committee on Assassinations (HSCA) footage of Michael Baden up on a stage introducing the “Mystery photo”. One reason the picture is called that is because the photo is posed and shot so badly that it is hard to orient the picture. Therefore it is not easy to orient as part of President Kennedy’s head. Surely, Baden is clueless as to what it represents. When he placed the picture on an easel for public display, instead of placing it right side up, it was upside down. Which disorients top, bottom, left and right. We then watch as he begins to lecture about it, saying that it depicted the front of Kennedy’s skull and the defect on it was a beveled wound of exit. He actually quotes pathologist Jim Humes as saying this. Yet, pathologists Humes, and Pierre Finck both originally wrote – and we see their original typed words on screen – that they could find no exit near that point. We then see how Baden got the HSCA artist to draw an illustration of a bullet exiting at this point – above the forehead on the right side – with no bone above that trajectory. Yet, as Speer informs us, the Ramsey Clark Panel – appointed to review the medical evidence in 1968 – also wrote that there was no exit in the forehead above the right eye.

    Speer closes this section with what made these gyrations necessary. He poses this question: Why all this thrashing about by Baden in 1978? Didn’t the original autopsy team of Humes, Finck, and Thornton Boswell identify what this photo really represented? The answer to that question is: Yes, they did just that. But here’s the problem: Unlike Baden, they said the photo depicted the posterior of Kennedy’s skull. Yep, not the front, but the back. So it was imperative that Baden change the positioning of the photo. If he left it as a posterior photo it would appear as an exit in the back of the head – which meant the shot came from the front. Anything exonerating Oswald was altered by Robert Blakey’s HSCA. And Baden, like Arlen Specter, was eager to make a national name for himself. Therefore, he fumbled with the photo in public. Not really caring if it was right side up, upside down, or sideways. After all, he was just reading a script.

    The second section deals almost exclusively with the Warren Commission and their struggle to make the SBT work – whatever the cost. The night of the autopsy, the pathologists could find no exit for the back wound. And the FBI report dutifully recorded this. But as the story goes – and as I wrote in my Bugliosi review there is reason to doubt it – Humes talked to the Dallas doctors the next day and discovered a tracheotomy incision was made over a neck wound. This now became the exit for the back wound.

    Yet, at the Warren Commission executive session hearing of 1/27/64, Chief Counsel J. Lee Rankin exclaimed that the back wound was too low to match the throat wound. Knowing this, the Commission sent Specter into action. Humes and Boswell were sent to meet with a young medical illustrator named Harold Rydberg. Rydberg was supposed to draw illustrations of both the wounds in the head and the wound in the back. There was a serious problem with the meeting. Humes and Boswell came to meet him with nothing: no photos, sketches, measurements. And we know this to be true not just from Rydberg, but as Speer shows, through the notes of his commanding officer, Captain Stover. The doctors now instructed Rydberg to draw a fallacious portrait of the back wound to cure Rankin’s problem. With nothing to go by except the pathologists’ words, he did. Rydberg raised the wound in the back above the wound in the neck. (Speer even shows a Warren Commission internal memo where Specter admits there is a discrepancy between the Rydberg drawings and the actual wound locations.)

    To underline Specter’s perfidy, the film then moves to the Dallas reconstruction of the shooting. Specter later admitted that a Secret Service officer had shown him the autopsy photos that day. (There is a question about who it is. It may be Elmer Moore or Tom Kelley.) As shown in the film, the photo of Specter lining up this reconstruction used by the Commission does not reveal the accurate white dot on the model locating the back wound. But Speer shows us another photo, which does show it. And at this location, from the high sixth floor angle, the trajectory would not have exited the throat. It would have been too low. During his Warren Commission testimony of 6/4/64, FBI agent Lyndal Shaneyfelt was careful to dance around this issue saying that the trajectory “approximated” the entrance wound. But in private, Rankin was much more candid about the Commission’s aim: “Our intention is not to establish the point with complete accuracy, but merely to substantiate the hypothesis which underlies the conclusions that Oswald was the sole assassin.” (Memo of 4/27/64) Note the use of the word “hypothesis”. Rankin knows they never proved their case. Even today, it is still shocking to read something as cavalier as that about the assassination of President Kennedy. Which clearly connotes the irresponsible attribution of murder to a man who was never allowed a defense.

    The film goes on to show just how conscious the dog and pony show was. When Kelley testified before the Commission on 6/4/64, he let it slip that the wound was located in the shoulder area. Specter quickly covered up for him by saying it was actually in the neck. Speer tops this section off by repeating the declassified revelation that Commissioner Gerald Ford then changed the wording of the Warren Report by moving the location of the back wound from the back to the neck. The coda to this segment is the audiotapes of the famous phone call between LBJ and Commissioner Richard Russell. This is where they both admit that they don’t believe the SBT. Which, ipso facto, makes them conspiracy theorists.

    Section Three begins with the tumult caused in 1966-67 by the publication of books by authors who actually read the Warren Commission volumes and found them remarkably unconvincing. Speer here uses the famous memo from former Warren Commission counsel David Slawson, originally discovered by Gary Aguilar. Lawson worked in the Justice Department at the time, and he understood what was at stake – namely the undoing of the entire Commission, and the staff’s pubic disgrace and humiliation. So Slawson wanted to head the critics off at the pass. On 11/20/66 he wrote to Attorney General Ramsey Clark, “If public opinion continues to develop as it has over the past few months, we may soon be forced with a politically unstoppable demand for a free-wheeling re-investigation of all aspects.” Slawson had no intention of risking being tarred and feathered in public.

    So what Slawson and Clark helped plan was a narrowly focused counter-attack. What this consisted of was bringing in the pathologists and rehearsing them on how to address the critic’s points through the media. So in late 1966, Boswell was released from his vow of silence and allowed to talk to the press. And he now magically moved up the wound in the back to the neck so it would correspond more with the Rydberg illustration. Which, of course, it did not.

    But further, the counter-attack fostered by Slawson now also employed his boss, Warren Commissioner John McCloy. In 1966 CBS had planned to air a public debate about the Commission’s conclusions. This would give both sides equal time. But as this idea went up the corporate ladder, the concept was first smothered and then completely skewered. In 1967, McCloy was brought in to be a special, but secret adviser to the now infamous series. This Eastern Establishment paragon flew into Washington and met with people like Dean Rusk and Robert McNamara. Now, Pierre Finck was ordered back from Vietnam to join the two other autopsists for another viewing of the photos and x-rays. In January of 1967, Clark told LBJ that the doctors were defensive about their work and worried about their reputations. But he figured he could get them to sign affidavits in a couple of days. It took more cajoling and arm-twisting than that. It took five days. But by the end of January, the Mystery Photo had been reoriented. It was now rotated from the back to the front of the head.

    Jeremy Gunn of the Assassination Records Review Board interviewed the pathologists about this reversal that took place from 1966 to 1967. To say the least, they were non-committal. They now had hazy memories about how it happened. As they should have. Because the affidavits they signed were not written by them. They were written by the Justice Department. The doctors were now reduced to the level of prop masters. And they reluctantly went along with it.

    The last segment consists of Speer demonstrating through four landmarks in the photo that he has oriented the picture correctly. The autopsists originally had it right. It depicts the rear of the head. And through his study of the photo and the x-rays he believes that two shots hit the president’s head, one from the front and one from behind. The small entrance wound is down low near the base of the skull. The larger exit wound is above it. This idea, originally expressed by Ray Marcus back in the mid-sixties, gets evidentiary back-up here. The film advances evidence concerning entrance and exit holes in the photos, x-rays, and with primary documentation. The fact that the pathologists were forced to retreat by Ramsey Clark, shows them professionally compromised for the third time in just four years. The first time was by the military the evening of the autopsy. The second time was by Specter and the Commission. The third time was by Clark and his preparations for the review suggested by Slawson.

    The appendix to the documentary is a slide show in which Speer presents some fascinating exhibits in the medical evidence. These constitute neat little lessons in certain aspects of the case. In almost every instance, we see how drawings and exhibits were falsified in order to accommodate Oswald as the lone assassin. My favorite is Speer’s critique of the HSCA’s trajectory analyst Tom Canning. And how he had to alter his measurements and drawings in order to accommodate the medical evidence. Even to the point of shrinking Kennedy’s head!

    One of the best aspects of the film is the way the film-makers actually use the words of the investigators themselves to show their true intentions at the time. And this shows that the JFK/Oswald travesty was no accident. It was designed to deceive. Its not an original device by any means. It goes back to Marjorie Field’s aborted sixties book The Evidence. But it’s nice to see it used in a different medium.

    I have two main criticisms of the show. First, I disagree with some of the interpretations of the evidence and testimony. Speer is trying to show how the official story – in and of itself – exonerates Oswald. In other words, he does what he does without questioning the validity of the actual evidence. In courtroom terms, it’s called using your opponent’s evidence against him. As I showed in my aforementioned critique of Reclaiming History, I disagree about the provenance of certain aspects of the evidence. For example, the 6.5 mm fragment that no one can recall from the night of the autopsy. Speer also believes the photos are completely genuine. Even the famous back of the head photo, which looks as if the pathologists reassembled the back of JFK’s head. And afterwards, they then gave him a hair cut and combed his hair. Combed it right over that big hole that upwards of forty people saw in both Dallas and Bethesda. He may be doing this because he really believes it. Or perhaps he sees this as the safest, most acceptable, most mainstream way to challenge the official findings. Either way, in my view, it leaves certain matters unexplained. Secondly, although the documentary is good enough as far as it goes, I don’t think it covered as much as it should have. In other words, it could have been longer and therefore more complete as to the medical evidence. I hope that another installment is issued.

    But in spite of that, it’s worth owning and watching. It has new and fascinating information in it. And it also reveals just how hard the forces of the cover-up must work to keep the autopsy evidence in this case in check. Because with the revelations of the Assassination Records Review Board and the work of people like Speer and others e.g. Gary Aguilar, David Mantik, Milicent Cranor, Randy Robertson, this area has become one of the greatest liabilities for upholders of the Warren Commission. And recall, this type of evidence is usually titled by rubrics like “hard evidence” or “best evidence”. As is shown here, the so-called “best evidence” does the opposite of what the Warren Commission says it did. It exonerates Oswald and indicates conspiracy.

  • Robert Joling, J.D. & Philip Van Praag, An Open and Shut Case


    An Open and Shut Case is an indispensable volume for those with a serious interest in the Robert Kennedy assassination. While some of the information – and especially some of its core conclusions – are based on evidence that has been called into serious question, about which I will have more to say below, there is more than enough interesting and solid work here for this book to warrant a place on your shelves.

    The book’s title comes from a quote from the Police Chief Edward Davis, who said the RFK assassination case was clearly “an open and shut case,” based on the eyewitness and physical evidence in the case. That’s true, of course, but not for the official story. As An Open and Shut Case clearly shows, the eyewitness and physical evidence are absolutely consistent with two facts: at least two guns were fired in the pantry, and Sirhan’s gun did not fire any of the shots that hit Senator Robert Kennedy.

    The book is the product of a collaboration between Robert Joling, J.D., who has studied this case for years, and Philip Van Praag (the last name rhymes with “Craig,” not “bog”), who is much newer to the case and focused primarily on a newly surfaced recording from the pantry. Joling is a past president of the American Academy of Forensic Sciences (AAFS) and was a licensed attorney for 57 years, 40 of which he devoted to criminal and civil trial work, including some homicides. Van Praag has spent 45 years working in the audio field, with 35 of those years devoted to magnetic media.

    The book’s authors met through the work of a third person, Brad Johnson, a producer at CNN International. Brad has been looking into this case for years, and has attempted to collect every possible video and audio recording of the assassination of Robert Kennedy. When he stumbled upon evidence of a recording made in the pantry at the time of the shooting, he tracked down a copy and searched for a qualified sound engineer to examine it. Johnson found Phil Van Praag, and Van Praag’s findings about this recording are detailed in the first chapter of the book.

    Just after midnight on June 5, 1968, Robert Kennedy finished his acceptance speech, having just won the California primary in the race for the Democratic Party’s nomination for the presidency. Kennedy exited the Embassy Ballroom of the Ambassador Hotel in Los Angeles and crossed east through the pantry area, an almost hall-like room, on his way to speak to the press in the Colonial room. Sirhan Bishara Sirhan (pronounced “Sear hahn”) stepped forward and fired a gun. Kennedy was taken to the hospital, where he died a day later. Five other people were also wounded by bullets, but none fatally so.

    The most famous of those wounded in the pantry, Paul Schrade, RFK’s union chair and an officer with the United Auto Workers union, contributed the Foreword to the book. Schrade opens with a quick summary of the case, and of his own initial rejection of the “conspiracy theories” about a second gun, which sprouted up within days of the assassination.

    Schrade had his eyes opened to the conspiracy aspect of the case by Congressman Allard Lowenstein (D-NY), who visited him at his home in 1974. Lowenstein took Schrade to visit Lillian Castellano and Floyd Nelson, two early and excellent researchers in the case. They showed Schrade solid evidence that more than eight bullets were fired in the pantry. Schrade joined their efforts, and, with the help of others, including the LA County Board of Supervisors and CBS, obtained an order for a court-appointed panel to re-examine the evidence. I’ll call this panel the Wenke Panel, for convenience, after the Judge who ordered it. A large part of the book focuses on the work of the Wenke Panel, and the final conclusions of the authors depend on the Wenke Panel’s findings, a problem to which we’ll return later.

    There are many anecdotes and interesting items learned firsthand by the authors which make this book truly “new,” and not just a retelling of the evidence of others. For example, Joling details how a personal acquaintance who worked for the CIA called him at one point, when Joling, as president of AAFS, had set up a special committee to review the firearms evidence in the Robert Kennedy case. His CIA associate said the Agency did not like what he was doing, and ordered him to stop. Joling became upset with his contact’s “‘hoity-toity’ attitude and demanding demeanor” and forcefully but politely told him he was not interested in the CIA’s “‘Sunday School’ games” and asked the person never to contact him again. Another time, Joling found a bug on his home office phone. Joling recounted other incidents of obvious harassment from people whose connections he could only suspect. He noted these only occurred at the height of his direct involvement with the case, and ended after the Wenke Panel concluded its work. Both Phil Melanson and Jonn Christian had accounts of being threatened, which are included here as well. The obvious question is, if there was no conspiracy, who was so intent on keeping these people from pursuing their work in the case?

    The most important new piece of evidence discussed in the book is the Pruszynski recording. While most people are familiar with the famous audio piece in which a reporter describes the aftermath of the shooting (“Get the gunä get the gunä take his thumb and break it if you have to!”), this new tape was lost to history until Brad Johnson, a producer for CNN International, rediscovered it by noticing a listing of it in the California State Archives record finding aid. And, unlike the other recordings, this one had captured the period of the shooting. Stanislaw Pruszynski, a print journalist, had inadvertently left his hand-held recorder and microphone on as Kennedy exited the stage and entered the pantry. Brad searched for a sound engineer willing to use his expertise to analyze the tape. He found Van Praag.

    The first chapter in the book deals with Van Praag’s work with this recording. The tape, according to Van Praag, shows at least thirteen distinct sounds, and possibly more, that match the sound pattern of gunshots. As the realization sets in that Kennedy has been shot, screams may have covered additional shot sounds. Since Sirhan’s gun could only hold eight bullets, this is prima facie evidence of two or more shooters.

    In addition, Van Praag noted that there were two pairs of sounds where the shots were too close together to have been fired from the same gun. Van Praag’s assertion that the two shots were fired too close together was tested on a 2007 Discovery Times cable TV special. A noted firearms expert could not pull the trigger on the Sirhan gun fast enough to make either of the double shots.

    In addition, Van Praag found that five of the shots, including one in each pair of the “double-shot” sounds, bore a distinctly different sound signature from the other shots. Van Praag sought a second gun that would leave the bullets marked in the same way as the Sirhan gun. The only gun known (to the authors) to have the same rifling characteristics as the Iver Johnson 55 Cadet in evidence for the crime was an H&R 922. Curiously, this is the exact model the guard Thane Eugene “Gene” Cesar owned. Cesar later claimed he had sold it before the assassination, when he had actually sold it after.

    Cesar is a likely candidate for being a second shooter because the medical evidence shows RFK was shot four times, all from within a distance of one to four inches. The fatal shot, a shot behind Kennedy’s right ear, was made from a distance of not more than one and a half inches. The only person near enough to have made those shots, per the testimony of Cesar and others, was Cesar. Cesar held Kennedy’s right elbow in his left hand and was pulling him gently through the pantry. Kennedy stopped and talked to a few people, and was just turning front again to continue on his path when he was hit.

    Van Praag tested the same kind of gun that Cesar was using and found some remarkable correlations to the shot sound patterns on the Pruszynski tape. Van Praag dismisses the notion that these sounds could have been balloons or firecrackers, as those have a sharp attack but die off quickly, unlike bullet shots, which register a more symmetrical signature. In addition, Van Praag recorded some test shots from the same distances that Pruszynski was at various points during the recording, a crucial point other tests have not duplicated. Pruszynski was about 40 feet away as the shooting began, and then entered the pantry in the middle of the shooting.

    Van Praag is quick to point out problems with the tape. It was “enhanced” by the FBI to improve sound clarity. The tape is also out of sequence in a couple of places, suggesting the tape was likely edited. But the tape also contains some sound segments that authenticate it as having been made at the Ambassador Hotel that night, as they can be matched up to other audio from that night, and the sequence containing the shot sounds appears to be unedited and in its original order.

    The chapter on the sound evidence may be hard to follow for those not versed in sound technology. Maybe I was just tired when I read it, but I found Van Praag’s in-person presentation at the June 2008 COPA conference in Los Angeles much clearer. Having seen the presentation, the text makes more sense to me now than it did on my first reading of it.

    One chapter seems to have no purpose other than to attempt to discredit Sgt. Paul Sharaga of the Los Angeles Police Department (LAPD). Sharaga claimed that, within a few minutes of the shooting, as he was setting up a command post at the southern end of the Ambassador Hotel, an older Jewish couple told him they had seen a girl in a polka dot dress run by with another man and that the girl was saying “We shot Kennedy.” Sharaga has often been used to buttress Sandy Serrano’s account of the same thing – a girl and a guy running down the back staircase in a state of glee, with the girl saying, “We shot him, we shot him.” When Sandy asked, “Who did you shoot?” the girl responded, “Senator Kennedy” and kept running.

    The book makes clear that the authors believe Sandy Serrano was telling the truth as she knew it, and includes in an appendix the transcript of her awful interrogation at the hands of Lt. Hank Hernandez, who had worked for Agency for International Development, a well-known CIA front in Latin America. But the authors question Sharaga’s veracity, as the tapes of the radio communication do not show any communication from Sharaga regarding a girl in a polka dot dress. Still, as the authors note, it’s possible Sharaga had a second avenue of communication available.

    The authors also fail to note that the LAPD did, in fact, put out an APB for a girl in a white dress with black polka dots, which wasn’t cancelled until days later. Since the LAPD clearly didn’t believe (or didn’t want to believe) Sandy Serrano or Vincent DiPierro, two witnesses with provocative accounts (DiPierro claimed a girl in a white dress with dark polka dots was chatting with and possibly even holding Sirhan until just before the shooting began), it seems likely that the APB went out because of other accounts, possibly Sharaga’s.

    In addition, Sharaga noted that when he said his suspect description was different from that of the suspect in custody and urged the dispatcher to continue to repeat his different description (of a tall, thin blonde man), Inspector Powers came on the radio and shut Sharaga down, saying that Rafer Johnson and Jesse Unruh had said there was only one shooter and not to “get anything started on a big conspiracy.” The authors ignore that Sharaga had that part right, and cut off the transcript before that exchange.

    The authors make a direct insinuation that Sharaga’s account is not reliable because, they say, when Powers implied that the “we shot him” statement might have been something like “he was shot,” Sharaga didn’t interject anything to correct him. Why should he? Sharaga didn’t hear the exchange, and it would be considered disrespectful for a lower level officer to argue with the Inspector over the airwaves. They suggest that Sharaga’s silence lowers his credibility. I disagree. They also point to the missing mention of a girl in a polka dot dress in the early traffic. But why did the police put out the APB for a girl in a polka dot dress? Whose account did they believe?

    I asked Van Praag if there was any possibility the police tapes had been altered. He declared that impossible, given that there were several tracks recording at the same time, and that no editing had been done.

    So perhaps Sharaga was indeed communicating through a second channel, something the authors themselves suggest, but discount, because no evidence for that has surfaced. But absence of evidence is not necessarily evidence of absence, and while Sharaga’s initial report regarding a girl in a polka dot dress never surfaced, that doesn’t mean it didn’t happen. I’ve spoken to Sharaga and found him to be an honest, unembellishing witness. Given how the LAPD burned, lost, and otherwise destroyed evidence of conspiracy in this case, I think there’s an explanation we simply haven’t found yet that will reconcile Sharaga’s account with the extant evidence.

    And since the authors never really looked into the girl in the polka dot dress (this is evident by the fact that they say she was wearing a black dress with white polka dots, when over 20 witnesses reported a suspicious girl in a white dress with dark or black polka dots), the authors missed the fact that Serrano’s account also appears to have been corroborated by at least two additional witnesses not counting Sharaga. And when I talked to Sharaga, he told me he never even heard of Sandy Serrano until years later. I continue to find his account credible, and wonder where the rest of the story will ultimately lead.

    The best and weakest part of the book is, unfortunately, the same part – the ballistics discussion. The book spends a great deal of time and gives full credibility to the findings of the Wenke Panel.

    The panel did discover a couple of layers of deception, and for that they are to be commended. They were given a photomicrograph and told that it showed a comparison of the Kennedy neck bullet to a test bullet. The panel found instead it was a comparison of the Kennedy neck bullet to that of another victim, William Weisel. In other words, one of the pieces of evidence used to convict Sirhan was thrown into serious question by this finding.

    The panel also found that Sirhan’s gun could not be matched to any of the bullets recovered in the pantry, but since two of the victim bullets at least matched each other, there was no evidence of a second gun.

    Lowell Bradford, a forensic expert chosen by CBS to be a part of this panel, also noticed something unusual. The test bullets came from an envelope marked with the wrong gun number. The Sirhan gun was number H53725. The test bullets came out of an envelope in which the gun number was listed as H18602. (The LAPD responded that was a clerical error, and that the bullets had, indeed, been fired from gun H53725.)

    So the panel concluded that the LAPD had been playing fast and loose with the evidence. But had the panel looked at the evidence as closely as Lynn Mangan, Sirhan’s former neighbor and longtime researcher, did, they would have found something much more important, which would negate all their conclusions: not one of the bullets had the original markings etched into them at the time of recovery.

    When bullets are retrieved from victims in a crime, the police scratch initials and other markings so they can later prove those bullets were the ones they claimed them to be. This ensures the bullets cannot get accidentally or deliberately switched.

    But markings are only useful if people actually check for them later. If no one checks, the wrong bullet can be introduced into evidence. And that is exactly what appears to have happened with the three bullets the panel matched to each other – the Kennedy neck bullet, the bullet from William Weisel, and the bullet retrieved from Ira Goldstein.

    The purported Kennedy bullet should have had “TN31” marked on its base, placed there by Thomas Noguchi, who confirmed his markings in court, explaining that he always used his initials and the last two digits of the autopsy case number for such markings. But the “Kennedy” bullet the Wenke Panel examined had “DWTN” on its base, calling into serious question whether any conclusions based on this bullet have any relevance, since this bullet can not be linked to any bullet recovered from the pantry victims. The markings on the Weisel and Goldstein bullet the Wenke Panel examined also do not match the markings recorded into the official record when the bullets were first recorded.

    In other words, no conclusions from the 1975 panel are relevant, because the bullets the panel examined do not appear to have been the ones fired in the pantry! I’ll even suggest the substitution was deliberate, since the bullet marked DWTN was clearly supposed to indicate it had been signed by Thomas Noguchi, but Noguchi stated under oath he always uses his initials and the autopsy case number. So someone seems to have deliberately mismarked this bullet, hoping no one would notice. And had it not been for Lynn Mangan, they might have gotten away with it.

    In addition, according to a letter Larry Teeter (Sirhan’s attorney at the time) sent the California State Archives that was provided to me by Lynn Mangan (as part of the “Robert F. Kennedy/Sirhan Evidence Report” she put together with Adel Sirhan, Sirhan Sirhan’s brother), on August 3, 1994, Mangan, Teeter, and Adel took Lowell Bradford to the California State Archives to reexamine the bullets. Bradford noted that it was impossible to read the markings on the base of the bullets, as grease had obscured the markings on the ends of the bullets. Bradford stated the grease could further damage the bullets, prompting Teeter’s letter to the Archives asking that the grease be removed. Bradford was adamant, says Teeter, that the grease was not on the bullets when he viewed them in 1975. “There goes your evidence, down the drain,” Bradford said, per Teeter.

    Unfortunately, the authors do not appear to have been aware of this problem when they wrote their book. And that’s a big problem for the authors, as their thesis re the shooting in the pantry is woven inextricably to their mistaken supposition that Cesar had to have shot not only Kennedy, but Weisel and Goldstein too, since the three bullets the panel examined matched each other. The authors suggest that Cesar was firing almost by reflex, without even realizing he was firing. While I feel that argument strains credulity on the face of it, it’s also completely unnecessary if Cesar did not, in fact, shoot Weisel or Goldstein. And there is no evidence that he did, once you discount the seemingly irrelevant conclusions of the Wenke Panel.

    Without the Wenke Panel’s limitations, you have a much more plausible scenario: Cesar fired the shots that hit Kennedy and probably at least one that entered the ceiling tiles, as all of the four shots that hit Kennedy were from a distance of one to four inches (the neck bullet having entered from a distance not greater than one and a half inches) and in a back-to-front direction. In addition, all the shots were at an upward angle, and in two cases, very steep upward angles, so whoever made those shots may well have missed and hit the ceiling instead. If that was the case, it would match Van Praag’s analysis showing five shots that didn’t match a separate eight shots.

    Another part of the ballistics discussion focuses on the cannelure issue. Cannelures are ring-like groove markings on bullets. Different bullet types from different manufacturers have different numbers of cannelures. If bullets with different cannelures were found in the pantry, that would be good evidence of a second gun, because a shooter typically fills a gun from a single box of bullets, so the bullets found in the pantry should have all had the same cannelures if they all came from the same person.

    In 1974, a panel at the American Academy of Forensic Sciences discussed Ted Charach’s film “The Second Gun” and Pasadena criminalist Bill Harper’s photographs of the bullets. Harper’s photos showed a different number of cannelures between the Kennedy bullet and the Weisel bullet, indicating two different guns were likely used.

    Lowell Bradford, the expert CBS picked to join the Wenke Panel, concluded after examining the bullets presented to the Wenke Panel that the bullets did have the same number of cannelures, and that this was detectable in color photos and by direct examination, but not detectable from the black and white photos Harper had used. But what we don’t know is, which bullets did Harper originally photograph? If Harper was given the actual bullets to photograph, and we know that Bradford was given substitutions, it’s possible both were correct, but were looking at different bullets. In other words, I think Harper’s conclusions should stand unless disproven by an examination of the actual bullets from the pantry, not the ones Bradford examined as part of the Wenke Panel.

    As I noted, the ballistics discussion is both the best and worst part of the book. The worst parts are those that rely on the Wenke Panel’s findings, which, for reasons stated above, appear irrelevant. But it’s also the best section because authors present a great deal of information showing Dwayne Wolfer’s mishandling of the evidence in careful detail.

    The authors also did a fine job on the witness section. They present a table showing the closest witnesses, and their estimates of where Sirhan’s gun was relative to Kennedy, and the LAPD’s conclusions that each of those witnesses were wrong, because if even one of them was right, that meant Sirhan didn’t kill Kennedy, and that was clearly an untenable position for the LAPD to take.

    The book is also filled with interesting personal accounts, primarily from Bob Joling, as he had followed this case with great diligence for many years, and knew many researchers. For example, Joling describes how he worked with Lowell Bradford and Dr. Mike Hecker, who had analyzed the famous “Nixon tapes” to examine three other audio tapes made in the pantry. Hecker concluded the tapes showed conclusively there were ten shots fired. Joling thought this was solid evidence, and had Hecker sign an affidavit to that effect. But then they found out that these tapes were not made simultaneously, and all of them started immediately after the shots were fired. Hecker then rescinded his identification of the sounds as gun shots.

    Ironically, Joling’s experience of having once been burned didn’t make him twice shy when it came working with Van Praag. And that’s my only fear. While Van Praag’s work seems logical, I’m no sound expert, and I do not feel I am personally in any position to judge the veracity of his analysis. It sure fits into the story as we know it so far. It would make sense if it were true.

    The book is certainly easy to read, and clearly presented. So long as you understand that some of the material is incorrect (such as the girl wearing a black dress with white polka dots) and outdated (anything gleaned from the Wenke Panel bullet comparisons), there is still much to recommend here.

    One final caveat: the book makes reference to a DVD and lists items which can be found on the DVD. But the book being sold currently does not come with a DVD, because the rights to some of the video clips they wanted to use were too expensive to make distributing the DVD feasible. So just know that if you get the book, you will not, as of this review, get the DVD with it.

  • Vincent Bugliosi, Reclaiming History: A Crime Scene Between Two Hard Covers

    Vincent Bugliosi, Reclaiming History: A Crime Scene Between Two Hard Covers


    Part One

    If you ever want to witness a crime with your own eyes, you need only look at certain pages of the official record on the murder of John F. Kennedy. The crime is perjury. But unless you know a great deal about the case, you may not recognize it. There is, however, another crime scene you can visit that is easier to evaluate. Here, the crime is fraud, six pounds of it: Reclaiming History, by Vincent Bugliosi.

    This book is infested with fraud from cover to cover, but you might never know it unless you were to compare (a) the actual record with (b) what Bugliosi says is on record. You would also need to know (a) what else is on record that is relevant and significant, and (b) whether Bugliosi included this information.

    This essay contains just a few examples — picked at random — of Bugliosi’s highly selective, and sometimes outright false reporting on the medical-ballistics in this case. (All of the quotes from the book are introduced as numbered “specimens” and are in smaller type. Quotes from other sources are regular size, and in italics.)

    If this is how Bugliosi reports simple, physical information, imagine what he does with more complex issues.

    The Throat Wound

    Misrepresenting Parkland

    Was the wound in Kennedy’s throat an entrance or an exit? The wound itself can no longer tell us. No samples of the perimeter of the wound in the skin were preserved on slides. The only known photos of the wound were taken from too far away and are of poor quality. Words describing the wound have been preserved, but often they can be used to fit either situation.

    All of the doctors at Parkland Hospital agreed the wound was relatively small. Four of six doctors who saw the wound said the edges were not ragged. Two other doctors and one nurse said the opposite. (See below for actual quotes and references.) All of these words are suggestive but not definitive. The problem:

    Exit wounds can be small.

    Entrance wounds can be slightly ragged, or show “tattering” (Journal of Trauma 1963 (March) 3(2):120-128.) But words describing the little irregularities along the border of a round wound should not be confused with words indicating a jagged or star-shaped (stellate) wound – i.e., a typical exit wound.

    You will never learn of these ambiguities in Vincent Bugliosi’s book. Bugliosi wants you to believe that (a) the wound was “ragged,” and (b) this proves it was an exit.

    You will not learn from Bugliosi that the majority of Parkland doctors said the wound was not ragged. What is more seriously deceptive is that Bugliosi put these words — “ragged edges” — into the mouths of doctors who in fact said the opposite.

    Specimen 1:

    The light flashes on for Humes when Dr. Perry tells him that he performed his surgery on an existing wound there, a small, round perforation with ragged edges. “Of course,” Humes realizes, “that explains it.” 1069 (Bugliosi, p.207)

    Reference 1069 only documents Humes’s questionable claim that, from Malcolm O. Perry, he learned for the first time JFK had a bullet wound in his throat. But Perry never told Humes or anyone else that the wound had “ragged edges.”

    Significant omission: Perry implied the wound was definitely not ragged:

    “I indicated that the neck wound appeared like an entrance wound. And I based this mainly on its size and the fact that exit wounds in general tend to be somewhat ragged…” (ARRB MD 58, page 15)

    Elsewhere, Perry told the WC that the edges were “neither ragged nor were they punched out, but rather clean.” (3 WCH 372). To the HSCA, he said he did not inspect the wound closely, that he did not clean the blood off of it. Yet, he also told the HSCA the wound was “neither ragged nor clean cut… roughly round, the edges were bruised and a little blurred.” (ARRB MD 58, page 5)

    Specimen 2:

    Although Carrico was unable to determine whether the throat wound was an entrance or exit wound, he did observe that the wound was “ragged,”202 virtually a sure sign of an exit wound as opposed to an entrance wound, which is usually round and devoid of ragged edges.” (Bugliosi, p.413)

    Bugliosi’s reference for the above is page 517 of the Warren Report where Charles J. Carrico described a “ragged wound of the trachea,” (emphasis mine). Yet, in the above context, Bugliosi seems to want the reader to assume “the wound” refers to the one in the skin — the only kind that counts in the context of entrance versus exit. (Almost any wound in a trachea would be ragged because of the stiffness of cartilage.) Elsewhere, in a different context, Bugliosi mentions Carrico’s description of the raggedness of the trachea (Bugliosi, p.60), and so it is unlikely that he has confused this with the wound in the skin.

    Significant omission: Carrico testified in at least two places the wound was “rather round and there were no jagged edges or stellate lacerations.” (6 WCH 3); “fairly round, had no jagged edges.” (3 WCH 362)

    Specimen 3:

    We … did not determine at that time whether this represented an entry or an exit wound. Judging from the caliber of the rifle that [was] later found … this would more resemble a wound of entry. However … depending upon what a bullet of such caliber would pass through, the tissues it would pass through on the way to the [throat], I think that the wound could well represent either an exit or an entry wound. 212 (Bugliosi, p. 414)

    Significant omission: The statement, by Charles R. Baxter, that came immediately before the above selection: “It did not appear to be a jagged wound such as one would expect with a very high velocity rifle bullet.” (Emphasis mine.) (6 WCH 42)

    Specimen 4:

    [The] small hole in anterior midline of neck [was] thought to be a bullet entrance wound.215 (Bugliosi, p.414)

    Significant omission: The reason given by Ronald C. Jones, quoted above, for believing it to be an entrance wound: “relatively smooth edges.” (6 WCH 54) After discrediting the ability of these doctors to determine whether the wound was an entrance, it does no good to provide their opinions without the reasons underlying those opinions.

    When it came to reporting physical details of the wound, Bugliosi omitted what the majority — four of six doctors — had to say, the same four whose words could not be used to suggest the wound was an exit.

    On the other hand, he did report physical details if they fit Bugliosi’s ignorant idea of an exit wound: from one doctor who only saw the wound after it had been deformed by the tracheotomy, Gene C. Akin, who said its edges were “slightly ragged” (6 WCH 65), and from another doctor, the late Marion T. Jenkins, a well-known confabulator who has said just about everything he could to promote the findings of the Warren Commission, and stopped just short of claiming to have seen Oswald fire the shots. (For details, please see my essay, The Wandering Wounds, (http://www.assassinationweb.com/cranrev.htm). Jenkins said the throat wound was “not … clearly demarcated, round [or] punctate.” (6 WCH 48) Malcolm Perry, who seemed to doubt Jenkins had arrived early enough to see the wound untouched, even went so far as to say, “I know he did not examine the wound per se.” (3 WCH 381) [Bugliosi did not mention Margaret M. Henchcliffe, a nurse who said the wound was “jagged a little bit.” (6 WCH 141)]

    The only definitive way to determine the nature of an ambiguous wound is to examine it under magnification. Bullet holes in the skin, as in the skull, have a pattern of “cratering” that reveals their nature; the dermis and epidermis tell the same tales as the inner and outer tables of the skull. (Jones, Nancy L. Atlas of Forensic Pathology, New York: Igaku-Shoin, 1966, p.77) And there are other microscopic signs. The pathologists who performed JFK’s autopsy claimed they were unaware of a wound in the throat until the next day, after the body was taken away. Consequently, as far as we know, they never looked at this wound under magnification.

    Bugliosi has, however, put the word “ragged” under great magnification and declares it “a sure sign of an exit.”

    Divining the Truth from Bad Photographs

    The Clark Panel and HSCA claimed they could determine — from poor quality photographs taken at a distance — the nature of Kennedy’s throat wound.

    Specimen 5:

    Looking at black-and-white photographs of the wound to the throat (which were sharper and clearer than similar color photographs), the nine-member panel of forensic pathologists for the HSCA noticed “a semicircular missile defect near the center of the lower margin of the tracheotomy incision.” The committee said it was an “exit defect.”188 Dr. Baden, who headed up the HSCA panel, said, “The semicircular defect was caused by the exiting bullet. I saw it right away in the photographs, even though they weren’t of the best quality.” 189 The four-member Clark Panel of physicians and pathologists also saw a portion of the exit wound that was not obliterated by the tracheotomy.190 (Bugliosi, p.411)

    Although Bugliosi is a layman, one would think he would notice an absolutely stunning omission from the reports of both of these investigations: reasons for their conclusion that this small wound, so typical of an entrance even to the naked eye, was an exit. Those reasons would necessarily have to be subtle.

    Where is the requisite list of details that distinguished this “exit” wound from an entrance? Not one of the specialists on either medical panel followed the principles as stated by the most prominent member of the Clark Panel, Alan R. Moritz, M.D. From his article, “Classical Mistakes in Forensic Pathology,” American Journal of Clinical Pathology 1956; vol.26, p.1383.

    “Although it would seem to be obvious that the location, dimensions, shape, depth, and special features of every wound should be described, such information is frequently inadequately recorded on protocols that are prepared by pathologists who perform only occasional medicolegal autopsies.”

    NOTE: Many of the doctors on the Clark and HSCA panels, including the head of the latter, Michael Baden, are not among the pathologists who perform “only occasional medicolegal autopsies.” And while these doctors did not perform Kennedy’s autopsy itself, the principles described are conspicuously relevant to a review of autopsy materials: give reasons for making conclusions. Continuing with Dr. Moritz’s cogent remarks:

    ” In the protocol of a medicolegal autopsy, it is better to describe 10 findings that prove to be of no significance than to omit one that might be critical …

    “The purpose of a protocol is twofold. One is to record a sufficiently detailed, factual, and noninterpretive description of the observed conditions, in order that a competent reader may form his own opinions in regard to the significance of the changes described. (Emphasis mine.) Thus, a region of dark blue discoloration in the … may or may not be a bruise. To refer to it as a contusion in the descriptive part of the protocol is to substitute an interpretation for a description, and this is as unwarranted as it may be misleading … (Emphasis mine.)

    And this is exactly what the Clark Panel and HSCA did with respect to the throat wound: “substituted an interpretation for a description.”

    Ah, but when it comes to the interpretation of the throat wound, it is enough that Michael Baden “saw it right away.” (Further below, you can watch Michael Baden stretch a lie.)

    Bullet Hole in Connally’s Lapel

    Specimen 6:

    Lattimer knew from his previous experiments that the test bullet would almost certainly ‘tumble” after passing through the simulated neck (just as the bullet did during the assassination) and strike the mock-up of the governor’s “back” … The flying fragments of rib and soft tissue, which were blown out by the tumbling bullet, ripped a large ragged hole in both the shirt and the jacket, just as Oswald’s bullet had done in Dealey Plaza.” (Bugliosi, Endnotes, p.326) (Emphases mine.)

    In fact, the hole in the lapel of Governor John Connally’s jacket was small (3/8ths of an inch in diameter) and “circular.” (5 WCH 63)

    The hole in the front of the governor’s shirt was large, no doubt due to exiting rib fragments, but the hole in the front of the jacket was created only by the bullet, and the small size of this hole indicates the bullet exited straight on, i.e., not sideways, and thus it was not tumbling.

    Why would Bugliosi lie about the hole in Connally’s jacket? Why would he want it to appear as though the bullet had exited tumbling?

    1. The alleged tumbling is allegedly caused by the bullet’s alleged journey through JFK.
    2. The alleged tumbling is allegedly associated with the outward movement of Connally’s jacket lapel.

    On the Zapruder film, at a moment when lone assassin theorists claim Kennedy and Connally both are being struck by the same bullet, Connally’s lapel appears to bulge outward. (Never mind the correlation between the lapel bulge and the movement of Connally’s right arm, and never mind Connally reaction to a bullet several seconds after JFK’s.)

    According to the questionable experiments described below (and referenced in the Bugliosi quote above), only a tumbling bullet can push out rib fragments to the extent that they cause the lapel to flare outward.

    Background. The false evidence concerning the actual size of the hole in Connally’s jacket was manufactured by the late John K. Lattimer, M.D., a well known urologist with powerful connections who wrote several articles, all hard sell and soft science – informercials, really — that promoted the many aspects of the lone assassin theory. Lattimer’s disinformation on the ballistics of the single bullet theory was based on experiments using mock-ups of Kennedy and Connally (reference #4 below). Lattimer presumably shot Carcano bullets through these mock-ups, then presented various bits of data from the experiments, including the size of the mock torso’s back wound, and the experiment’s jacket lapel — both used to prove the bullet was tumbling.

    Lattimer then falsely claimed that the bullet holes in the experiments matched those in the actual case. The similarity of these lies is interesting, expressed here in millimeters for easy comparison:

    table 1

    Lattimer put together crudely deceptive exhibits designed to sell the public on the size of Connally’s back wound. Please see my illustrated essay “Big Lie About a Small Wound” at www.historymatters.com. You will not find this particular lie in Reclaiming History. Bugliosi and I have a mutual acquaintance who quietly implied that people working for him have seen the article and, for that reason, stayed away from this more obvious fraud. I have no way of verifying this behind-the-scenes story.

    Getting back to the fraud concerning the hole in the lapel, Bugliosi carefully avoided repeating Lattimer’s lie that the hole in the experiment’s lapel was 30mm – the exact length of the Carcano bullet. Instead he was vague, calling it “large,” and, apparently in an effort to nail it down as an exit, even though this is not in dispute, he add the word “ragged” to its description. (See Specimen #5.)

    Bugliosi was also very careful in the way he reported a second set of experiments performed by Lattimer to complement the first. When Lattimer fired directly at the simulated torso alone, with no intervening target representing Kennedy’s neck, the mock-up ribs did not push out the lapel, the bullet did not exit tumbling – it came out straight, and the hole in the experimental jacket lapel was small. In Lattimer’s own words, “The jacket did not bulge out and the lapel did not turn over…With the bullet going straight ahead, wounds to the rib, shirt and jacket were punctate … “ But look how Bugliosi avoids the significant details of this experiment:

    Specimen 6:

    Of particular importance is the fact that subsequent test rounds that were fired directly into the mock-up of the governor without first passing through the mock-up of Kennedy’s neck produced no bulge of the jacket. Without the tumble caused by the bullet’s passage through the simulated neck, there was no billowing of the jacket. (Bugliosi, Endnotes, p. 327)

    Significant omission: Not one word from Bugliosi on the size of the hole in the front of the jacket used in the experiment.

    Another table, though redundant, may make all this easier to digest:

    table 2

    Readers of Reclaiming History would have to do a lot of digging into primary source material to discover Bugliosi lies, revisions, and omissions. It’s interesting that the facts that Bugliosi tried to hide could actually be used to show that Connally was shot by a separate bullet, but there is glaring evidence the experiments were rigged: How could Lattimer’s mock-up of a “neck” cause a bullet to tumble, while the thicker “torso,” complete with ribs (one of which was hit by the bullet) did not interfere with the bullet’s flight at all?

    Michael Baden – Another Unsanitary Source

    Michael M. Baden, M.D., at the time, Chief Medical Examiner, New York City, and Chairman of the HSCA Medical Panel, was one of Bugliosi’s main sources of interpretation of the medical evidence, mentioned in the book no fewer than 92 times, including references — and is himself a specimen.

    Before you take what he says seriously, no matter how authoritative it sounds, you should take a good look at what he is capable of. You have heard the expression “stretching the truth,” but here is an instance of stretching a lie. In this case, the lie he stretches came from John Lattimer. (See above section, and, for more details, see “Big Lie about a Small Wound” at www.historymatters.com.

    As mentioned earlier, Lattimer doubled the length of the back wound (from 15 to 30mm) so that it matched the length of a Carcano bullet. Baden, knowing that the wound’s scar had to be larger than the wound itself, revised what he reported earlier – and doubled the size of the scar!

    Baden’s report to the HSCA:

    On removing his shirt, it was readily apparent that at the site of gunshot perforation of the upper right back there is now a 1 1/8-inch long horizontal pale well healed … “ (7 HSCA 143-144; 240) (Emphasis added.)

    Baden’s report to the Public:

    According to Connally’s medical records, the bullet struck him nose first in the back and left a vertical scar. I thought the records were wrong. If it was the same magic bullet, it would have gone in sideways … I needed to examine Connally …

    “He removed his shirt. There it was – a two-inch long sideways entrance scar in the back. He had not been shot by a second shooter but by the same flattened bullet that went through Kennedy. (Unnatural Death: Confessions of a Medical Examiner, Random House 1989, p.20) (Emphasis added.)

    Two inches versus one and one-eighth. Quite a contribution to the single bullet theory. How could Bugliosi trust anything Michael Baden says about anything?


    Part Two

    The Head Wounds

    Background

    The damage to John Kennedy’s head remains as mysterious as the dark side of the moon. Too many revisions in the evidence, and too many pseudoscientific explanations for these revisions, make it impossible to know what, or whom, to believe.

    The word “discrepancy” is inadequate to explain the extreme contrast among some of the different versions of the wounds.

    First, it was Parkland (large defect representing an exit wound in the rear of the skull) versus Bethesda (entrance wound in the rear); then it was Bethesda (entrance low) versus the Clark Panel and HSCA (entrance four inches higher); then it was Parkland 1963 (large defect in the rear) versus Parkland 1990’s (didn’t see any defect; misunderstood what they saw), and so on.

    The Parkland doctors in Dallas, including the Chief of the Division of Neurosurgery, William Kemp Clark, described a large defect in the bone at the right rear of the head, evidence of an exit wound they thought — from a bullet fired from the front.

    Dr. Clark and others defined the types of bone along the perimeter of the hole and noted that some of the bone was “avulsed,” that is, thrust outward. Inside and out, they saw both cerebrum and cerebellum (brain tissue with distinctly different texture that lies below the cerebrum). Cerebellum (unlike ubiquitous cerebrum) exuding from the defect was considered strongly suggestive of an exit in the rear.

    Dr. Clark did not record his observations for merely academic reasons. He had to look carefully into the defect to assess what was left of the brain in order to make a decision on whether to stop resuscitation efforts. He did not try to assess the full extent of the defect.

    Late in the evening of the autopsy, three skull fragments, found in the limousine, were delivered. One of those fragments presumably fit into the defect in the rear of the head. It had a semicircular notch on its edge, said to be part of a hole created by an entering bullet.

    The alleged entrance wound was defined by a notch on the edge of the skull, put together with a notch on the edge of the bone fragment. The two semicircular notches together made one full circle — oval in shape — representing a bullet hole. (For the sake of brevity, I’m omitting all the contradictory testimony on this issue.)

    Now consider the location of the completed bullet hole: the pathologists said it was “just above” the EOP (external occipital protuberance) a landmark bump — low in the rear of the head. This necessarily means that the defect – and the fragment that filled it — also had to begin low in the rear of the head.

    Gary L. Aguilar, M.D. has proven, with great elegance, that what Bethesda reported was not so different from what Parkland reported: a large defect in the rear of the head. Please see How Five Investigations Got it Wrong at www.history-matters.com He was the first to report the significance of the pathologists’ measurements of the defect and the fragments — what these figures meant with respect to the damage in the rear, and what Parkland had reported.

    The language used by the pathologists was vague. They said the defect was “somewhat” into the occiput while emphasizing the damage in the front of the head. And their diagrams suggested the bullet hole was much lower than the lowest edge of the defect. (They explained that the diagrams only showed the hole in the scalp as opposed to the bone underneath.) The main Parkland-Bethesda controversy then is not whether there was a defect in the rear – there was — but whether a bullet entered, or exited, from that area.

    Getting back to Dallas, in the 1990’s, some of the Parkland doctors said they never saw any defect; they said the back of the head was hidden by a curtain of gore-drenched hair that misled them into thinking a wound was under it. They also revised what they said about the brain: what they thought was cerebellum was just damaged cerebrum.

    There is a big problem with this explanation: these doctors also reported seeing damaged cerebrum, tissue which they did not mistake for cerebellum. Obviously they made a distinction between the two. And some of the exposed cerebellum was sufficiently intact to exhibit grossly visible, definable characteristics. Dr. Clark, a distinguished neurosurgeon and the most qualified of all the physicians who saw the head damage, never changed his story.

    Michael Baden, to whom Bugliosi often turned for advice, has also made good use of the hair-curtain explanation. He used it to explain how on-lookers at the autopsy could be so “wrong” about the greater defect in the skull. He even used it to explain why the pathologists were “wrong” about where the skull entrance wound was. Baden gives new meaning to the expression “pulling the wool over one’s eyes.”

    Few medical professionals would be fooled by such an explanation. Anyone who has dealt with trauma knows that even the least serious little wound in the highly vascularized scalp can cause a great blood bath. Even brain injuries can look worse than they are. Doctors and nurses always look under the mess for its source.

    Another source of the controversy: an object on the skull X-ray (frontal view), presumed to be a bullet fragment. The pathologists, the acting radiologist, and other autopsy witnesses described the largest fragment as just a sliver, shaped like a matchstick, located in the front of the head, right behind the right eye. They confirmed its location in the brain, and extracted it.

    The frontal X-ray shows something quite different: a shiny round object with the same diameter as the Carcano bullet, imbedded in the rear of the head. It shows through the eye socket, as obvious as a candle in a pumpkin. And all skull X-rays show the new location of the entrance, four inches higher. (Army experiments on skulls performed in 1964, after the autopsy report was written, showed that the lower entrance resulted in an exit that was also too low. A reason to relocate the entrance?)

    Below you will find a few specimens that reflect Bugliosi’s attempts to deal with these controversies. There are many more that I have not reported for lack of time.

    Autopsy Protocol

    Cerebellum

    Specimen 8:

    But although the autopsy report notes that “the major portion” of the right cerebrum was “exuding” from the large defect on the right side of the president’s head, there isn’t one word in the report indicating that any part of the cerebellum was missing or even lacerated. 148 (Bugliosi, p. 404)

    Specimen 9:

    It bears repeating that the autopsy report only mentioned damage to the cerebrum, not the cerebellum. (Bugliosi, p. 405)

    Specimen 10:

    Dr. Boswell, in response to Parkland doctor Kemp Clark’s claiming to have seen “exposedä cerebellar tissue,” told Dr. Gary Aguilar, “He was wrong.† The right side of the cerebrum was so fragmented.† I think what he saw and misinterpreted as cerebellum was that.” (Bugliosi, p. 405)

    Significant omission: What Bugliosi does not report is that there is not one word, one way or the other, on the appearance of the cerebellum in the main Autopsy Report or in the Supplemental Autopsy Report, where a description of the organ belonged, under the heading “Gross Description of the Brain.” (A significant omission from the autopsy protocol itself, and from Bugliosi’s description of it.)

    Another significant omission: Bugliosi does not report that in the section on the Microscopic specimens, the cerebellum (item “f. From the right cerebellar cortex”) is indeed mentioned as having “significant abnormalities … directly related to the recent trauma.” The entire quote:

    “Multiple sections from representative sections are essentially similar and show extensive disruption of brain tissue with associated hemorrhage. In none of the sections examined are there significant abnormalities other than those directly related to the recent trauma.” (CE 391, page 2, ARRB MD4)

    It is not likely the typist mistook “cerebrum” for “cerebellum.” Individual parts of the cerebrum were listed: the right parietal lobe, the right frontal lobe, the left fronto-parietal cortex — all parts of the cerebrum. The pathologists clearly described both types of brain tissue.

    It is standard to mention all normal parts of an organ adjacent to the abnormal parts, and the exclusion of the cerebellum from the Gross Description of the Brain, and its inclusion in the Microscopic Examination, is intriguing indeed.

    Occiput

    Specimen 11:

    Cerebellum certainly wouldn’t likely have been expelled from any defect in the right front of the president’s head, where the Warren Commission and the autopsy surgeons concluded the exit wound was. (Bugliosi, p.405)

    Specimen 12:

    Baden: “But, clearly from the autopsy X-rays and photographs and the observations of the autopsy surgeons, the exit wound and defect was not in the occipital area. There was no defect or wound to the rear of Kennedy’s head other than the entrance wound in the upper right part of his head.” (Bugliosi, p.408)

    As a matter of fact, the autopsy surgeons said the great defect was chiefly in the parietal area but “extended somewhat into the temporal and occipital regions.” (Autopsy Protocol, p.3) (Emphasis mine.) (And do not confuse the location of the defect with that of the exit.)

    Cerebellum “Mistaken” for Cerebrum

    Specimen 13:

    Dr. Jenkins wrote that “the cerebellum had protruded from the [head] wound … ” However, Jenkins changed his mind after seeing autopsy photographs in 1988, telling author Gerald Posner that “the photos showed the President’s brain was crenelated from the trauma, and it resembled cerebellum, but it was not cerebellar tissue.” (Bugliosi, p.405)

    Specimen 14:

    [Quoting Dr. Carrico] “Looking at the shredded pieces of brain on the gurney, it looked like some of it had the characteristics of cerebellum, which kind of has a wavy surface. But because these brain pieces were shredded, this could easily have led to confusion as to whether it was all cerebrum – which has broader bands across the surface – or some cerebellum.” (Bugliosi, p. 405)

    As Bugliosi reports, several other Parkland doctors revised their statements, but I repeat: there is a big problem with this explanation. These doctors also reported seeing damaged cerebrum, tissue which they did not mistake for cerebellum. Obviously they made a distinction between the two. Some of the exposed cerebellum was sufficiently intact to exhibit grossly visible, definable characteristics. (And it is strange that Bugliosi gives credence to anything said by Marion T. Jenkins, considering this doctor’s ability to confabulate. For details, please see my essay, “The Wandering Wounds,” at http://www.assassinationweb.com/cranrev.htm.

    The Great Hair Curtain

    Hair Hides Wound from Parkland?

    Specimen 15:

    [W]hat is the explanation for several of the other Parkland doctors erroneously thinking that the large exit wound was to the right rear of the President’s head as opposed to the right frontal region, where all the medical and scientific evidence proved it to be? Dr. Michael Baden … has what I believe to be the answer …”The head exit wound was not in the parietal-occipital area, as the Parkland doctors said. They were wrong … That’s why we have autopsies, photographs, and X-rays to determine things like this. Since the thick growth of hair on Kennedy’s head hadn’t been shaved at Parkland, there’s no way for the doctors to have seen the margins of the wound in the skin of the scalp. All they saw was blood and brain tissue adhering to the hair. And that may have been mostly in the occipital area because he was lying on his back and gravity would push his hair, blood, and brain tissue backward … (Bugliosi, pp 407-408) (Emphases his.)

    Bugliosi quotes several Parkland doctors who now say the wound was obscured by hair, “confirming” Baden’s explanation. But how could Bugliosi accept this without question even though he has shown he is familiar with testimony that contradicts it – that these doctors looked beneath the hair, and saw a defect in bone? Doctors and nurses always look under the mess for its source. Among the following quotes, notice all the references to bone:

    “[A] large wound beginning in the right occiput extending into the parietal region. Much of the skull appeared gone.” (17 WCH 10) “This was a large, gaping wound in the right posterior part, with cerebral and cerebellar tissue being damaged and exposed.” (6 WCH 20) “The loss the right occipital and probably part of the right parietal lobes would have been of specific importance. (6 WCH 26). William Kemp Clark

    “The wound … was a large gaping wound, located in the right occipitoparietal area. . . . about 5 to 7 cm. in size, more or less circular, with avulsions of the calvarium and scalp tissue.” (6 WCH 6) Carrico

    “It seemed to me that in the right occipitalparietal area that there was a large defect. There appeared to be bone loss and brain loss in this area.” (6 WCH 71) Peters

    “There was a great laceration on the right side of the head (temporal and occipital), causing a great defect.” (17 WCH, CE 392) “I really think part of the cerebellum, as I recognized it, was herniated from the wound.” (6 WCH 48) Jenkins

    “I noted a large avulsive wound of the right parietal occipital area, in which both scalp and portions of skull were absent, and there was severe laceration of underlying brain tissue.” (3 WCH 371) Perry

    “[T]he parietal bone was protruded up through the scalp and seemed to be fractured almost along its right posterior half, as well as some of the occipital bone being fractured in its lateral half, and this sprung open the bones that I mentioned in such a way that you could actually look down into the skull cavity itself and see that probably a third or so, at least, of the brain tissue, posterior cerebral tissue and some of the cerebellar tissue had been blasted out. (6 WCH 33) McClelland

    Hair Hides Wound from Autopsy Onlookers?

    Specimen 16:

    Baden said that Kennedy’s head wasn’t even shaved of its hair at the time of the autopsy, and hence, any observations by onlookers of the autopsy, as opposed, he said, to the autopsy surgeons themselves, who were working directly with the president’s head) would likely have been skewed. (Bugliosi, p.408)

    A small hole revealed by shaving the scalp is probably the one thing observers at a distance would not be able to appreciate. But these onlookers observed the scalp being reflected back to show the damage in the actual bone. Some described the brain being removed, and made other very specific observations that were based on a view of naked bone. (These witness statements have been reported so extensively by so many researchers I shall not repeat them here.) Baden apparently wishes to imply these observers saw not much more than what shows in the gory, messy photos taken before the autopsy began. Ridiculous as the comment in Specimen 15 is, Baden has topped it! See next section.

    Hair Hides Wound from Prosectors who Performed Autopsy?

    Significant omission. Bugliosi knew better than to repeat what Baden said about the four-inch discrepancy in the location of the entrance wound. In Specimen 15, Baden at least admitted that the autopsy surgeons working directly with Kennedy’s head had a better view. But you would never know it from this comment which appears in a book Baden wrote for the public:

    “Perhaps the most egregious error was the four-inch miscalculation. The head is only five inches long from crown to neck, but Humes was confused by a little piece of brain tissue that had adhered to the scalp. He placed the head wound four inches lower than it actually was, near the neck instead of the cowlick.” (Unnatural Death: Confessions of a Medical Examiner, Random House, 1989, p. 16)

    As Baden knew very well, the pathologists folded back the scalp to observe the skull directly and, they said, they looked at what was left of the hole from the inside of the skull.

    Bugliosi Blames Baden’s Co-Author

    Bugliosi admitted there were “errors” in Baden’s book, and he mentioned a few, giving the greatest space to the one concerning Pierre Finck’s background. Baden had said, falsely, that Finck had never performed an autopsy on a victim of a gunshot wound before. But Bugliosi never mentioned the two outrageous assertions from Baden’s book that I have quoted in this essay. And the excuses he makes for Baden are just not credible.

    Specimen 17:

    Baden, one of the top forensic pathologists in the nation, is an extremely busy man, and if I were to wager, he coauthored this book on the run, leaving much of the detail to his coauthor [Judith Adler Hennessee], who is not a doctor. (Bugliosi, Endnote #5, p.219)

    “Detail.” The “errors” that are the most embarrassing – the ones Bugliosi does not mention — do not concern “detail.” They are assertions concerning facts and logic treated as linchpins in proving the lone assassin theory.

    “An extremely busy man.” The chapter on the Kennedy assassination was quite small — just a few pages long — in a small book. Baden was too busy to review statements made in his name on the Crime of the Century? (Maybe he had hair in his eyes and couldn’t see the print?) “If I were to wager.” As if he had to guess. As if Baden were not available to ask directly. Considering all the direct personal contact Bugliosi had had with Baden as documented extensively in this book, you would think Bugliosi would have asked Baden himself about all of these strange statements. But, then, maybe they both were too busy.

    No Co-Author to Blame for This One

    When it came to explaining the four-inch discrepancy to Congress, Michael Baden told a different story:

    “[P]reparing the autopsy report 24 hours after the autopsy was completed and after the body had been removed, may have contributed to the more significant mistake of placing the gunshot wound of entrance 4 inches lower than it actually was. The description of the size and shape of the entry wound is correct, but the location is incorrect perhaps due to reliance on memory.” (Emphasis mine.) (1 HSCA 306)

    The location was incorrect “perhaps due to reliance on memory?” None of the congressmen questioned this. Apparently they were unaware of the notes and diagrams made during the autopsy and used in the preparation of the autopsy report. The wound, as depicted in the drawing on the autopsy descriptive sheet (ARRB MD #1), looks to be precisely at the EOP (external occipital protuberance) – low, far below another memorable landmark, the cowlick. (This interview took place before the growth of the Hair Curtain.)

    Authenticating the Skull X-rays

    Many of us are skeptical about the authenticity of the skull X-rays because what they show is just too different from what was described by the closest and most qualified witnesses. We are especially skeptical of the shiny new fragment – the perfect slice of a 6.5 Carcano bullet – that no one reported in 1964.

    David Mantik, M.D., Ph.D., a radiologist and physicist, has provided highly technical reasons for believing the X-rays are counterfeit. Bugliosi cannot deal with these concepts, and turns to wound ballistics expert Larry M. Sturdivan (BS in Physics, MS in statistics) and Dr. Chad Zimmerman for help in rebutting Mantik’s theories. What Zimmerman said about the fragment itself contradicts the opinion of the HSCA’s expert radiologist.

    Specimen 18:

    [Quoting Zimmerman] Personally, I think it may actually have been a bullet fragment that was stuck in the hair or on the skin and later fell off … I feel it is real because of the lack of film grid lines in the surrounding area, which, in my opinion, are an absolute must … in order for it to be a post-autopsy forgery. (Bugliosi, Endnotes, p.222)

    According to Gerald McDonnel, the HSCA expert radiologist, the metal fragment was imbedded on the inside of the scalp (7 HSCA 133). If McDonnel is right, it could not have been “stuck in the hair or on the skin” as Zimmerman muses.

    In any case, this does not explain why no one, including the acting radiologist at the autopsy, saw this obvious fragment on the X-ray.

    As for his opinion on what makes a forgery, what are his qualifications? Chad Zimmerman has provided Bugliosi and others with his opinions on several aspects of this case – ballistics, acoustics, neurology, radiology and photography, all promoting the lone assassin theory. He does not provide references from scholarly sources for his opinions; does this mean that he himself is a recognized scholarly source?

    With all due respect, who is Chad Zimmerman to disagree with Gerald McDonnel? He is a Doctor of Chiropractic. (Bugliosi, Endnotes, p. 327) According to his advertisements, he offers massage therapy. This case has had quite enough massage therapy.

    They Will Say Anything

    One thing is clear, if nothing else: there are people who will say anything to promote the lone assassin theory.

    It would be nice if you could just cast aside all the words and look at the images, the X-rays for instance. But here, again, you need words – the words of the people who authenticated them. Would McDonnel et al have the sophistication the spot the signs of a sophisticated forgery? Who is qualified to do that? The very people who have the expertise may be the least credible, considering their close association with the government. The relationship between Kodak and the often deceptive CIA is well established.

    Would they, too, say anything, true or not?

    How would you know?

  • Oswald’s Ghost


    It is difficult to understand why Robert Stone made his new documentary on the JFK case, Oswald’s Ghost, which is airing on PBS stations nationwide on January 14, 2008.

    There is good reason to approach this film with great skepticism. For one thing, it contains no new information. The Assassination Records Review Board has been closed down now for several years. There has been abundant time to go through the millions of new pages that have finally been declassified. Yet Stone chose not to do this. Which, of course, seems rather odd. What is even more odd is that although the film mentions Oliver Stone and his film JFK, the ARRB is never even mentioned in the picture. In other words, the body that literally almost doubled the amount of documentation available on the JFK case goes unnoticed in a film on that very case.

    That tells you something about the film. So does Robert Stone’s choice of interview subjects. There are eleven main talking heads in the film. Four of them deal with the historical, political, and sociological backdrop of the era: Tom Hayden, Robert Dallek, Todd Gitlin, and Gary Hart. Seven of them deal with the assassination itself. Two are from the conspiracy camp: Mark Lane and Josiah Thompson. Five of them are Warren Commission advocates: Dan Rather, Priscilla Johnson, Edward Epstein, Hugh Aynesworth, and the late Norman Mailer. And this quintet has a lot more screen time than Lane and Thompson.

    So clearly, with this talking head line-up, Stone basically announces that he has no interest in divulging any new information or exploring any outstanding mysteries of this case. In fact, the very first shot in the film tells us where he is headed. It is of the so-called sniper’s nest window, which the Warren Commission alleged that Lee Harvey Oswald fired from. The end features Mailer’s bloviating voice-over about Oswald’s ghost not being able to talk as we see first the accused assassin’s gravestone and then a photo of a young Lee. So far from being any kind of free form, or even handed piece of investigatory journalism, the film stacks the deck and tries to lead the viewer to a preordained conclusion.

    And if one knows little or nothing about the JFK case, that conclusion may be convincing not just because of the imbalance of the witnesses, but also because of the cinematic skill of the director. Few American documentaries I have seen have been done with the technical brio and facility of this one. In sound, pacing, montage, and use of photographic devices, the film is extraordinarily well executed. And the intermixing of audiotapes, narrative voice-over, archival footage, present day film, and witness interviews is effective at giving the film a well-knitted surface that implies texture and depth to the uninitiated.

    But for someone who is not a novice, the film and its conclusion summon up the famous Chesterton comment. The first time G. K. Chesterton strolled down 42nd Street in Manhattan, he said, “What a wonderful experience this must be for someone who can’t read.” Because as with the first and last shots, the film is a transparent set-up. There is very little discussion of the evidence. The single bullet theory is barely mentioned and is not illustrated. The magic bullet, CE 399, goes unnoticed. The Zapruder film is used, but only in a very limited way. The only time the head snap at frame Z 313 is shown it is not with the Robert Groden, rotoscoped version i.e. enlarged, slowed down, and stabilized. So therefore it does not have its usual visual impact. When Stone does show that version of the film, he cuts right before frame 313, the head snap, to a shot of Oswald walking in the opposite way. To me, this was a clear subliminal message betraying both the director’s sophistication and his bias.

    The structure of the film is essentially chronological. It begins with the events of November 22nd in Dallas. As recited by Aynesworth, Stone depicts the assassination, the shooting of J. D. Tippit, and Oswald’s apprehension and incarceration. We then watch the shooting of Oswald by Ruby and how this then provoked President Johnson into creating the Warren Commission. There is very little discussion of how the Warren Commission worked or how they arrived at their conclusions. The third movement of the film tells us about the wave of books and articles that were published in the wake of the Commission’s findings. But again, there is very little, if any, enumeration of what was in any of these books. For example, Stone creates a scene in which we look down at a kind of black pit. He then drops several of these books from above the camera and we watch them disappear into this bottomless hole. It’s quite an achievement to drop a monograph as well done as Ray Marcus’ The Bastard Bullet and try and tell the audience by visual metaphor that it means nothing.

    The film then goes to a fourth section, which is on the investigation by New Orleans DA Jim Garrison. If there were any doubts about the director having an agenda, they are quickly dispelled here. The two leading witnesses on the Garrison inquiry are Aynesworth and Epstein. This would be like doing a special on Bill and Hillary Clinton and having as your two chief talking heads Ann Coulter and Christopher Ruddy. But director Stone has no qualms about letting these two men expound at length on the DA, with rather predictable results. Aynesworth brings up the Sodium Pentothal (truth serum) session conducted at Mercy Hospital by Dr. Esmond Fatter with Perry Russo. And he dusts off the old chestnut that was used by his friend James Phelan: by rearranging the sessions in time sequence, he makes it appear that Fatter was leading, even implanting, information in Russo’s mind. The film then heightens this impression by using overexposed photography as a background. Lisa Pease previously exposed this distorting technique at length as used by Phelan. (See Probe Vol. 6 No. 5 p. 26). It was also used by Shaw’s defense team, of which Aynesworth was a full-fledged member, an important fact that the film keeps from the viewer.

    The next swipe the film takes at Garrison is his use of a questionable codebreaking device in one of Shaw’s address books to adduce Jack Ruby’s unlisted phone number. The film milks this for all it is worth — which is not very much — as we see both Epstein and Aynesworth talk about it, along with Lane. What the film leaves out, of course, is that when one is dealing with a complex, labyrinthine crime that has been well-disguised, then blind alleys and faulty hypotheses will naturally be encountered. And eventually discarded, as this eventually was. This particular attack on Garrison highlights the imbalance of the piece. For if one is going to skewer the DA about a faulty theory he eventually abandoned, then why not blister the Warren Commission about several of its dubious findings which it never abandoned? To use just one example: the condition of the magic bullet, CE 399. Why didn’t Stone show the comparison photographs of test bullets in the experiments Dr. Joseph Dolce did and then have him testify that it was impossible to get such a pristine result by shooting the bullet into flesh and bone? Dolce was a true authority in the field with no bias involved. Something that cannot be said about Aynesworth and Epstein.

    I was really saddened to see Stone allow Epstein to characterize the discovery of Clay Shaw through Russo’s characterization of Clem Bertrand as a homosexual. This is just wrong of course, as Garrison first got interested in Shaw through Dean Andrews’ testimony in the Warren Commission. (And Andrews’ testimony interested others such as Lane and Sylvia Meagher.) From this faulty assumption, Stone then goes into a segment that actually tries to characterize the Garrison inquiry as some kind of excuse for homosexual persecution. This is so irresponsible as to border on the malicious. Culminating this reckless and wild sequence, Stone allows Clay Shaw to tell us that Garrison is a character out of Machiavelli: he will utilize any kind of means to achieve his end. The message being that Machiavelli/Garrison would even falsely accuse an unfortunate closet homosexual of being a conspirator.

    And this is where I thought the film really started to break down and dissolve into a slick propaganda piece. For to discuss the Garrison inquiry and leave out what is probably his greatest discovery is ridiculous. I am referring to the address on Oswald’s Fair Play for Cuba flyer: 544 Camp Street. Which of course was the location of rabid right winger Guy Banister’s office. But if you watch the film you eventually understand why the director has to leave this crucial piece of information out. It relates to the ludicrously outdated and one-sided portrait of Oswald. Which is lifted right out of the Warren Report, only slightly moderated by Johnson and Mailer. In this film Oswald is the malcontent Marxist loner who wanted to be a Big Man in History, and strike a blow for the cause. But if Stone would have gone into the whole 544 Camp Street mystery and how it leads Oswald to people like Banister, Kerry Thornley, the Cuban exiles, David Ferrie, Clay Shaw and then later to the Clinton-Jackson incident, then the viewer will have something called cognitive dissonance. In other words, he will have to ask himself: What the heck is a Communist doing with all these nutty CIA guys who want to overthrow Castro? And the viewer might then notice another lacunae in the film: If Oswald was a communist, why has the film not produced any communist comrades who were in a cell with him? Maybe because there weren’t any? Perhaps because Oswald wasn’t a communist at all? Which is precisely what Garrison said in his famous Playboy interview.

    Relating to this last point, there is another interesting methodogical paradox with which Stone closes the section on Garrison. He has Epstein say that the DA ended up not just attacking those who defended the Warren Commission, but he then accused his critics in the press of being involved in a coordinated attack on him. At this point, an honest investigator would have asked Epstein the following questions: 1) Did the CIA distribute any of your articles on Garrison? 2) Did you forward any of your research materials to Clay Shaw’s defense team?, and 3) Were you in contact with any of the other lawyers who were defending witnesses or other suspects in the Garrison inquiry? And if Epstein denied any of this, I could have furnished Stone with documents on camera to contravene the denial. It would have been interesting to listen to Epstein’s response. But of course, with the releases of the ARRB, the very same thing could have been done with Aynseworth and Johnson. Which is probably why Stone ignored those releases. And if you do not tell your audience this about the loyalties of your “authorities” what does this then say about your honesty toward them and your own bona fides in making the film?

    After the hatchet job on Garrison, Stone moves onto Gary Hart and the Church Committee investigation. Hart mentions the CIA coup attempts, the assassination plots against foreign leaders, and the plots to kill Castro. But even here, Stone curtails his portrait of the Church Committee by concentrating on serial liar Judith Exner. And I should also note that this is essentially where the story rather arbitrarily stops. I say arbitrarily because the natural progression — both historically and by cause and effect — should have been from the Church Committee to the House Select Committee on Assassinations. The film never even mentions the HSCA. With Stone’s record, one has to postulate that one reason could have been because that body came to the conclusion that there was a conspiracy in the JFK case.

    The last part of the film essentially does two things: it pontificates about there being no real evidence produced for a cohesive and convincing conspiracy scenario, and it then hammers home the misfit portrayal of the accused assassin Oswald. Epstein does most of the former and, of course, if one ignores all the new evidence, one can get away with such a sleight of hand. But before Epstein made this pronouncement, I would have asked Mr. Stone if he ever read any of the new ARRB releases. If he said no, then I would suggest a new documentary to him based on just four areas of evidence. In order: the Clinton-Jackson incident, Oswald in Mexico City, the ballistics, and the autopsy. With just fifteen minutes on each, one could convincingly show that a) Oswald was being manipulated and impersonated in advance of the assassination b) That the “magic bullet” was never identified by the witnesses who discovered it c) That the bullet-lead evidence used to connect Oswald to the crime is phony, and d) That the Bethesda autopsy hid evidence of a blown out back of the head and multiple shooters.

    I think that would contravene Epstein rather nicely.

    The very end of the film intercuts the Mailer/Johnson triteness about Oswald –actually accusing him of shooting at Edwin Walker and killing Tippit — with people visiting Dealey Plaza and buying pamphlets on the case. The film shows us close-ups of money being exchanged in these transactions. So Stone’s parting shot is that while certain gifted writers (he actually labels Priscilla Johnson an historian) know the truth, there are those who still try and confuse the public about the facts of this case. And since the public does not want to believe a loser like Oswald killed a great hero like Kennedy, the business still goes on. You can only do this of course, if you ignore the evidence. And, as I mentioned above, that is the worst part of this whole enterprise. Oswald’s Ghost wants to take us back to 1970. It is as if the HSCA, JFK, and the ARRB never existed. Which makes me wonder about the people at PBS, which helped make this film for the series The American Experience. In 1993 they gave us the outrageously one sided Frontline special on Oswald, and now this: two Warren Commission carbon copies in 14 years.Yet this is not what PBS is supposed to be about. It is supposed to be about alternatives to network offerings. How can you have a special on the Kennedy case which features Dan Rather and call it an alternative to what the networks are offering? It is not any such thing. It is more of the same under a different, slicker disguise. But that does not make the underlying result any less cheap in its approach or worthless in its value.